Shylock, suite, Op.57 (Fauré, Gabriel) - IMSLP

Movements/SectionsMov'ts/Sec's	6 movements
Composition Year	1889
Genre Categories	Incidental music; Theatrical Works; Suites; [12 more...]For voice, orchestra; For voices with orchestra; Scores featuring the voice; Scores featuring the tenor voice; Scores featuring the orchestra; French language; For piano 4 hands (arr); Scores featuring the piano (arr); Scores featuring the piano 4 hands (arr); For 2 players (arr); For violin, piano (arr); Scores featuring the violin (arr)

Contents

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1 Performances
- 1.1 Naxos
2 Sheet Music
3 General Information

Performances

Naxos

Sheet Music

Full Scores

Complete Score
*#26951 - 5.41MB, 87 pp. - 7.3333333333333/10 2 4 6 8 10 (3) - V/V/12 - 3618×⇩ - Daphnis

PDF scanned by Unknown
Daphnis (2009/1/19)

Publisher. Info.	Paris: J. Hamelle, n.d.[1897]. Plate J. 4111 H.
Copyright	Public Domain [tag/del]
Purchase	Printed copy of this file (UK & EU)

5. Nocturne
*#375735 - 0.07MB, 5 pp. - 0/10 2 4 6 8 10 (0) - !N/!N/!N - 2489×⇩ - SGA

PDF typeset by editor
SGA (2015/4/27)

Editor	SGA
Publisher. Info.	SGA
Copyright	Creative Commons Attribution 4.0 [tag/del]
Misc. Notes	This Movement is Strings Only
Purchase	Javascript is required for this feature.

Parts

Complete

Flute 1/2
*#493788 - 0.58MB, 6 pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 79×⇩ - Philhar

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Philhar (2017/9/21)

⇒ 12 more: Oboe 1/2 • Clarinet 1/2 (B♭/A) • Bassoon 1/2 • Horn 1/2, 3/4 (F) • Trumpet 1/2 (F) • Timpani, Triangle • Harp 1, 2 • Violins I • Violins II • Violas • Cellos • Basses

Oboe 1/2
*#493789 - 0.56MB, 6 pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 57×⇩ - Philhar

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Philhar (2017/9/21)

Clarinet 1/2 (B♭/A)
*#493790 - 0.83MB, 8 pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 57×⇩ - Philhar

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Philhar (2017/9/21)

Bassoon 1/2
*#493791 - 0.64MB, 7 pp. - 10/10 2 4 6 8 10 (1) - V/V/V - 55×⇩ - Philhar

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Philhar (2017/9/21)

Horn 1/2, 3/4 (F)
*#493792 - 0.96MB, 10 (6, 4) pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 65×⇩ - Philhar

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Trumpet 1/2 (F)
*#493793 - 0.27MB, 3 pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 55×⇩ - Philhar

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Philhar (2017/9/21)

Timpani, Triangle
*#493794 - 0.22MB, 3 (2, 1) pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 60×⇩ - Philhar

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Philhar (2017/9/21)

Harp 1, 2
*#493795 - 0.82MB, 8 (7, 1) pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 65×⇩ - Philhar

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Philhar (2017/9/21)

Violins I
*#493796 - 0.85MB, 9 pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 76×⇩ - Philhar

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Violins II
*#493797 - 0.83MB, 8 pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 72×⇩ - Philhar

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Philhar (2017/9/21)

Violas
*#493798 - 0.70MB, 7 pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 69×⇩ - Philhar

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Philhar (2017/9/21)

Cellos
*#493799 - 0.59MB, 6 pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 63×⇩ - Philhar

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Philhar (2017/9/21)

Basses
*#493800 - 0.47MB, 5 pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 65×⇩ - Philhar

PDF scanned by Philhar
Philhar (2017/9/21)

Publisher. Info.	Paris: J. Hamelle, n.d.[1897]. Plate J. 4112 H.
Copyright	Public Domain [tag/del/mrg]
Purchase	Printed copy of this file (UK & EU)

Violins I
*#100304 - 0.47MB, 9 pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 350×⇩ - m.kowalski49

PDF scanned by Unknown
m.kowalski49 (2011/4/29)

Publisher. Info.	Paris: J. Hamelle, n.d.[1897]. Plate J. 4112 H.
Copyright	Public Domain [tag/del]
Purchase	Printed copy of this file (UK & EU)

Nocturne (No.5)

Violins I
*#375736 - 0.03MB, 1 pp. - 0/10 2 4 6 8 10 (0) - !N/!N/!N - 756×⇩ - SGA

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SGA (2015/4/27)

⇒ 8 more: Violins II-A • Violins II-B • Violins II-C • Violins II-D • Violas I • Violas II • Cellos • Double Basses

Violins II-A
*#375737 - 0.03MB, 1 pp. - 0/10 2 4 6 8 10 (0) - !N/!N/!N - 460×⇩ - SGA

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SGA (2015/4/27)

Violins II-B
*#375738 - 0.03MB, 1 pp. - 6/10 2 4 6 8 10 (1) - !N/!N/!N - 412×⇩ - SGA

PDF typeset by editor
SGA (2015/4/27)

Violins II-C
*#375739 - 0.03MB, 1 pp. - 0/10 2 4 6 8 10 (0) - !N/!N/!N - 386×⇩ - SGA

PDF typeset by editor
SGA (2015/4/27)

Violins II-D
*#375740 - 0.03MB, 1 pp. - 0/10 2 4 6 8 10 (0) - !N/!N/!N - 380×⇩ - SGA

PDF typeset by editor
SGA (2015/4/27)

Violas I
*#375741 - 0.03MB, 1 pp. - 0/10 2 4 6 8 10 (0) - !N/!N/!N - 408×⇩ - SGA

PDF typeset by editor
SGA (2015/4/27)

