Terzo Ballo detto Alta Maria (Allegri, Lorenzo)

Movements/SectionsMov'ts/Sec's	2
First Publication	1618
Genre Categories	Incidental music; Theatrical Works; Suites; Dances; For strings; Scores featuring string ensemble; For strings, continuo; Scores with basso continuo; For strings with continuo; For 6 recorders (arr); Scores featuring the recorder (arr); For 6 players (arr)

Sheet Music

Complete Score
*#202170 - 0.05MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1039×⇩ - Martin Grayson

PDF typeset by arranger
Martin Grayson (2012/4/11)

Complete Parts
*#202171 - 0.20MB, 6 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 361×⇩ - Martin Grayson

PDF typeset by arranger
Martin Grayson (2012/4/11)

Editor	Martin Grayson
Publisher. Info.	Martin Grayson
Copyright	Creative Commons Attribution 3.0 [tag/del/mrg]
Misc. Notes	These file(s) are part of the Werner Icking Music Collection.
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Complete Score
*#202195 - 0.05MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 545×⇩ - Martin Grayson

PDF typeset by arranger
Martin Grayson (2012/4/11)

Complete Parts
*#202196 - 0.21MB, 6 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 211×⇩ - Martin Grayson

PDF typeset by arranger
Martin Grayson (2012/4/11)

Editor	Martin Grayson
Publisher. Info.	Martin Grayson
Copyright	Creative Commons Attribution 3.0 [tag/del/mrg]
Misc. Notes	These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
Purchase	Javascript is required for this feature.

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Work Title	Terzo Ballo detto Alta Maria
Alternative. Title
Composer	Allegri, Lorenzo
I-Catalogue NumberI-Cat. No.	ILA 8
Movements/SectionsMov'ts/Sec's	2
First Publication.	1618
Average DurationAvg. Duration	1 minute
Composer Time PeriodComp. Period	Renaissance
Piece Style	Renaissance
Instrumentation	3 violin, 2 viola, cello (apparently also an ad lib. continuo)

According to Grove Music, "All of [Allegri's] dances can be identified as belonging to entertainments produced at the Medici court between 1608 and 1615, including La notte d'Amore (1608), La serena (1611, reworked as Le ninfe di Senna, 1613), Alta Maria (1614), I Campi Elisi (1614) and L'Iride (1615); each suite consists of dances from a single work."
All 8 Ballets, used for Florentine stage works were published in Il Primo Libro delle Musiche, Venice 1618.