Stances Chrétiennes (Oudot, Claude)

Movements/SectionsMov'ts/Sec's	4 cantatas
First Publication	1692
Genre Categories	Sacred cantatas; Cantatas; Religious works; For 3 voices, strings, continuo; For voices with strings; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the bass voice; Scores featuring string ensemble; Scores with basso continuo; For 3 voices, orchestra; For voices with orchestra; Scores featuring the orchestra; Scores featuring the alto voice; French language

Sheet Music

Complete Score
*#502103 - 31.32MB, 160 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 14×⇩ - Fynnjamin

PDF scanned by D-Dl
Fynnjamin (2017/11/26)

Editor	First edition
Publisher. Info.	Paris: Christophe Ballard, 1692.
Copyright	Public Domain [tag/del]
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Complete Score (2nd edition)
*#502104 - 39.06MB, 158 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 8×⇩ - Fynnjamin

PDF scanned by F-Pn
Fynnjamin (2017/11/26)

PDF scanned by F-Pn
Fynnjamin (2017/11/26)

Publisher. Info.	Paris: Christophe Ballard, 1692, 1704.
Copyright	Public Domain [tag/del/mrg]
Purchase	Javascript is required for this feature.

Complete Score
*#502106 - 40.26MB, 160 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 8×⇩ - Fynnjamin

PDF scanned by F-Pn
Fynnjamin (2017/11/26)

Editor	3rd edition [sic]
Publisher. Info.	Paris: J.-B.-Christophe Ballard, 1722.
Copyright	Public Domain [tag/del]
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Work Title	Stances Chrétiennes
Alternative. Title	Stances Chrestiennes de M. L. T. mises en musique a deux, trois, & quatre Parties, avec des Symphonies
Composer	Oudot, Claude
I-Catalogue NumberI-Cat. No.	ICO 1
Movements/SectionsMov'ts/Sec's	4 cantatas: La vanité du Monde Prieres, & Reflexions La Solitude Le retour d'un Pecheur à Dieu
First Publication.	1692
Librettist	Jacques Testu de Belval (ca.1626-1706)
Language	French
Dedication	Jacques Testu de Belval
Composer Time PeriodComp. Period	Baroque
Piece Style	Baroque
Instrumentation	no.1-3: 2 sopranos, bass, strings (2 violins, cello/viol), continuo No.4 is for 2 sopranos, alto, strings, continuo No.2 has indications for "flutes ou violons", making it "orchestra" rather than "string ensemble".

Grove Music describes these as "sacred dialogues between two soloists and chorus". Bibliothèque national de France refers to them as sacred cantatas.
The references to "choeur" may refer to the fact that all 3 voices are singing together, rather than there is a separate chorus involved. Both Grove Music and RISM treat it as for 2-4 voices
Couldn't find a section for 4 voices, though I doubt both RISM and Grove would get that wrong.