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45 pieces in 2 parts, with technical studies
- Part 1: Introduction to solo Playing
- 1. Rode: Melody, Concerto No.6, 1st Movement. (Styles of bowings on eighths)
- 2. Rode: Introduction to Rondo Concerto No.6. (Styles of bowing on eighths in 6/8 time)
- 3. Fiorillo: Andante, Etude No.13. (Shifting of position in various forms)
- 4. Wieniawsky-Warlamoff: Romance from Souvenir de Moscou. (Bowing styles on triplets)
- 5. Ševčík: Andante on the G string, Op.10/5. (Rhythmic studies)
- 6. Leclair: Sarabande. (Introduction into 3/2 measure. Bowings for legato, martelé and staccato)
- 7. Paganini: Theme from Non piú mesta. (Repeated raising of the bow at the up-stroke)
- 8. Mendelssohn: Melody in G, Concerto E-minor I. (Shading and nuance of the tone)
- 9. Rode: Adagio, Concerto No.7. (Studies on the G String)
- 10. Rust: Gigue. (Bowing style Spiccato)
- 11. Beethoven: Melody G-minor, Concerto in D-major III. (Rhythmical exercices in 6/8 time)
- 12. Rode: Adagio, Concerto No.6.
- 13. Wieniawski: Theme original from Op.15. (Drawn and sharp notes by turns)
- 14. Ševčík: Introduction to the natural and artificial harmonic tones.
- 15. Spohr: Introduction to I. Movement, Concerto No.2.
- 16. Ernst: Melodic Scene in A-major from the III. Concerto in F-sharp minor.
- 17. Rode: Introduction and Melody to the Concerto No.7-III. (on the dotted rhythm)
- 18. Molique: F-major Melody, Concerto No.5-I. (Bowing styles accompanied by 2nd violin)
- 19. Beethoven: Rondo theme from the Violin Concerto.
- 20. Spohr: Marchscene, Concerto No.8-III.
- 21. Viotti: Melody with Double-Stop Passages, Concerto No.18-I.
- 22. Wieniawski: Cantabile A-major Concerto 1-I. (Rhythmical exercices in triplets)
- 23. Vieuxtemps: Theme from the Fantasia Appassionata. (Softness of the tone)
- 24. Paganini: Theme from I Palpiti. (Shading of the tone)
- 25. Viotti: Rondo with Double-Stop Passage, Concerto No.28.
- 26. Wieniawski: Theme form Carneval Russe.
- 27. Molique: Ricochet-Scene from the Concerto No.5-III.
- 28. Ernst: Andante from the Hung. Melodies. (Graded Studies of tone)
- 29. Wieniawski: Melody with Octaves from the Concerto No.1-III.
- 30. Paganini: 7 Variations from the Carneval of Venice. (Rhythmical Studies)
- Part 2: Introduction to Virtuoso Playing
- 31. Vieuxtemps: Serenade A-major on the G-string, Concerto No.1-III.
- Ševčík: Andante, Op.10/4. (Changing of tempo moderato and quick)
- 32. Beriot: Melody in Octaves, Concerto No.9-I. (Independence of the fingers)
- Tartini: Larghetto from the Devil's Sonata. (Independence of the fingers)
- 33. Ševčík: Theme in Octaves Op.10/4. (Preparation for the sautillé and glissando)
- Paganini: Secondary Subject form the Concerto No.2-II.
- 34. Beriot: Adagio from the Concerto No.7. (Chain-trills)
- Laub: Melody and Octaves from the Polonaise in virtuoso form. (Study of Nimbleness)
- 35. Tartini: Largo and Allegro from the G-minor Sonata. (Double-stops and suppleness of the wrist)
- 36. Beriot: Air varié No.1. (Double-stops and Chords in virtuoso form)
- 37. Rust: Gigue for Solo Violin. (Pizzicato with the left hand)
- Rust: Courante. (Suppleness of wrist in crossing two and three strings)
- 38. Spohr: Larghetto in Double-Stops. (Third double-stops in virtuoso form)
- 39. Vieuxtemps: Andante sostenuto from the Concerto No.2 (Pliancy of Bowing)
- 40. Wieniawski: Scherzo -Tarantelle
- 41. Sarasate: Gipsy-Melodies
- 42. Ernst: Hungarian Melodies
- 43. Bazzini: Dance of Gnomes
- 44. Paganini: Moses-Fantasy
- 45. Paganini: Witches Dance
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