Sämtliche Werke, Neue Reihe (Lassus, Orlande de)

Movements/SectionsMov'ts/Sec's 26 volumes (+3 supplement Banden)
First Publication 1956-2001 - Kassel: Bärenreiter Verlag
Genre Categories Critical editions; German language

Sheet Music

Volumes

 1. Lateinische Motetten,
französische Chansons und italienische Madrigale
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⇒ 26 more: 1a. Nachtrag (Supplement) • 2. Die vier Passionen • 3. Messen 1-9 • 4. Messen 10-17 • 5. Messen 18-23 • 6. Messen 24-29 • 7. Messen 30-35 • 8. Messen 36-41 • 9. Messen 42-48 • 10. Messen 49-55 • 11. Messen 56-63 • 12. Messen 64-70 • 13. Magnificat 1-24 • 14. Magnificat 25-49 • 15. Magnificat 50–70 • 16. Magnificat 71-92 • 17. Magnificat 93-110 • 18. Das Hymnarium aus dem Jahre 1580/81 • 19. Lectiones • 20. Lagrime di San Pietro • 21. Prophetiæ Sibyllarum • 22. Lamentationes Jeremiae Prophetae • 23. Offizien und Messproprien • 24. Cantica, Responsorien und andere Musik für die Officia • 25. Litaneien, Falsibordoni und Offiziumssätze • 26. Die Sieben Bußpsalmen mit der Motette Laudes Domini

 1a. Nachtrag (Supplement) (EU)
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 2. Die vier Passionen (EU)
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 3. Messen 1-9
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 4. Messen 10-17 (EU)
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 5. Messen 18-23 (EU)
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 6. Messen 24-29 (EU)
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 7. Messen 30-35 (EU)
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 8. Messen 36-41 (EU)
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 9. Messen 42-48 (EU)
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 10. Messen 49-55 (EU)
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 11. Messen 56-63 (EU)
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 12. Messen 64-70 (EU)
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 13. Magnificat 1-24 (EU)
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 14. Magnificat 25-49 (EU)
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 15. Magnificat 50–70 (EU)
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 16. Magnificat 71-92 (EU)
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 17. Magnificat 93-110 (EU)
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 18. Das Hymnarium aus dem Jahre 1580/81 (EU)
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 19. Lectiones (EU)
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 20. Lagrime di San Pietro (EU)
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 21. Prophetiæ Sibyllarum (EU)
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 22. Lamentationes Jeremiae Prophetae (EU)
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 23. Offizien und Messproprien (EU)
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 24. Cantica, Responsorien und andere Musik für die Officia (EU)
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 25. Litaneien, Falsibordoni und Offiziumssätze (EU)
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 26. Die Sieben Bußpsalmen mit der Motette Laudes Domini (EU)
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Editor Series editors - see below
Publisher. Info. Kassel: Bärenreiter Verlag, [1956-2001]. Various plates.
Copyright
Public Domain - Non-PD US [tag/del/mrg]
Misc. Notes 600 dpi. Page size is 18.9 x 27 centimeters. Note: Some German Translations of Latin poems had to be redacted from a few volumes because they were done by living or recently deceased translators that would most likely be under copyright everywhere. The original Latin poems are provided without the translations on the same pages where the German translations were.
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General Information

Work Title Sämtliche Werke, Neue Reihe
Alternative. Title Neuen Reihe von Lassos Sämtlichen Werken
Composer Lassus, Orlande de
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 26 volumes (+3 supplement Banden)
First Publication. 1956-2001 - Kassel: Bärenreiter Verlag
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation various
External Links Bärenreiter website

ORLANDO DI LASSO
Sämtliche Werke – Neue Reihe

HERAUSGEGEBEN VOM DER ACADÉMIE ROYALE DE BELGIQUE UND DER BAYERISCHEN AKADEMIE DER WISSENSCHAFTEN

This publication consists of 26 volumes, concentrating on the works omitted from the earlier Breitkopf und Härtel collected works edition.

Publisher

Editors


Main Cover

Template

  • {{LSWNR|Volume|Year|Plate|page-range (opt.)}}

Contents

Banden

Vol. Year Description Plate
1 1956 Lateinische Motetten, französische Chansons und italienische Madrigale omitted from Sämtliche Werke BA 3401
2 1961 Die vier Passionen BA 3402
3 1962 Messen, Band 1 (Venice, 1570 and Munich, 1574), Nr. 1–9 BA 3403
4 1964 Messen, Band 2 (Paris, 1577), Nr. 10–17 BA 3404
5 1965 Messen, Band 3, Nr. 18–23 BA 3405
6 1966 Messen, Band 4 (Munich, 1589), Nr. 24–29 BA 3406
7 1967 Messen, Band 5, Nr. 30–35 BA 3407
8 1968 Messen, Band 6 (Paris, 1607 and Munich, 1610), Nr. 36–41 BA 3408
9 1969 Messen, Band 7, Nr. 42–48 BA 3409
10 1970 Messen, Band 8, Nr. 49–55 BA 3410
11 1971 Messen, Band 9, Nr. 56–63 BA 4191
12 1975 Messen, Band 10, Nr. 64–70 BA 4192
13 1980 Magnificats, Band 1 (Nuremberg, 1567), Nr. 1–24 BA 4193
14 1986 Magnificats, Band 2 (Munich, 1576 and 1587), Nr. 25–49 BA 4195
15 1986 Magnificats, Band 3, Nr. 50–70 BA 4196
16 1988 Magnificats, Band 4, Nr. 71–92 BA 4197
17 1988 Magnificats, Band 5, Nr. 93–110 BA 4198
18 1980 Das Hymnarium aus dem Jahre 1580/81 BA 4194
19 1989 Lectiones BA 4199
20 1989 Lagrime di San Pietro BA 4200
21 1990 Prophetiæ Sibyllarum BA 4281
22 1992 Lamentationes Jeremiae Prophetae BA 4282
23 1993 Offizien und Messproprien BA 4283
24 1993 Cantica, Responsorien und andere Musik für die Officia BA 4284
25 1993 Litaneien, Falsibordoni und Offiziumssätze BA 4285
26 1995 7 Bußpsalmen mit der Motette Laudes Domini BA 4286
Suppl. 2001 Orlando di Lasso. Seine Werke in zeitgenössischen Drucken 1555–1687 BVK 1538

Band 1. Lateinische Motetten, französische Chansons und italienische Madrigale (1956)

Editor: Wolfgang Boetticher (1914–2002)
Score: I-XLVII, 1-188 pages, 1956. BA 3401.

Motets

  • Disieme livre de chansons, 4vv (Paris, 15709)
1. Pronuba Juno [Gratia summi; Qui regit astra] 4vv, H i, 3
2. Praesidium Sara dulce meum, 4vv, H i, 7
  • Moduli, 4, 8vv (Paris, 1572a)
3. Beati pauperes spiritu (2nd p. Beati pacifici), 4vv, H i, 11
  • Moduli, 4–9vv (Paris, 1577e)
4. Cum rides mihi (2nd p. Data est), 5vv, H i, 23
5. Quicumque vult salvus esse (2nd p. Alia est enim; 3rd p. Et tamen; 4th p. Haec est fides), 5vv, H i, 32
  • Quinque et sex vocibus peronatae sacrae cantiones … liber secundus, 5, 6vv (Venice, 1565c)
6. Zachaee festinans descende, 5vv, H i, 56
  • Tertium opus musicum, continens lectiones Hiob et motectas seu cantiones sacras, 4–6vv (Nuremberg, 15888)
7. Da pacem Domine in diebus nostris, 5vv, H i, 62
  • Les meslanges… contenantz plusieurs chansons, tant en vers latins qu’en ryme francoyse, 4–6, 8, 10vv (Paris, 1576i, earlier edn. 1570, lost, repr. with sacred contrafacta, London, 1570)
8. Bestia curvafia pulices [Bestia stultus homo], 5vv, H i, 67
  • Quinque et sex vocibus perornatae sacrae cantiones … liber secundus, 5, 6vv (Venice, 1565c)
9. In te Domine speravi, 6vv, H i, 71
  • Moduli, 4–9vv (Paris, 1577e)
10. Lauda Sion salvatorem (2nd p. Dies enim; 3rd p. Quod non capis; 4th p. Ecce panis), 6vv, H i, 75

Chansons

11. Lucescit jam o socii, 4vv, in Vingtquatrieme livre d’airs et chansons (Paris, 1587), H i, 121
12. Veoir est beaucoup, 4vv, 155913, H i, 126

Madrigals

  • Continuation du mellange, 3–6, 10vv (Paris, 1584f)
13. Canzon se l’esser meco (Petrarch), 4vv, H i, 131
14. Come lume di notte in alcun porto (Petrarch), 4vv, H i, 134
15. Come la notte ogni fiammella è viva (Ariosto), 4vv, H i, 136
  • Libro quarto de madrigali, 5vv (Venice, 1567k)
16. Che più d’un giorno è la vita mortale (Petrarch), 5vv, H i, 140
  • Continuation du mellange, 3–6, 10vv (Paris, 1584f)
17. A voi Guglielmo invitto, 5vv, H i, 143
18. Al gran Guglielmo nostro, 5vv, H i, 147
19. Signor da l’alto trono, 5vv, H i, 150
  • Les meslanges… contenantz plusieurs chansons, tant en vers latins qu’en ryme francoyse, 4–6, 8, 10vv (Paris, 1576i, earlier edn. 1570, lost, repr. with sacred contrafacta, London, 1570)
20. Ove le luci giro un tenebros’ horrore, 5vv, H i, 163
21. Di quà di là va le noiose piume, 5vv, 157015, H i, 168
  • Continuation du mellange, 3–6, 10vv (Paris, 1584f)
22. Dapoi che sotto il ciel cosa non vidi (Petrarch), 5vv, H i, 172
23. Di quà di là va le noiose piume (Ariosto), 5vv, H i, 176
24. Di terrena armonia satia l’anima mia (2nd p. Signor le colpe mia; 3rd p. Padre rivolgi; 4th p. Stanco di lagrimar; 5th p. Voi che di pravi; 6th p. Fugga) (Baccuti), 5vv [reprinted without 1st stanza as Signor le colpe mie, 1587a], H i, 179
25. Deh perchè voglio anco di me dolermi (2nd p. Dunque fia ver) (Ariosto), 5vv, H i, 183

Band 1a. Nachtrag (1989)

Editor: Wolfgang Boetticher (1914–2002)
Score: I-XIV, 1-50 pages, 1989. BA 3401.