Violas II
*#375742 - 0.03MB, 1 pp. - 0/10 2 4 6 8 10 (0) - !N/!N/!N - 396×⇩ - SGA

PDF typeset by editor
SGA (2015/4/27)

Cellos
*#375743 - 0.03MB, 1 pp. - 8/10 2 4 6 8 10 (1) - !N/!N/!N - 464×⇩ - SGA

PDF typeset by editor
SGA (2015/4/27)

Double Basses
*#375744 - 0.03MB, 1 pp. - 0/10 2 4 6 8 10 (0) - !N/!N/!N - 390×⇩ - SGA

PDF typeset by editor
SGA (2015/4/27)

Editor	SGA
Publisher. Info.	SGA
Copyright	Creative Commons Attribution 4.0 [tag/del/mrg]
Misc. Notes	This movement is strings only
Purchase	Javascript is required for this feature.

Vocal Scores

Complete Score
*#251432 - 3.03MB, 29 pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 602×⇩ - Massenetique

PDF scanned by US-R
Massenetique (2012/9/20)

Publisher. Info.	Paris: J. Hamelle, n.d.(ca.1891). Plate J. 3089-90 H.
Copyright	Public Domain [tag/del]
Misc. Notes	This file is part of the Sibley Mirroring Project.
Purchase	Printed copy of this file (UK & EU)

1. Prélude et chanson (ténor et piano)
*#21869 - 0.54MB, 6 pp. - 10/10 2 4 6 8 10 (1) - V/V/V - 550×⇩ - Morel

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Morel (2008/9/11)

3. Madrigal (ténor et piano)
*#21870 - 0.42MB, 4 pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 423×⇩ - Morel

PDF scanned by Morel
Morel (2008/9/11)

Publisher. Info.	Paris: J. Hamelle, n.d.(ca.1891). Plate J. 3089-90 H.
Copyright	Public Domain [tag/del/mrg]
Purchase	Scores Dover vol. (reprint)Printed copy of this file (UK & EU)

Chanson (A♭ major) et Madrigal (E♭ major)
*#24125 - 0.26MB, 7 pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 398×⇩ - Daphnis

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Daphnis (2008/11/8)

Publisher. Info.	Mélodies (Vol.3, Edition A for medium voice, pp.22-28) Paris: J. Hamelle, 1908. Plate J. 5469 H.
Copyright	Public Domain [tag/del]
Misc. Notes	Original keys are B♭ major and F major, found in Edition B (for high voice) of the same collection.
Purchase	Scores Dover vol. (reprint)Printed copy of this file (UK & EU)

3. Madrigal
*#618993 - 0.69MB, 3 pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 21×⇩ - Morel

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Morel (2020/4/11)

Publisher. Info.	Album Musica, No.77 Paris: Pierre Lafitte, 1909.
Copyright	Public Domain [tag/del]
Purchase	Printed copy of this file (UK & EU)

Arrangements and Transcriptions

Selections

For Piano 4 hands (Boëllmann)

2. Entracte
*#21868 - 0.76MB, 9 pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 468×⇩ - Morel

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Morel (2008/9/11)

Arranger	Léon Boëllmann (1862-1897)
Publisher. Info.	Paris: J. Hamelle, n.d.(ca.1891). Plate J. 3089bis H.
Copyright	Public Domain [tag/del]
Purchase	Printed copy of this file (UK & EU)

4. Epithalame
*#21871 - 0.60MB, 7 pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 380×⇩ - Morel

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5. Nocturne
*#21872 - 0.46MB, 5 pp. - 4/10 2 4 6 8 10 (2) - V/V/V - 637×⇩ - Morel

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6. Final
*#21873 - 0.99MB, 13 pp. - 0/10 2 4 6 8 10 (0) - V/V/V - 306×⇩ - Morel

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Morel (2008/9/11)

Arranger	Léon Boëllmann (1862-1897)
Publisher. Info.	Paris: J. Hamelle, n.d.(ca.1895). Plate J. 3079-81 H.
Copyright	Public Domain [tag/del/mrg]
Purchase	Printed copy of this file (UK & EU)

Nocturne (No.5)

For Violin and Piano

Complete Score and Violin Part
*#338463 - 1.96MB, 5 pp. - 6/10 2 4 6 8 10 (1) - V/V/V - 346×⇩ - Schalltrichter

PDF scanned by F-Pn
Schalltrichter (2014/8/9)

Publisher. Info.	Paris: J. Hamelle, n.d.[1899]. Plate J. 4421 H.
Copyright	Public Domain [tag/del]
Purchase	Printed copy of this file (UK & EU)

General Information

Work Title	Shylock, suite
Alternative. Title
Composer	Fauré, Gabriel
Opus/Catalogue NumberOp./Cat. No.	Op.57
I-Catalogue NumberI-Cat. No.	IGF 88
Movements/SectionsMov'ts/Sec's	6 movements: Prélude et chanson Entr'acte Madrigal Épithalame Nocturne Final
Year/Date of CompositionY/D of Comp.	1889
Librettist	Edmond Haraucourt (1856–1941), after William Shakespeare (1564–1616)
Language	French
Dedication	à M. Paul Porel
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	tenor, orchestra
InstrDetail	[more...] 2 flutes, 2 oboes, 2 clarinets (B♭/A), 2 bassoons 4 horns (F), 2 trumpets (F), 3 trombones timpani, triangle, 2 harps, strings
External Links	Wikipedia article
Extra Information	Adapted from incidental music Fauré wrote for the play Shylock by Edmond Haraucourt. The tenor soloist is featured only in the 1st and 3rd movements.

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