String Sextet Quartertone (Hill, Malcolm)

Sheet Music

Scores

PDF typeset by composer
JemilonSM (2015/7/31)

Publisher. Info. Malcolm Hill
Copyright
Misc. Notes The performance restriction previously in place has been removed. However, Malcolm Hill's estate would be grateful to be made aware of any use/performance of this work, via https://malcolm-hill.co.uk/wp/contact/.
Purchase
Javascript is required for this feature.

Parts

PDF typeset by composer
JemilonSM (2015/8/21)

5 more: Violin 2 • Viola 1 • Viola 2 • Cello 1 • Cello 2

PDF typeset by composer
JemilonSM (2015/8/21)

PDF typeset by composer
JemilonSM (2015/8/21)

PDF typeset by composer
JemilonSM (2015/8/21)

PDF typeset by composer
JemilonSM (2015/8/21)

PDF typeset by composer
JemilonSM (2015/8/21)

Publisher. Info. Malcolm Hill
Copyright
Misc. Notes The performance restriction previously in place has been removed. However, Malcolm Hill's estate would be grateful to be made aware of any use/performance of this work, via https://malcolm-hill.co.uk/wp/contact/.
Purchase
Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title String Sextet Quartertone
Alternative. Title
Composer Hill, Malcolm
Opus/Catalogue NumberOp./Cat. No. mj154
I-Catalogue NumberI-Cat. No. IMH 121
Movements/SectionsMov'ts/Sec's 1
Year/Date of CompositionY/D of Comp. 1986
First Performance. Unperformed
First Publication. 1986
Average DurationAvg. Duration 15 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation 2 violins, 2 violas, 2 cellos

Navigation etc.

The Sextet is in mosaic form, with very brief gaps between sections. Temperament based on the equal subdivision of the perfect 5th (not perfect 8ve) would be ideal. Quartertone notes first appear as melodic inflections, but gradually become part of the functioning harmony and counterpoint, so that by the mid-point of the work they have been totally assimilated. The whole work has not yet been performed, but extended passages have been performed in Malcolm Hill’s “Desert Musics” mj255 (the final 4½ minutes of the Sextet in 2001) and in his “Sound Houses in New Atlantis” mj292 (the first 5 minutes of the Sextet in 2010).