A. Motets

1. Domine, quando veneris, 5vv, 1568, H i (Nachtrag), 1

B. Madrigals

2. Spent' è d'amor, 5vv, 1569, H i (Nachtrag), 9
3. [II. parte] Ma che morta (Minturno), 5vv, 1569, H i (Nachtrag), 13
4. Ben convenne madonna, 5vv, 1569, H i (Nachtrag), 17
5. [II. parte] Solo n'andrò (G. Manrique), 5vv, 1569, H i (Nachtrag), 22
6. Al dolce suon', 5vv, 1569, H i (Nachtrag), 25
7. Pensier dicea che'l cor (i) (Ariosto), 5vv, 1569, H i (Nachtrag), 30
8. Ove d'altra montagna’ ombra tocchi, 4vv, 1567, H i (Nachtrag), 36

C. Fragments

9. Buon' hora prende il giorno, 4vv, 1569, H i (Nachtrag), 41
10. Lasso ch'il crederia, 4vv, H i (Nachtrag), 42
11. Voi volete ch'io muoia, 5vv, H i (Nachtrag), 43
12. Come'l candido pie per l'herba fresca, 5vv, H i (Nachtrag), 45
13. [II. parte] E con l'andar, 5vv, H i (Nachtrag), 47
14. Quand' han più, 3vv, H i (Nachtrag), 49

Band 2. Die vier Passionen (1961)

Editor: Kurt von Fischer (1913-2003)
Score: I-XXVIII, 1-60 pages, 1961. BA 3402.
  • Patrocinium musices… passio, 5vv, idem lectiones Iob, et lectiones matutinæ de nativitate Christi, 4vv, quarta pars (Munich, 1575a)
1. Passio Domini nostri Jesu Christi secundum Mattheum, 5vv, 1575; H ii, 3
  • Manuscripts in Bayerische Staatsbibliothek (D-Mbs)
2. Passio Domini nostri Jesu Christi secundum Marcum, 4vv, Mus. MS 2749, 1582; H ii, 27
3. Passio Domini nostri Jesu Christi secundum Lucam, 4vv, Mus. MS 2749, 1582; H ii, 37
4. Passio Domini nostri Jesu Christi secundum Joannem, 5vv, Mus. MS 2750, March 1580; H ii, 47

Band 3. Messen Nr. 1–9 (1962)

Editor: Siegfried Hermelink (1914–1975)
Score: I-XXXVI, 1-280 pages, 1962. BA 3403.
  • Quinque missæ suavissimus modulationibus refertæ… liber secundus, 4, 5vv (Venice, 1570a)
1. Missa super Je ne mange poinct de porcq, 4vv, H iii, 3
2. Missa super La, la, maistre Pierre (Ad placitum) (Claudin de Sermisy’s chanson), 4vv, H iii, 27
3. Missa super Pilons pilons lorge [Quinti toni] (Claudin de Sermisy’s chanson), 4vv, H iii, 51
4. Missa super Frère Thibault (Sine nomine) (Pierre Certon’s chanson), 4vv, H iii, 75
5. Missa super Le berger et la bergère (Nicolas Gombert’s chanson), 5vv, H iii, 97
  • Patrocinium musices… missæ aliquot, secunda pars, 5vv (Munich, 1574b)
6. Missa super Ite rime dolenti (Cipriano de Rore’s madrigal), 5vv, H iii, 133
7. Missa super Scarco di doglia (Cipriano de Rore’s madrigal), 5vv, H iii, 175
8. Missa super Sidus ex claro (own motet, 1569a), 5vv, H iii, 217
9. Missa super Credidi propter (own motet, 1569a), 5vv, H iii, 249

Anhang

Orgelstimme zu der Messe Nr. 8 Sidus ex claro, H iii, 276

Band 4. Messen Nr. 10–17 (1964)

Editor: Siegfried Hermelink (1914–1975)
Score: I-XXXVIII, 1-214 pages, 1964. BA 3404.
  • Missæ variis concentibus ornatæ… cum cantico beatæ Mariæ octo modis variato, 4–6, 8vv (Paris, 1577a)
10. Missa ad imitationem moduli Doulce memoire (Sandrin’s chanson), 4vv, H iv, 3
11. Missa ad imitationem moduli Puis que j'ai perdu, 4vv, 1577b; H iv, 23
12. Missa ad imitationem moduli O passi sparsi (Sebastiano Festa’s madrigal), 4vv, H iv, 49
13. Missa ad imitationem moduli Jäger (Venatorum), 4vv, H iv, 73
14. Missa De Feria, 4vv, H iv, 87
15. Missa pro defunctis, 4vv, H iv, 95
16. Missa ad imitationem moduli Susanne un Jour (own chanson, 15678), 5vv, H iv, 121
17. Missa ad imitationem moduli Surge propera (own motet, 1564b), 6vv, H iv, 157

Anhang

A. Bendictus zu der Messe Iager mit zweitem Tenor nach der Handschrift Mü 2746, 3vv, H iv, 206
B. Sanctus zu der Messe De Feria mit Erweiterung nach der Handschrift Mü 2746, 4vv, H iv, 207
C. Benedictus zu der Messe De Feria mi ergänztem Tenor und Baß (Bernabei, 1693) nach der Hanschrift Mü 2746, 4vv, H iv, 208
D. Christe eleison zu der Messe Susanne un iour nach dem Druck Venedig 1591, 5vv, H iv, 209
E. Hosanna zu der Messe Susanne un iour nach dem Druck Venedig 1591, 3vv, H iv, 211
F. Variante zum Credo der Messe Surge propera nach der Handschrift Mü 509, 6vv, H iv, 212

Band 5. Messen Nr. 18–23 (1965)

Editor: Siegfried Hermelink (1914–1975)
Score: I-XXXII, 1-216 pages, 1965. BA 3405.
  • Missæ variis concentibus ornatæ… cum cantico beatæ Mariæ octo modis variato, 4–6, 8vv (Paris, 1577a)
18. Missa ad imitationem moduli Tous les regretz (Nicolas Gombert’s chanson), 6vv, H v, 3
  • Liber missarum… liber primus, 4–6vv (Venice, 15661)
19. Missa ad imitationem moduli In te Domine speravi (own motet, 15643), 6vv, H v, 51
  • Missæ variis concentibus ornatæ… cum cantico beatæ Mariæ octo modis variato, 4–6, 8vv (Paris, 1577a)
20. Missa ad imitationem moduli Vinum bonum (Verbum) (own motet, 1570g), 8vv, H v, 105
  • Liber missarum, 4, 5vv (Nuremberg, 1581a)
21. Missa super Il me suffit (Beschaffens-Glück) (Claudin de Sermisy’s chanson), 4vv, H v, 139
22. Missa super Entre vous filles (Jacob Clemens non Papa’s chanson), 5vv, H v, 159
23. Missa super Veni in hortum meum (own motet, 1562), 5vv, H v, 185

Anhang

A. Crucifixus der Messe In te Domine speravi mit hinzugefügtem Sopran nach der Hanschrift Berl. 40025, 4vv, H v, 214
B. Sanctus I der Messe Entre vous filles nach der Handschrift Pelpl 308, 5vv, H v, 216
C. Hosanna der Messe Entre vous filles nach der Handschrift Pelpl 308, 5vv, H v, 216

Band 6. Messen Nr. 24–29 (1966)

Editor: Siegfried Hermelink (1914–1975)
Score: I-XXVI, 1-180 pages, 1966. BA 3406.
  • Patrocinium musices: missæ aliquot, 5vv (Munich, 1589a)
24. Missa super Dittes maistresse (Philippe de Monte’s chanson), 5vv, H vi, 3
25. Missa super Amar donna (Chi passa; Amor donna; Donna chi bella), 5vv, H vi, 23
26. Missa super Qual donna attende (Cipriano de Rore’s madrigal), 5vv, H vi, 43
27. Missa super In die tribulationis (Jacquet of Mantua’s motet), 5vv, H vi, 71
28. Missa super Io son ferito ahi lasso, 5vv, H vi, 105
29. Missa pro defunctis, 5vv, H vi, 135

