The Lady of the Lake (Macfarren, George Alexander)

Movements/SectionsMov'ts/Sec's	24 numbers in 2 parts
Composition Year	1876, January (completion date)
Genre Categories	Secular cantatas; Cantatas; For 7 voices, mixed chorus, orchestra; For voices and chorus with orchestra; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the baritone voice; Scores featuring the bass voice; English language

Sheet Music

Complete Score
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Cover Page (grayscale)
*#179418 - 0.41MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 83×⇩ - Cypressdome

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Arranger	Natalia Macfarren (1826–1915)
Editor	First edition
Publisher. Info.	London: Stanley Lucas, Weber, & Co., n.d.(ca.1877). Plates S.L.W. 709–732.
Copyright	Public Domain [tag/del/mrg]
Misc. Notes	Original images: 300dpi, grayscale jpg2000 files approx. 2150 by 3080 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
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Work Title	The Lady of the Lake
Alternative. Title	A Cantata for Solo Voices, Chorus, and Orchestra
Composer	Macfarren, George Alexander
I-Catalogue NumberI-Cat. No.	IGM 7
Movements/SectionsMov'ts/Sec's	24 numbers in 2 parts
Year/Date of CompositionY/D of Comp.	1876, January (completion date)
First Performance.	1877-11-15 — Glasgow, Town Hall (Glasgow Musical Festival)
First Publication.	1877? – London: Stanley Lucas, Weber, & Co.
Librettist	Walter Scott (1771–1832) adapted by Natalia Macfarren (1826–1915)
Language	English
Dedication	Thomas Logan Stillie (1832–1883)
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	Voices: soprano, 2 altos, tenor, baritone, 2 basses + mixed chorus (SATB) Orchestra

Composed at the request of the Glasgow Musical Festival Committee. Commissioned in 1874 and composition completed in January, 1876.