Sinfonische Fantasie 'Korea' (Kim, Hee Cheol)

Movements/SectionsMov'ts/Sec's 3
Composition Year 1990
Genre Categories Fantasias; For 2 voices, orchestra; For voices with orchestra; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the baritone voice; Scores featuring the orchestra; Korean language

Sheet Music

Scores

 I. Licht vom Morgenland
#685362 - 97.03MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 76×⇩ - Gertraude Spier

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Gertraude Spier (2021/3/27)

 II. Verlorenes Land
#685363 - 167.24MB, 19 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 28×⇩ - Gertraude Spier

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Gertraude Spier (2021/3/27)

 III. Aufsteigende Sonne
#687399 - 126.01MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 34×⇩ - Gertraude Spier

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Gertraude Spier (2021/4/1)

Publisher. Info. Hee Cheol Kim, 1990.
Copyright
Creative Commons Attribution 4.0 [tag/del/mrg]
Misc. Notes In the 3rd movement I converted the text into a vowelise. It is not possible for me to clarify the rights of the poet. If you have any questions, please contact me via the homepage. The Poet of the 3rd movement is Pak Tu-Jin (1916-1998)
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Parts

 Flutes I, II / Piccolo
#692861 - 15.76MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 20×⇩ - Gertraude Spier

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Gertraude Spier (2021/4/18)

⇒ 14 more: Oboe / English Horn • Clarinet in Bb • Bassoon • Horn in F I, II • Trumpet I, II • Trombone I, II • Tuba • Percussion • Timpani • Harp • Violin I, II • Viola • Cello • Double Bass

 Oboe / English Horn
#692862 - 10.11MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 16×⇩ - Gertraude Spier

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Gertraude Spier (2021/4/18)

 Clarinet in Bb
#692863 - 4.83MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 17×⇩ - Gertraude Spier

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Gertraude Spier (2021/4/18)

 Bassoon
#692864 - 9.75MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 14×⇩ - Gertraude Spier

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Gertraude Spier (2021/4/18)

 Horn in F I, II
#692865 - 21.40MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 26×⇩ - Gertraude Spier

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Gertraude Spier (2021/4/18)

 Trumpet I, II
#692866 - 12.62MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 16×⇩ - Gertraude Spier

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Gertraude Spier (2021/4/18)

 Trombone I, II
#692867 - 13.12MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 14×⇩ - Gertraude Spier

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Gertraude Spier (2021/4/18)

 Tuba
#692868 - 5.10MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 13×⇩ - Gertraude Spier

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Gertraude Spier (2021/4/18)

 Percussion
#692869 - 8.70MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 17×⇩ - Gertraude Spier

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Gertraude Spier (2021/4/18)

 Timpani
#692870 - 3.46MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 17×⇩ - Gertraude Spier

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Gertraude Spier (2021/4/18)

 Harp
#692871 - 27.67MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 13×⇩ - Gertraude Spier

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Gertraude Spier (2021/4/18)

 Violin I, II
#692872 - 26.63MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 22×⇩ - Gertraude Spier

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Gertraude Spier (2021/4/18)

 Viola
#692873 - 11.02MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 12×⇩ - Gertraude Spier

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Gertraude Spier (2021/4/18)

 Cello
#692874 - 17.32MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 17×⇩ - Gertraude Spier

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Gertraude Spier (2021/4/18)

 Double Bass
#692875 - 10.94MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 15×⇩ - Gertraude Spier

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Gertraude Spier (2021/4/18)

Publisher. Info. Hee Cheol Kim, 1990.
Copyright
Creative Commons Attribution 4.0 [tag/del/mrg]
Misc. Notes Some parts could not be located, eg. timpani, trumpet, trombone all in movement III, but these parts can be found in the score.
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General Information

Work Title Sinfonische Fantasie "Korea"
Alternative. Title Han Gyore
Composer Kim, Hee Cheol
I-Catalogue NumberI-Cat. No. IHK 38
Movements/SectionsMov'ts/Sec's 3
Year/Date of CompositionY/D of Comp. 1990
First Performance. 1990
Librettist Tagore (1890–1941)
Language Korean
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation soprano, baritone, orchestra

Navigation etc.

The estate did not contain the complete score, but there were many parts. I have restored a lot, for example the complete 2nd movement and parts of the first movement. In addition, many additions that arose during the rehearsal phase. In the 2nd movement, I have therefore taken the notes from the voice of the B-Clarinet without transposing them.

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