Anhang

A. Variante zum Credo der Messe Io son ferito ahi lasso nach der Hand-schrift Mü 2750, 4vv, H vi, 162
B. Dies irae zu der Messe Pro Defunctis nach der Handschrift Mü 2750, 4vv, H vi, 168
C. Orgelstimme (Generalbaß) zu der Messe Amar donna aus J. Donfrieds Sammelwerk Corolla Musica Missarum Trier 1628, H vi, 170
D. Orgelstimme (Generalbaß) zu der Messe Pro Defunctis aus J. Donfrieds Sammelwerk Corolla Musica Missarum Trier 1628, H vi, 173
E. Kanzonette Chi passa per questa strada (zu der Messe Amar donna), 4-5vv, H vi, 178

Band 7. Messen Nr. 30–35 (1967)

Editor: Siegfried Hermelink (1914–1975)
Score: I-XXVI, 1-241 pages, 1967. BA 3407.
  • Missæ… liber primus, 4, 5vv (Milan, 15884)
30. Missa super Laudate Dominum, 4vv, H vii, 3
  • Missa ad imitationem moduli (Quand’io pens’al martire), 4vv (Paris, 1582a)
31. Missa super Quand'io penso al martire (Jacques Arcadelt’s madrigal), 4vv, H vii, 25
  • Præstantissimorum divinæ musices auctorum missæ decem, 4–6vv (Leuven, 15701)
32. Missa super Domine secundum actum meum (Jacquet of Mantua’s motet), 5vv, H vii, 49
  • Missa ad imitationem moduli Locutus sum, 6vv (Paris, 1587b)
33. Missa super Locutus sum (own motet, 1568a), 6vv, H vii, 89
  • Præstantissimorum divinæ musices auctorum missæ decem, 4–6vv (Leuven, 15701)
34. Missa super Congratulamini mihi (own motet, 1566e), 6vv, H vii, 137
  • Missa ad imitationem moduli Beatus qui intelligit, 6vv (Paris, 1587a)
35. Missa super Beatus qui intelligit (own motet, 1565a), 6vv, H vii, 195

Anhang

A. Kyrie der Messe Laudate Dominum mit Textlegung der Handschrift Augsburg 2o Tonk. Schl. 9 und des Tini-Druckes von 1588, 4vv, H vii, 230
B. Crucifixus der Messe Laudate Dominum mit hinzugefügtem Alt nach der Handschrift München Mus. Mss. 54, 3vv, H vii, 232
C. Benedictus der Messe Laudate Dominum mit hinzugefügtem Baß nach der Handschrift München Mus. Mss. 54, 3vv, H vii, 233

Band 8. Messen Nr. 36–41 (1968)

Editor: Siegfried Hermelink (1914–1975)
Score: I-XXXVIII, 1-241 pages, 1968. BA 3408.
  • Missa ad imitationem moduli Dixit Joseph, 6vv (Paris, 1607a)
36. Missa super Dixit Joesph (own motet, 15643), 6vv, H viii, 3
  • Missæ posthumæ, 6, 8vv (Munich, 1610a)
37. Missa super Bella Amfitrit' altera, 8vv, H viii, 55
38. Missa super Amor ecco colei, 6vv, H viii, 93
39. Missa super Certa fortiter (own motet, 1582e), 6vv, H viii, 131
40. Missa super Ecce nunc benedicite (Ludwig Daser’s motet), 6vv, H viii, 173
41. Missa super Deus in adiutorium (own motet, 1582e), 6vv, H viii, 211

Anhang

Villanelle Amor ecco colei, Satz von Prospero Caetano, 3vv, H viii, 241

Band 9. Messen Nr. 42–48 (1969)

Editor: Siegfried Hermelink (1914–1975)
Score: I-XXIV, 1-170 pages, 1969. BA 3409.
42. Missa super Confundantur superbi (own motet, 1562a), 5vv, MS ca.1564, H ix, 3
43. Missa De Feria in Quadragesima, 4vv, MS 1566, H ix, 43
44. Missa De Feria in Septimana Sancta, 4vv, MS 1566, H ix, 51
45. Missa super On me l'a dict (Pierre Certon’s chanson), 4vv, MS ca.1570, H ix, 61
46. Missa super Je prens en gres (Jacob Clemens non Papa’s chanson), 4vv, MS 1572, H ix, 77
47. Missa super Si rore aenio, 5vv, MS 1572, H ix, 101
48. Missa Paschalis, 5vv, MS 1576, H ix, 131

Anhang

A. Pleni sunt coeli der Messe De Feria in Quadragesima mit hinzugefügtem Alt II und Baß nach der Handschrift Mü 54, 4vv, H ix, 169
B. Pleni sunt coeli der Messe De Feria in Septimana Sancta mit hinzugefügtem Tenor und Baß nach der Handschrift Mü 54 , 4vv, H ix, 170

Band 10. Messen Nr. 49–55 (1970)

Editor: Siegfried Hermelink (1914–1975)
Score: I-XXII, 1-224 pages, 1970. BA 3410.
49. Missa super Qui la dira (Adrian Willaert’s madrigal), 5vv, MS 1576, H x, 3
50. Missa super Domine Dominus noster (own motet, 1577e), 6vv, MS 1577, H x, 41
51. Missa Sesquialtera, 4vv, MS 1579, H x, 69
52. Missa super Je suis desheritée (Johannes Lupi’s chanson), 4vv, MS 1583, H x, 93
53. Missa super Triste départ (Nicolas Gombert’s chanson), 6vv, MS 1592, H x, 115
54. Missa super Jesus ist ein süßer Nam', 6vv, MS ca.1592, H x, 145
55. Missa super Osculetur me (own motet, 1582c), 8vv, MS after 1582, H x, 187

Band 11. Messen Nr. 56–63 (1971)

Editor: Siegfried Hermelink (1914–1975)
Score: I-XXXII, 1-280 pages, 1971. BA 4191.
56. Missa super Benedicam Dominum (own motet, 1562a), 5vv, MS ca.1570, H xi, 3
57. Missa super Rompi de l'empio cor (Adrian Willaert’s madrigal), 6vv, MS ca.1570, H xi, 45
58. Missa super Or sus à coup (Thomas Crecquillon’s chanson), 4vv (?Lassus, possibly J. Lockenburg, 1607c), H xi, 91
59. Missa super Se salamandre (Thomas Crecquillon’s chanson), 4vv (?Lassus, possibly J. Lockenburg, MS ca.1570), H xi, 113
60. Missa super Surrexit pastor bonus (Lassus’s motet, 1562a), 5vv (?Lassus, possibly Ivo de Vento, MS ca.1576), H xi, 135
61. Missa super Si me tenez (Thomas Crecquillon’s chanson), 6vv (?Lassus, possibly Jacobus Vaet, MS ca.1560), H xi, 179
62. Missa super Mon coeur se recommande à vous (Lassus’s chanson, 15678), 5vv (?Lassus, possibly Johannes Eccard, MS 1579), H xi, 223
63. Officium mortuorum, 4vv (?Lassus, possibly Jacobus de Kerle), H xi, 263

Band 12. Messen Nr. 64–70 (1975)

Editor: Siegfried Hermelink (1914–1975)
Score: I-LX, 1-352 pages, 1975. BA 4192.
64. Missa Cantorum, 4vv, inc., H xii, 3
65. Missa super Surrexit pastor bonus (own motet, 1562a), 5vv, inc., H xii, 15
66. Missa super Ecce Maria (own motet, 1568b), 5vv, inc., H xii, 51
67. Missa super In principio (own motet, 1566e), 6vv, inc., H xii, 65
68. Missa super Deus misereatur (Lassus’s motet, 1566e), 8vv (?Lassus, possibly A. Grosthusius), H xii, 99
69. Missa Octavi toni à 5, 5vv (spurious, possibly [?Ulrich] Neuner), H xii, 306
70. Requiem à 4, 4vv, inc., H xii, 326
71. Missa super In me transierunt à 5 (own motet, 1562a), 5vv, frag. (T only, Kyrie, Gloria), H xii, 154
72. Missa super Alleluia à 5, 5vv, frag. (T only, Kyrie, Gloria), H xii, 155
73. Missa super Alleluia à 5, 5vv, frag. (B only, Kyrie, Gloria), H xii, 157
74. Missa super Tempus est ut revertar (own motet, 1566e), 6vv, frag. (B only, Kyrie, Gloria), H xii, 159

Anhang (Fragmente)

A. Alt und Tenor II des Credo zu der Messe Nr. 67 In principio aus der Hs. Bres! 99, 2vv, H xii, 147
B. Tenor II des Kyrie und des Gloria (1. Hälfte) einer Messe Super In me transierunt à 5. voc. Orlandi aus der Hs. Danz 4013, 1v, H xii, 154
C. Tenor II des Kyrie und des Gloria (1. Hälfte) einer Missa super Alleluia à 5. Orlandi aus der Hs. Danz 4013, 1v, H xii, 155
D. Baß des Kyrie und des Gloria einer Missa Super Alleluia à 5 Orlandi â 5 aus der Hs. Zö, 1v, H xii, 157
E. Baß des Kyrie und des Gloria einer Missa Super Tempus est ut revertar Orlandi â 6 aus der Hs. Zö, 1v, H xii, 159
F. Et incarnatus est aus dem verlorenen Credo der Messe Nr. 64 Missa Cantorum, 4vv, H xii, 160

Modelle

a) Modellkompositionen
1. Dittes maitresse. Chanson von Philippe de Monte, H xii, 162
2. Domine, secundum actum meum. Motette von Iacquet (de Mantua?), H xii, 165
3. Doulce memoire en plaisir consommée. Chanson von Pierre Sandrin, H xii, 172
4. Ecce nunc benedicite. Motette von Ludwig Daser, H xii, 177
5. Entre vous filles. Chanson von Clemens non Papa, H xii, 181
6. Frère Thibault. Chanson von Pierre Certon, H xii, 184
7. Il me suffit. Chanson von Claudin de Sermisy, H xii, 188
8. Io son ferito ahi lasso. Madrigal von Giovanni Pierluigi da Palestrina, H xii, 190
9. Ite rime dolenti. Madrigal von Cyprian de Rore, H xii, 195
10. Je prens en gre. Chanson von Clemens non Papa, H xii, 203
11. Je suys desheritée. Chanson von Johannes Lupi, H xii, 206
12. La, la, maistre Pierre. Chanson von Claudin de Sermisy, H xii, 208
13. Le bergier et la bergiere. Chanson von Nicolaus Gombert, H xii, 211
14. On le m'a dict. Chanson von Pierre Certon, H xii, 216
15. O passi sparsi. Chanson von Sebastian Festa, H xii, 218
16. Or sus à coup. Chanson von Thomas Crecquillon, H xii, 222
17. Pilons pilons l'orge. Chanson von Claudin de Sermisy, H xii, 225
18. Puis que j'ai perdu. Chanson von Johannes Lupi, H xii, 228
19. Qual donn' attend' à gloriosa fama. Madrigal von Cyprian de Rore, H xii, 230
20. Quand’io pens’al martire. Madrigal von Jacob Arcadelt, H xii, 237
21. Qui la dira la peine de mon coeur. Chanson von Adrian Willaert, H xii, 241
22. Rompi de l'empio cor. Madrigal von Adrian Willaert, H xii, 244
23. Scarco di doglia. Madrigal von Cyprian de Rore, H xii, 256
24. Si salamandre en flamme vit c'est peu. Chanson von Thomas Crecquillon, H xii, 264
25. Si me tenez. Chanson von Thomas Crecquillon, H xii, 267
26. Si rore Aonio. Motette von Adrian Willaert, H xii, 276
27. Tous les regretz. Chanson von Nicolaus Gombert, H xii, 286
28. Triste départ. Chanson von Nicolaus Gombert, H xii, 295
b) Einstimmige Weisen (aus dem Bereich der Gregorianik und des Kirchenlieds)
1. Missa De Feria (Nr. 14), H xii, 302
Missa De Feria in Quadragesima (Nr. 43), H xii, 302
Missa De Feria in Septimana Sancta (Nr. 44), H xii, 302
2. Missa pro defunctis (Nr. 15), H xii, 302
Missa pro defunctis (Nr. 29), H xii, 302
Officium mortuorum (Nr. 63), H xii, 302
Requiem à 4 (Nr. 70), H xii, 302
3. Kyrie der Missa Paschalis "Lux et origo" (Nr. 48), H xii, 304
4. Kyrie der Missa ad imitationem moduli Jäger Semiduplicibus "Pater cuncta" (Nr. 13), H xii, 304
5. Kirchenlied "Missa super Jesus ist ein süßer Nam'" (Nr. 54), H xii, 304

Nachtrag

69. Missa Octavi toni à 5, 5vv (spurious, possibly [?Ulrich] Neuner), H xii, 306
70. Requiem à 4, 4vv, inc., H xii, 326

Register

I. Verzeichnis der Quellen
a) Drucke, H xii, 335
b) Handschriften, H xii, 336
c) Konkordanz der Siglen für die Drucke, H xii, 339
II. Quellen-Übersicht, H xii, 340
III. Vorlagen und Themen der Messen, H xii, 342
IV. Namenregister, H xii, 343
V. Register sämtlicher Messen
a) nach Nummern, H xii, 350
b) nach Stimmenzahl und Besetzung, H xii, 350
c) nach Titeln, H xii, 351

Band 13. Magnificat Nr. 1–24 (1980)

Editor: James Erb (1926-2014)
Score: I-XCVI, 1-308 pages, 1980. BA 4193.
  • Magnificat octo tonorum, 4–6vv (Nuremberg, 1567)
1. Primi toni, 6vv, H xiii, 3
2. Secundi toni, 6vv, H xiii, 15
3. Tertii toni, 6vv, H xiii, 34
4. Quarti toni, 6vv, H xiii, 50
5. Quinti toni, 6vv, H xiii, 68
6. Sexti toni, 6vv, H xiii, 88
7. Septimi toni, 6vv, H xiii, 106
8. Octavi toni, 6vv, H xiii, 122
9. Primi toni, 5vv, H xiii, 143
10. Secundi toni, 5vv, H xiii, 155
11. Tertii toni, 5vv, H xiii, 166
12. Quarti toni, 5vv, H xiii, 181
13. Quinti toni, 5vv, H xiii, 193
14. Sexti toni, 5vv, H xiii, 200
15. Septimi toni, 5vv, H xiii, 213
16. Octavi toni, 5vv, H xiii, 227
17. Primi toni, 4vv, H xiii, 245
18. Secundi toni, 4vv, H xiii, 251
19. Tertii toni, 4vv, H xiii, 256
20. Quarti toni, 4vv, H xiii, 261
21. Quinti toni, 4vv, H xiii, 267
22. Sexti toni, 4vv, H xiii, 272
23. Septimi toni, 4vv, H xiii, 278
24. Octavi toni, 4vv, H xiii, 283

Anhang

  • Orgel-Intavolierung von Magnificat 8 und 15 aus der Handschrift
I. Orgel-Intavolierung von Magnificat 8 aus der Handschrift, 6vv, H xiii, 291
II. Orgel-Intavolierung von Magnificat 15 aus der Handschrift, 5-6vv, H xiii, 300
  • Basel Ms. F. IX. 44

Band 14. Magnificat Nr. 25–49 (1986)

Editor: James Erb (1926-2014)
Score: I-LXVI, 1-304 pages, 1986. BA 4195.
  • Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ canticum Magnificat, ad imitationem cantilenarum quarundam, 4–6vv (Munich, 1587c)
25. Primi toni, 4vv, H xiv, 3
26. Secundi toni, 4vv, H xiv, 13
27. Tertii toni, 4vv, H xiv, 21
28. Quarti toni, 4vv, H xiv, 29
29. Quinti toni, 4vv, H xiv, 40
30. Sexti toni, 4vv, H xiv, 49
31. Septimi toni, 4vv, H xiv, 61
32. Octavi toni, 4vv, H xiv, 69
  • Patrocinium musices… Magnificat aliquot, quinta pars, 4–6, 8vv (Munich, 1576c)
33. Primi toni, 4vv, H xiv, 75
34. Ancor che col partire [quarti toni] (Cipriano de Rore’s madrigal), 5vv, H xiv, 82
35. Sexti toni, 8vv, H xiv, 94
36. Septimi toni, 8vv, H xiv, 112
  • Patrocinium musices: Beatisimæ deiparæque Virginis Mariæ canticum Magnificat, ad imitationem cantilenarum quarundam, 4–6vv (Munich, 1587c)
37. Si par souhait je vous [primi toni] (own chanson, 1570b), 4vv, H xiv, 126
38. Il est jour [secundi toni] (Claudin de Sermisy’s chanson), 4vv, H xiv, 133
39. Quanti in mille anni il ciel [secundi toni] ([?Pierre] Nollet’s madrigal), 6vv, H xiv, 141
40. Dessus le marché d’Arras [primi toni] (own chanson, 1584a), 6vv, H xiv, 158
41. Susanne un jour [primi toni] (Didier Lupi’s chanson), 6vv, H xiv, 174
42. Deus in adjutorium meum intende [septimi (?peregrini) toni] (own motet, 1582e), 6vv, H xiv, 189
43. Ecco ch’io lasso il core [secundi toni] (?Alessandro Striggio’s madrigal), 6vv, H xiv, 201
44. Omnis enim homo [primi toni] (own motet, 1585b), 6vv, H xiv, 216
45. Amor ecco colei [septimi toni], 6vv, H xiv, 231
46. Quando lieta sperai [quarti toni] (anon. madrigal, 1548), 6vv, H xiv, 243
47. Aria di un sonetto [octavi toni] (Diego Ortiz’s Aria di Ruggiero), 5vv, H xiv, 256
48. Mort et fortune [tertii et octavi toni] (Nicolas Gombert’s chanson), 5vv, H xiv, 263
49. Mais qui pourroit [secundi toni] (own chanson, 1584a), 6vv, H xiv, 275

Anhang

1. Magnificat 27, Vers 6: zusätzliche, rhythmisch vergrößerte Fassung (Semibrevis
dort = Brevis hier) von Joh. Dreer(?) nach der Handschrift Au 32, fol. 43'-44, 2vv, H xiv, 291
2. Magnificat 34, Vers 2, T. 12-22: Fassung des Drucks R und der Hs. Pi, 5vv, H xiv, 292
3a. Magnificat 37, Vers 6: Fassung der Hs. Mü 23, fol. 180'-181 (Kopist: F. Flori), 2vv, H xiv, 293
3b. Magnificat 37, Vers 10: Fassung der Hs. Mü 23, fol. 183'-184 (Kopist: F. Flori), 2vv, H xiv, 294
4. Magnificat 38, Vers 12, T. 13-15, kurze Fassung aus der Hs. Mü 56, fol. 191'-192
(Kopist unbekannt), 4vv, H xiv, 294
5. Magnificat 41, Verse 4, 6, 10, u. 12: Frühfassung nach der Hs. Mü 23, fol. 213'-217
u. 220-224 sowie auch der Hs. Au 32, fol. 97'-100 u. 102'-107, 6vv, H xiv, 295

Band 15. Magnificat Nr. 50–70 (1986)

Editor: James Erb (1926-2014)
Score: I-XLVI, 1-274 pages, 1986. BA 4196.
  • Iubilus beatæ virginis, hoc est centum Magnificat, 4–8vv, 10vv (Munich, 1619a)
50. O s’io potessi [secundi toni] (Berchem’s madrigal), 4vv, H xv, 3
51. Secundi toni, 5vv, H xv, 10
52. Quarti toni (i), 5vv, H xv, 16
53. Sexti toni (i), 5vv, H xv, 24
54. Sexti toni (ii), 5vv, H xv, 30
55. Septimi toni (i), 5vv, H xv, 35
56. Octavi toni (i), 5vv, H xv, 40
57. Las je n’iray plus [secundi toni] (own chanson, 1576a), 5vv, H xv, 46
58. Ultimi miei sospiri [secundi toni] (Philippe Verdelot’s madrigal), 6vv, H xv, 58
59. Tant vous allez doux [sexti toni] (Ebran’s chanson), 6vv, H xv, 74
60. Hélas j’ai sans merci [septimi toni] (own chanson, 1584a), 5vv, H xv, 95
61. S’io esca vivo [septimi toni] (own madrigal, 1579), 6vv, H xv, 108
62. Octavi toni, 6vv, H xv, 126
63. Quarti toni, 8vv, H xv, 138
64. Septimi toni, 8vv, H xv, 152
65. Octavi toni (i), 8vv, H xv, 166
  • Liber primus cantiones sacræ Magnificat vocant, 5-6vv (Paris, 16021)
66. Omnis homo primum bonum vinum ponit [?sexti toni] (Giaches de Wert’s motet), 6vv, H xv, 181
67. Sexti toni, 5vv, MS ca.1582, H xv, 201
68. Dies est lætitia [sexti toni], 6vv, H xv, 212
69. Benedicta es, cælorum regina [octavi toni] (Josquin Desprez’ motet, 1520), 6vv, H xv, 228
70. Præter rerum seriem [secundi toni] (Josquin’s motet), 6vv, H xv, 248

Band 16. Magnificat Nr. 71–92 (1988)

Editor: James Erb (1926-2014)
Score: I-XXXVI, 1-284 pages, 1988. BA 4197.
71. Primi toni, 5vv, H xvi, 3
72. Secundi toni, 5vv, H xvi, 14
73. Tertii toni, 5vv, H xvi, 25
74. Quarti toni, 5vv, H xvi, 34
75. Quinti toni, 5vv, H xvi, 46
76. Sexti toni, 5vv, H xvi, 57
77. Septimi toni, 5vv, H xvi, 68
78. Octavi toni, 5vv, H xvi, 80
79. Primi toni, 5vv, H xvi, 92
80. Vergine bella [primi toni] (Cipriano de Rore’s madrigal), 5vv, H xvi, 108
81. Dalle belle contrade [sexti toni] (Cipriano de Rore’s madrigal), 5vv, H xvi, 120
82. Recordare Jesu pie [septimi toni] (own motet, 1594), 6vv, H xvi, 134
83. Margot labouréz les vignes [septimi toni] (own chanson, 1564a), 4vv, H xvi, 154
84. Alma real se come fide stella [octavi toni] (Cipriano de Rore’s madrigal), 5vv, H xvi, 163
85. O che vezzosa aurora [secundi toni] (Orazio Vecchi’s madrigal), 6vv, H xvi, 175
86. D’ogni gratia e d’amor [septimi toni] (Alessandro Striggio’s madrigal), 6vv, H xvi, 188
87. Perpulchrum septimi toni, 7vv, H xvi, 204
88. S’io credessi per morte [tertii toni] (A. de Reulx’s madrigal), 4vv, H xvi, 221
89. Beau le cristal [sexti toni] (own chanson, 1576d), 4vv, H xvi, 230
90. Pange lingua gloriosi [septimi toni], 4vv, H xvi, 241
91. Primi toni, 5vv, H xvi, 259
92. Vous perdez temps [septimi toni] (Claudin de Sermisy’s chanson), 5vv, H xvi, 267

Anhang

Magnificat 75, Vers 10: 3stimmige Fassung aus der Hs. Mü 48 (fol 89v-90), 3vv, H xvi, 282

Band 17. Magnificat Nr. 93–110 (1988)

Editor: James Erb (1926-2014)
Score: I-XXXII, 1-500 pages, 1988. BA 4198.
93. Vola vola pensier (Aeria a la italiana) [octavi toni], 5vv, H xvii, 3
94. Quinti toni, 6vv, H xvii, 14
95. Octavi toni (i), 8vv, H xvii, 31
96. Quarti toni (ii), 5vv, H xvii, 48
97. Erano capei d’oro [septimi toni] (Giovanni Maria Nanino’s madrigal), 5vv, H xvii, 64
98. Secundi toni, 6vv, H xvii, 76
99. Si vous estes m’amie [sexti toni] (own chanson, 1584a), 6vv, H xvii, 94
100. Memor esto [secundi toni] (own motet, 1585a), 6vv, H xvii, 107
101. Aurora lucis rutilat [octavi toni] (own motet, 1604), 10vv, H xvii, 124
102. Septimi toni, 10vv, MS, H xvii, 150
103. Primi toni, doubtful, 4vv, H xvii, 187
104. Secundi toni, doubtful, 4vv, H xvii, 201
105. Tertii toni, doubtful, 4vv, H xvii, 213
106. Quarti toni, doubtful, 4vv, H xvii, 227
107. Quinti toni, doubtful, 4vv, H xvii, 240
108. Sexti toni, doubtful, 4vv, H xvii, 253
109. Septimi toni, doubtful, 4vv, H xvii, 267
110. Octavi toni, doubtful, 4vv, H xvii, 282

Anhang (Modelle)

a) Modellkompositionen fremder Komponisten
1. Alma real, se come fida stella. Madrigal von Cipriano de Rore, H xvii, 297
2. Ancor che col partire. Madrigal von Cipriano de Rore, H xvii, 303
3. Aria d'un sonetto. Harmonie-Baßformel italienischer Provenienz (16. Jh.), H xvii, 307
4. Benedicta es, coelorum regina. Motette von Josquin Desprez, H xvii, 308
5. Da le belle contrade. Madrigal von Cipriano de Rore, H xvii, 331
6. D'ogni gratia e d'amor. Madrigal con Alessandro Striggio, H xvii, 340
7. Ecco ch'io lass' il core. Madrigal con Alessandro Striggio [?], H xvii, 347
8. Erano capei d'oro. Madrigal von Giovanni Maria Nanino, H xvii, 353
9. Il est jour. Chanson von Claudin de Sermisy, H xvii, 360
10. Mort et fortune. Chanson von Nicolas Gombert, H xvii, 364
11. O che vezzosa aurora. Madrigal von Orazio Vecchi, H xvii, 369
12. Omnis homo primum bonum vinum ponit. Motette von Giaches de Wert, H xvii, 375
13. O s'io potessi, donna. Madrigal von Giachet Berchem, H xvii, 380
14. Praeter rerum seriem. Motette von Josquin Desprez, H xvii, 386
15. Quando io lieta sperai. Madrigal von Cipriano de Rore, H xvii, 413
16. Quant' in mille anni il ciel. Madrigal von Nolletto, H xvii, 423
17. S'io credessi per morte essere scarco. Madrigal von Anselmo de Reulx, H xvii, 436
18. Susanne un jour. Chanson von Didier Lupi Second, H xvii, 441
19. Tant vous allez doux, Guillemette. Chanson von Abran, H xvii, 444
20. Ultimi miei sospiri. Madrigal von Philippe de Verdelot, H xvii, 449
21. Vergine bella. Madrigal von Cipriano de Rore, H xvii, 460
22. Vola, vola pensier, fuor del mio petto. Anonyme "Aeria à la italiana" (Duett mit Lautenbegleitung), H xvii, 468
23. Vous perdez temps. Chanson von Claudin de Sermisy, H xvii, 470
b) Einstimmige Weisen (aus dem Bereich der Gregorianik und des Kirchenliedes)
1. Kirchenlied "Dies est laetitiae", H xvii, 473
2. Hymnus "Pange lingua gloriosi", H xvii, 474

Register

I. Verzeichnis der Quellen
a) Drucke, H xvii, 477
b) Handschriften, H xvii, 478
c) Konkordanz der Siglen für die Drucke, H xvii, 482
II. Quellen-Übersicht, H xvii, 483
III. Vorlagen und Themen der Magnificat, H xvii, 488
IV. Namenregister, H xvii, 490
V. Kollation der Magnificat nach Nummern, H, xvii, 495

Errata-Verzeichnis zu Band 13-15, H, xvii, 499

Band 18. Das Hymnarium aus dem Jahre 1580/81 (1980)

Editor: Marie Louise Göllner (1932-)
Score: I-LXII, 1-184 pages, 1980. BA 4194.
  • Das Hymnarium, 4-5vv (Munich, 1580/81)
1. De omnibus sanctis hymnus. Christe redemptor omnium, Beata quoque, 4vv, H xviii, 3
2. Sancti Martini Aliorumque Confessorum hymnus. Iste confessor, 4vv, H xviii, 8
3. Sanctae Catharinae aliarumque Sanctarum Virginum hymnus. Jesu corona virginum, 4vv, H xviii, 10
4. In adventu Domini hymnus. Conditor alme siderum, 5vv, H xviii, 14
5. In festo Nativitatis Christi hymnus. Christe redemptor omnium, Tu lumen, 5vv, H xviii, 18
6. Sanctorum innocentium hymnus. Salvete flores martyrum, 4vv, H xviii, 24
7. In Epiphania Domini hymnus. Hostis herodes impie, 5vv, H xviii, 26
8. Sabbatho primo post octavas Epiphaniae hymnus. O lux beata Trinitas, 4vv, H xviii, 30
9. Dominica prima post octavas Epiphaniae hymnus. Lucis creator optime, 4vv, H xviii, 32
10. In festo Purificationis deiparae virginis hymnus. Ave maris stella, 4vv, H xviii, 36
11. Diebus sabbatis per totam quadragesimam usque ad dominicam passionis hymnus. Audi benigne conditor, 4vv, H xviii, 42
12. Dominicis diebus Quadragesimae usque ad dominicam passionis hymnus. Ad preces nostras, 4vv, H xviii, 45
13. Ad Completorium tempore Quadragesimae hymnus. Te lucis ante terminum (i), 4vv, H xviii, 50
14. Dominica in passione hymnus. Vexilla regis prodeunt, 4vv, H xviii, 51
15. In octavis Paschae hymnus. Ad coenam agni providi, 4vv, H xviii, 57
16. In ascensione domini hymnus. Jesu nostra redemptio, 4vv, H xviii, 61
17. In festo pentecostes hymnus. Veni creator spiritus, 5vv, H xviii, 65
18. In festo Sanctissimi corporis Christi hymnus. Pange lingua gloriosi, 5vv, H xviii, 71
19. In nativitate S. Joaennis baptistae hymnus. Ut queant laxis, 4vv, H xviii, 82
20. In festo sanctorum Apostolorum Petri et Pauli hymnus. Aurea luce et decore, 4vv, H xviii, 86
21. In festo conversionis S. Pauli. Doctor egregie, 4vv, H xviii, 91
22. In festo beatae Mariae Magdalenae hymnus. Lauda mater Ecclesia, 5vv, H xviii, 93
23. A vincula Petri hymnus. Petrus beatus catenarum, 4vv, H xviii, 98
24. In festo Transfigurationis domini hymnus. Quicumque Christum queritis, 4vv, H xviii, 100
25. In festo sancti Michaelis archangeli hymnus. Tibi Christe splendor patris, 4vv, H xviii, 104
26. Hymnus de Apostolis tempore paschali. Tristes erant apostoli, 4vv, H xviii, 108
27. Hymnus de uno Martire tempore paschali. Deus tuorum militum (i), 4vv, H xviii, 111
28. De pluribus martyribus tempore paschali hymnus. Rex gloriose martirum, 4vv, H xviii, 114
29. Hymnus de apostolis. Exultet coelum laudibus, 4vv, H xviii, 117
30. Hymnus unius Martiris. Deus tuorum militum (ii), 4vv, H xviii, 122
31. Plurimorum Martirum hymnus. Sanctorum meritis, 3-4vv, H xviii, 126
32. In dedicatione templi hymnus. Urbs beata Jerusalem, 4vv, H xviii, 132
33. [Dominica ad Vesperas]. [Psalmus 113: In exitu Israel], 4vv, H xviii, 138

Anhang I: Die in Ms. Mü 55 hinsugefügten Stücke

1. [De Resurrectione loco hymni.] Haec dies, quam fecit Dominus, 4vv, H xviii, 141
2. Ad Completorum. Hymnus. Te lucis ante terminum, 5vv, H xviii, 143
3. In festo S. Angeli Custodis. Custodes hominum, 4vv, H xviii, 144
4. [Pro nec Virgine nec Martyre]. Fortem virili pectore, 4vv, H xviii, 147
5. [De B. M. V.] [Fit porta Christi pervia], 5vv, H xviii, 151

Anhang II: Varianten aus Ms. Mü 55 sowie Ergänzeungen und Varianten aus anderen Quellen

1. Vierte Strophe des Hymnus Nr.2 "Iste confessor", 4vv, H xviii 152
2. Umtextierung des Hymnus Nr.3 "Jesu corona virginum", 4vv, H xviii, 154
3. Vierte Strophe des Hymnus Nr.4 "Conditor alme siderum", 3vv, H xviii, 157
4. Zwei Umtextierungen des Hymnus Nr.6 "Salvete flores martyrum", 4vv, H xviii, 158
4a. In festo S. Stephani. Deus tuorum. In tono Natalis domini, 4vv, H xviii, 158
4b. In festo S. Joannis. Exultet caelum. in tono eodem, 4vv, H xviii, 161
5. Vierstimmiges "Amen" zu Hymnus Nr.11 "Audi benigne conditor", 4vv, H xvii, 165
6. Zwei weitere Vertonungen des Hymnus Nr.13 "Te lucis ante terminum", 4vv, H xviii, 166
7. Nachtrag der einstimmigen Melodie zu den Strophen 1, 3 und 5 des Hymnus Nr.18 "Pange lingua gloriosi", 1vv, H xviii, 171
8. Umtextierung des Hymnus Nr.22 "Lauda mater Ecclesia", 4-5vv, H xviii, 171
9. Erste Strophe des Hymnus "Quodcunque vinclis", 1vv, H xviii, 176
10. Zweitfassungen der Strophe 4 des Hymnus Nr.29 "Exultet coelum laudibus" (Anh.I/3), 2-3vv, H xviii, 176
11. Zweite Strophe des Hymnus "Custodes hominum" (Anh.I/5), 4vv, H xviii, 178
12. Spätere Variante des Hymnus "Fir porta Christi" (Anh.I/5), 5vv, H xviii, 180

Alphabetisches Verzeichnis der Hymnen, H xviii, 182

Band 19. Lectiones (1989)

Editor: Wolfgang Boetticher (1914–2002)
Score: I-XXIV, 1-166 pages, 1989. BA 4199.
  • Sacrae lectiones novem ex propheta Iob, in officiis defunctorum cantari solitae, 4vv (Venice, 1565e)
1. Lectio prima, 4vv, H xix, 3
2. Lectio secunda, 4vv, H xix, 14
3. Lectio tertia, 4vv, H xix, 26
4. Lectio quarta, 4vv, H xix, 34
5. Lectio quinta, 4vv, H xix, 43
6. Lectio sexta, 4vv, H xix, 55
7. Lectio septima, 4vv, H xix, 64
8. Lectio octava, 4vv, H xix, 78
9. Lectio nona, 4vv, H xix, 91
  • Lectiones sacrae novem, ex Libris Hiob excerptea, 4vv (Munich, 1582f)
10. Lectio prima, 4vv, H xix, 101
11. Lectio secunda, 4vv, H xix, 105
12. Lectio tertia, 4vv, H xix, 109
13. Lectio quarta, 4vv, H xix, 112
14. Lectio quinta, 4vv, H xix, 116
15. Lectio sexta, 4vv, H xix, 120
16. Lectio septima, 4vv, H xix, 123
17. Lectio octava, 4vv, H xix, 127
18. Lectio nona, 4vv, H xix, 131
  • Patrocinium musices … passio, 5vv idem lectiones Iob, et lectiones matutinae de nativitate Christi, 4vv, quarta pars (Munich, 1575a)
19. Lectio prima, 4vv, H xix, 137
20. Lectio secunda, 4vv, H xix, 144
21. Lectio tertia, 4vv, H xix, 156

Band 20. Lagrime di San Pietro (1989)

Editor: Fritz Jensch (fl.1988)
Score: I-XXIV, 1-110 pages, 1989. BA 4200.
  • Lagrime di San Pietro … con un mottetto nel fine, 7vv (Tansillo) (Munich, 1595a)
1. Il magnanimo Pietro, che giurato havea, 7vv, H xx, 3
2. Ma gli archi che net petto gli aventaro, 7vv, H xx, 8
3. Tre volte haveva a l’importuna e audace, 7vv, H xx, 13
4. Qual a l'incontro di quelli occhi santi, 7vv, H xx, 18
5. Giovane donna il suo bel viso in specchio, 7vv, H xx, 23
6. Così talhor benchè profane cose, 7vv, H xx, 28
7. Ogni occhio del signor lingua veloce, 7vv, H xx, 33
8. Nessun fedel trovai, nessun cortese, 7vv, H xx, 38
9. Chi ad una ad una raccontar potesse, 7vv, H xx, 44
10. Come falda di neve, che agghi acciata, 7vv, H xx, 49
11. E non fu il pianto suo rivo o corrente, 7vv, H xx, 54
12. Quel volto, ch’era poco inanzi stato, 7vv, H xx, 58
13. Veduto il miser, quando differente, 7vv, H xx, 63
14. E vago d'incontrar, chi giusta pena, 7vv, H xx, 68
15. Vattene vita va! dicea piangendo, 7vv, H xx, 73
16. O vita troppo rea, troppo fallace, 7vv, H xx, 78
17. A quanti già felici in giovinezza, 7vv, H xx, 83
18. Non trovava mia fé si duro in troppo, 7vv, H xx, 88
19. Queste opre e più, ch’ el mondo et io sapeva, 7vv, H xx, 93
20. Negando il mio signor negai qu’el ch’era, 7vv, H xx, 98
21. Vide homo, quæ pro te patior, 7vv, H xx, 103

Band 21. Prophetiæ Sibyllarum (1990)

Editor: Reinhold Schlötterer (1925-)
Score: I-XXXVIII, 1-48 pages, 1990. BA 4281.
  • Prophetiae Sibyllarum … chromatico more singulari confectae, 4vv (Munich, 1600a)
1. [‘Carmina Chromatico’] (Prolog), quæ audis modulata tenore, 4vv, H xxi, 3
2. [‘Sibylla Persica’] Virgine matre satus pando residebit asello, 4vv, H xxi, 5
3. [‘Sibylla Libyca’] Ecce dies venient, quo æterno tempore princeps, 4vv, H xxi, 9
4. [‘Sibylla Delphica’] Non tarde veniet, tacita sed mente tenendum Hoc opus, 4vv, H xxi, 13
5. [‘Sibylla Cimmeria’] In teneris annis facie insignis honore, 4vv, H xxi, 17
6. [‘Sibylla Samia’] Ecce dies, nigras quæ tollet læta tenebras, 4vv, H xxi, 21
7. [‘Sibylla Cumana’] Jam mea certa manent et vera novissima verba, 4vv, H xxi, 25
8. [‘Sibylla Hellespontica’] Dum meditor quondam, vidi decorare puellam, 4vv, H xxi, 29
9. [‘Sibylla Phrygia’] Ipsa Deum vidi summum punire volentem, 4vv, H xxi, 33
10. [‘Sibylla Europaea’] Virginis æternum veniet de corpore verbum purum, 4vv, H xxi, 36
11. [‘Sibylla Tiburtina’] Verax ipse Deus dedit hæc mihi munia fandi, 4vv, H xxi, 39
12. [‘Sibylla Erythraea’] Cerno Dei natum, qui se dimisit ab alto, 4vv, H xxi, 42
13. [‘Sibylla Agrippa’] Summus erit sub carne satus, 4vv, H xxi, 45

Band 22. Lamentationes Jeremiae Prophetae (1992)

Editor: Peter Bergquist (1930-2016)
Score: I-XLIV, 1-260 pages, 1992. BA 4282.
  • Hieremiæ prophetæ lamentationes, et aliæ piæ cantiones: nunquam antehac visæ, ab ipso autore Orlando di Lasso, 5vv (Munich, 1585d)
I. Feria quinta in Coena Domini
1. Incipit lamentatio Jeremiæ… Quomodo sedet sola civitas (1585d), 5vv, H xxii, 3
2. Zain. Recordata est dierum afflictionis suae (1585d), 5vv, H xxii, 14
3. Lamed. O vos omnes, qui transitis per viam (1585d), 5vv, H xxii, 25
II. Feria sexta in Parasceve
4. De lamentatio Jeremiæ… Heth. Cogitavit Dominus (1585d), 5vv, H xxii, 37
5. Mem. Cui comparabo te? (1585d), 5vv, H xxii, 50
6. Aleph. Ego vir videns paupertatem meam (1585d), 5vv, H xxii, 63
III. Sabbato Sancto
7. De lamentatio Jeremiæ… Heth. Misericordiæ Domini (1585d), 5vv, H xxii, 76
8. Aleph. Quomodo obscuratum est aurum (1585d), 5vv, H xxii, 89
9. Incipit oratio Jeremiæ prophetæ. Recordare (1585d), 5vv, H xxii, 100
  • Jeremiæ prophetæ lamentationes, et aliæ piæ cantiones: nunquam antehac visæ, ab ipso autore Orlando di Lasso, 4vv (D-Mbs Mus. Ms. 2745)
IV. Feria quinta in Coena Domini
10. Incipit lamentatio Jeremiæ… Quomodo sedet sola civitas (MS ca.1588), 4vv, H xxii, 112
11. Zain. Recordata est dierum afflictionis suae (MS ca.1588), 4vv, H xxii, 132
12. Lamed. O vos omnes, qui transitis per viam (MS ca.1588), 4vv, H xxii, 148
V. Feria sexta in Parasceve
13. De lamentatio Jeremiæ… Heth. Cogitavit Dominus (MS ca.1588), 4vv, H xxii, 164
14. Mem. Cui comparabo te? (MS ca.1588), 4vv, H xxii, 179
15. Aleph. Ego vir videns paupertatem meam (MS ca.1588), 4vv, H xxii, 197
VI. Sabbato Sancto ad Matutinum
16. De lamentatio Jeremiæ… Heth. Misericordiæ Domini (MS ca.1588), 4vv, H xxii, 213
17. Aleph. Quomodo obscuratum est aurum (MS ca.1588), 4vv, H xxii, 230
18. Incipit oratio Jeremiæ prophetæ. Recordare (MS ca.1588), 4vv, H xxii, 245

Band 23. Offizien und Messproprien (1993)

Editor: Peter Bergquist (1930-2016)
Score: I-XLVI, 1-356 pages, 1993. BA 4283.
  • Patrocinium musices … officia aliquot, de praecipuis festis anni … tertia pars, 5vv (Munich, 1574c)
1. Vidi aquam (1574c), 5vv, H xxiii, 3
2. Asperges me (quarti toni) (1574c), 5vv, H xxiii, 14
3. Asperges me (septimi toni) (1574c), 5vv, H xxiii, 20
4. Officium Natalis Christi (1574c), 5vv, H xxiii, 28
5. Officium Paschale (1574c), 5vv, H xxiii, 53
6. Officium Pentecostes (1574c), 5vv, H xxiii, 81
7. Officium Corporis Christi (1574c), 5vv, H xxiii, 106
8. Sequentia: Stabat Mater, octo vocum (1585), 4vv, H xxiii, 143
9. In Purificatione Beatae Mariae Virginis Officium (1585), 4vv, H xxiii, 165
10. Antiphona in die Purificationis S. Mariae dum accendentur candelae (1582), 5vv, H xxiii, 175
11. Sequentia pro Defunti, Dies irae, quatuor vocum (1580), 4vv, H xxiii, 177
  • Nicht fesicherte Zuschriften aus Hanschriften des letzten Viertels des 16. Jahrhunderts
12. Officium primum in Nativitate Domini, (ca.1585-90), 6vv, H xxiii, 192
13. Epiphania Domini, 6vv, H xxiii, 203
14. Ascensio Domini, 6vv, H xxiii, 215
15. Corpus Christi, 6vv, H xxiii, 230
16. Resurrectio Domini, 6vv, H xxiii, 273
17. Feria 2a post Resurrectionem, 6vv, H xxiii, 298
18. Feria 3a post Resurrectionem, 6vv, H xxiii, 317
19. Quinquagesima, 6vv, H xxiii, 332
20. Officium Sancti Michaelis (ca.1585-90), 6vv, H xxiii, 346

Band 24. Cantica, Responsorien und andere Musik für die Officia (1993)

Editor: Peter Bergquist (1930-2016)
Score: I-XLII, 1-368 pages, 1993. BA 4284.
  • I. Nunc dimittis (MS ca.1565-92)
1. Nunc dimittis quarti toni, 4vv, H xxiv, 3
2. Nunc dimittis septimi toni, 4vv, H xxiv, 11
3. Nunc dimittis octavi toni, 4vv, H xxiv, 17
4. Nunc dimittis quinti toni, 4vv, H xxiv, 24
5. Nunc dimittis primi toni (Il magnanimo Pietro), 7vv, H xxiv, 29
6. Nunc dimittis tertii toni (Come havran fin), 4vv, H xxiv, 37
7. Nunc dimittis secundi toni (S'el mio sempre per voi), 4vv, H xxiv, 46
8. Nunc dimittis quarti toni, 5vv, H xxiv, 54
9. Nunc dimittis secundi toni (Heu mihi Domini), 5vv, H xxiv, 59
10. Nunc dimittis secundi toni (Un dubbio verno), 5vv, H xxiv, 68
11. Nunc dimittis tertii toni (Io son si stanco), 5vv, H xxiv, 76
12. Nunc dimittis primi toni (Oculi mei semper ad Dominum), 6vv, H xxiv, 83
13. Nunc dimittis primi toni (Susanne un jour), 5vv, H xxiv, 94
  • II. Benedictus Dominus Deus Israel et Miserere
1. Benedictus Dominus Deus Isreal tertii toni, (MS ca.1585-90), 9vv, H xxiv, 105
2. Benedictus Dominus Deus Isreal quarti toni, (MS ca.1585-90), 9vv, H xxiv, 127
3. Benedictus Dominus Deus Isreal primi toni, (MS ca.1585-90), 9vv, H xxiv, 149
4. Psalmus Poenitentialis, Miserere mei Deus (MS ca.1850s), 9vv, H xxiv, 172
  • III. Responsoria
  • Responsoria pro Triduo Sacro in Nocturo II et III
  • In secundo nocturno
1. Responsorium quartum, Amicus meus osculi, 4vv, H xxiv, 197
2. Responsorium quintum, Judas mercator pessimus, 4vv, H xxiv, 200
3. Responsorium sextum, Unus ex discipulis, 4vv, H xxiv, 202
  • In tertio nocturno
4. Responsorium septimum, Eram quasi agnus, 4vv, H xxiv, 205
5. Responsorium octavum, Una hora non potuistis, 4vv, H xxiv, 209
6. Responsorium nonum, Seniores populi consilium, 4vv, H xxiv, 212
  • In secundo nocturno
7. Responsorium quartum, Tamquam ad latronem, 4vv, H xxiv, 214
8. Responsorium quintum, Tenebrae factae sunt, 4vv, H xxiv, 217
9. Responsorium sextum, Animam meam dilectam, 4vv, H xxiv, 221
  • In tertio nocturno
10. Responsorium septimum, Tradiderunt me in manus, 4vv, H xxiv, 226
11. Responsorium octavum, Jesum tradidit impius, 4vv, H xxiv, 229
12. Responsorium nonum, Caligaverunt oculi mei, 4vv, H xxiv, 232
  • In secundo nocturno
13. Responsorium quartum, Recessit pastor noster, 4vv, H xxiv, 235
14. Responsorium quintum, O vos omnes, 4vv, H xxiv, 238
15. Responsorium sextum, Ecce quomodo moritur, 4vv, H xxiv, 240
  • In tertio nocturno
16. Responsorium septimum, Astiterunt reges terrae, 4vv, H xxiv, 243
17. Responsorium octavum, Aestimatus sum, 4vv, H xxiv, 245
18. Responsorium nonum, Sepulto Domino signatum, 4vv, H xxiv, 247
  • Invitatorium et Responsorium in die Sanctor Pachæ (MS ca.1592)
19. Invitatorium, Surrexit Dominus vere, LV Anh.58, 6vv, H xxiv, 251
20. Responsorium, Dum transisset Sabathum, LV Anh.146, 6vv, H xxiv, 253
21. Responsorium primum, Hodie nobis caelorum, 5vv, H xxiv, 261
22. Responsorium secundum, Hodie nobis de caelo, 5vv, H xxiv, 267
23. Responsorium tertium, Quem vidistis, pastores, 5vv, H xxiv, 270
  • Responsorium in exquiis (MS ca.1583-85)
24. Responsorium in exequiis, 4vv, H xxiv, 274
  • IV. Antiphonae
1. Antiphona prima, Sacerdos in aeternum, 6vv, H xxiv, 281
2. Antiphona secunda, Miserator Dominus, 6vv, H xxiv, 285
3. Antiphona tertia, Calicem salutaris, 6vv, H xxiv, 288
4. Antiphona quarta, Sicut novellae, 6vv, H xxiv, 291
5. Antiphona quinta, Qui pacem ponit, 6vv, H xxiv, 294
6. Antiphona ad Magnificat in primis Vesperis, O quam suavis, 6vv, H xxiv, 297
7. Antiphona ad Magnificat in secundia Vesperis, O sacrum convivium, 6vv, H xxiv, 305
8. Antiphona ad Magnificat ad primas Vesperas, Dum sacrum mysterium, 4vv, H xxiv, 313
9. Antiphona prima, Stetit angelus, 4vv, H xxiv, 316
10. Antiphona secunda, Dum praeliaretur Michael Archangelus, 4vv, H xxiv, 318
11. Antiphona tertia, Archangele Michael, constitui, 4vv, H xxiv, 320
12. Antiphona quarta, Angeli Domini, 4vv, H xxiv, 322
13. Antiphona quinta, Angeli, Archangeli, Throni et Dominationes, 4vv, H xxiv, 323
14. Antiphona ad Magnificat ad secundas Vesperas, Princeps gloriosissime, 4vv, H xxiv, 327
  • V. Opera dubia
  • Benedictus Dominus Deus Israel
1. Benedictus Dominus Deus Israel sexti toni, (MS ca.1550), 5vv, H xxiv, 333
  • Moduli ad Completorium in Quadragesima
2. Responsorium breve, In manus tuas (MS ca.1585–90), 5vv, H xxiv, 346
3. Hymnus, Christe qui lux es et dies (MS ca.1585–90), 6vv, H xxiv, 348
4. Nunc dimittis sexti toni, 8vv, H xxiv, 357

Band 25. Litaneien, Falsibordoni und Offiziumssätze (1993)

Editor: Peter Bergquist (1930-2016)
Score: I-XL, 1-198 pages, 1993. BA 4285.
  • I. Litaniae Beatae Mariae Virginis (Litaniae Lauretanae)
1. Litaniae Beatae Mariae Virginis (i), 4vv, H xxv, 3
2. Litaniae Beatae Mariae Virginis (ii), 4vv, H xxv, 5
3. Litaniae Beatae Mariae Virginis (i), 5vv, H xxv, 11
4. Litaniae Beatae Mariae Virginis (ii), 5vv, H xxv, 16
5. Litaniae Beatae Mariae Virginis (iii), 5vv, H xxv, 20
6. Litaniae Beatae Mariae Virginis (iv), 5vv, H xxv, 23
7. Litaniae Beatae Mariae Virginis (v), 5vv, H xxv, 28
8. Litaniae Beatae Mariae Virginis, 6vv, H xxv, 32
9. Litaniae Beatae Mariae Virginis, duobus choris, 8vv, 15962, H xxv, 37
10. Litaniae Beatae Mariae Virginis (i), duobus choris, 9vv, H xxv, 67
11. Litaniae Beatae Mariae Virginis (ii), duobus choris, 9vv, MS ca.1590, H xxv, 74
12. Litaniae Beatae Mariae Virginis, duobus choris, 10vv, MS ca.1580, H xxv, 98
  • II. Litaniae Deiparae Beatae Mariae Virginis ex Sacra Scriptura depromptae
13. Litaniae Beatae Mariae Virginis, 4vv, MS, H xxv, 113
  • III. Litaniae omnium Sanctorum
14. Litaniae omnium Sanctorum, 4vv, H xxv, 121
15. Litaniae omnium Sanctorum, 5vv, H xxv, 127
16. Litaniae omnium Sanctorum, duobus choris, 7vv, H xxv, 134
  • IV. Falsibordoni
1. Falsobordone primi toni (i), 4vv, H xxv, 143
2. Falsobordone primi toni (ii), 4vv, H xxv, 143
3. Falsobordone primi toni (i), 5vv, H xxv, 144
4. Falsobordone primi toni (ii), 5vv, H xxv, 144
5. Falsobordone primi toni (iii), 5vv, H xxv, 145
6. Falsobordone secundi toni (i), 5vv, H xxv, 145
7. Falsobordone secundi toni (ii), 5vv, H xxv, 146
8. Falsobordone tertii toni (i), 4vv, H xxv, 146
9. Falsobordone tertii toni (ii), 4vv, H xxv, 146
10. Falsobordone tertii toni (iii), 4vv, H xxv, 147
11. Falsobordone tertii toni (i), 5vv, H xxv, 147
12. Falsobordone quarti toni (i), 4vv, H xxv, 147
13. Falsobordone quarti toni (ii), 4vv, H xxv, 148
14. Falsobordone quinti toni, 4vv, H xxv, 148
15. Falsobordone sexti toni, 5vv, H xxv, 149
16. Falsobordone septimi toni (iii), 4vv, H xxv, 150
17. Falsobordone septimi toni, 4vv, H xxv, 150
18. Falsobordone septimi toni (i), 4vv, H xxv, 151
19. Falsobordone septimi toni (ii), 5vv, H xxv, 151
20. Falsobordone octavi toni (i), 5vv, H xxv, 152
21. Falsobordone octavi toni (Ii), 5vv, H xxv, 152
22. Falsobordone toni peregrini, 4vv, H xxv, 153
23. Falsobordone toni in Caesarea Capella consueti, 4vv, H xxv, 153
  • V. Psalmus in Falsobordone
In exitu Israel de Egypto, 6vv, H xxv, 157
  • VI. Deus in adjutorium
1. Deus in adjutorium, 4vv, H xxv, 185
2. Deus in adjutorium, 4vv, H xxv, 187
3. Deus in adjutorium, 4vv, H xxv, 189
  • VII. Responsiones in Missa
Post Misereatur; Ante Evangelium;
Ad Praefationem; Post Pater noster; Post Ite misse est, 4vv, H xxv, 189

Band 26. 7 Bußpsalmen mit der Motette Laudes Domini (1995)

Editor: Horst Leuchtmann (1927-2007)
Score: I-LIV, 1-236 pages, 1995. BA 4286.
  • Psalmi Davidis poenitentiales, modis musicis redditi … his accessit psalmus Laudate Dominum de coelis, 5-6vv (Munich, 1584e)
1. Primus Psalmus poenitentialis, 5-6vv, H xxvi, 3
2. Secundus Psalmus poenitentialis, 5-6vv, H xxvi, 25
3. Tertius Psalmus poenitentialis, 5-6vv, H xxvi, 56
4. Quartus Psalmus poenitentialis, 5-6vv, H xxvi, 98
5. Quintus Psalmus poenitentialis, 5-6vv, H xxvi, 131
6. Sextus Psalmus poenitentialis, 5-6vv, H xxvi, 173
7. Septimus Psalmus poenitentialis, 5-6vv, H xxvi, 186
8. Laudes Domini, 5-6vv, H xxvi, 210

Supplement 1. Seine Werke in zeitgenössischen Drucken 1555–1687: I. Katalog 1555-1577 (2001)

Editors: Horst Leuchtmann (1927-2007) and Bernhold Schmid (1955-)
Book: 1-412 pages, 2001. BVK 1538-1.

Supplement 2. Seine Werke in zeitgenössischen Drucken 1555–1687: II. Katalog 1578-1687 (2001)

Editors: Horst Leuchtmann (1927-2007) and Bernhold Schmid (1955-)
Book: 1-396 pages, 2001. BVK 1538-2.

Supplement 3. Seine Werke in zeitgenössischen Drucken 1555–1687: III. Register (2001)

Editors: Horst Leuchtmann (1927-2007) and Bernhold Schmid (1955-)
Book: 1-628 pages, 2001. BVK 1538-3.

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