Authorship Note
Palestrina's authorship is doubtful; see below, Comments |
Performances
Naxos
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Synthesized/MIDI
Complete
For Organ (Composer/Aboyan)
⇒ 7 more: Ricercar del secondo tuono • Ricercar del terzo tuono • Ricercar del quarto tuono • Ricercar del quinto tuono • Ricercar del sesto tuono • Ricercar del settimo tuono • Ricercar del ottavo tuono
| Publisher Info.
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Gayk Aboyan
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| Performers
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Gayk Aboyan
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| Copyright
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| Misc. Notes
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These file(s) are part of the Werner Icking Music Collection.
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For 5 Recorders (Sprenger)
⇒ 7 more: Secondo Tono • Terzo Tono • Quarto Tono • Quinto Tono • Sesto Tono • Settimo Tono • Ottavo Tono
| Publisher Info.
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Wolfgang Sprenger
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| Performers
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Synthesized MIDI
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| Copyright
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| Misc. Notes
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These file(s) are part of the Werner Icking Music Collection.
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For 2 Trumpets and 2 Trombones (Rondeau)
⇒ 9 more: Ricercar del secondo tuono • Ricercar del secondo tuono • Ricercar del quarto tuono • Ricercar del quinto tuono • Ricercar del sesto tuono • Ricercar del settimo tuono • Ricercar del ottavo tuono • Ricercar del Settimo Tuono • Ricercar del Ottavo Tuono
| Publisher Info.
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Michel Rondeau
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| Performers
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MIDI
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| Copyright
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| Misc. Notes
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These file(s) are part of the Werner Icking Music Collection.
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Ricercar del primo tuono
For 4 Flutes (Kamioka)
| Publisher Info.
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Hideo Kamioka
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| Performers
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Hideo Kamioka
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| Copyright
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Sheet Music
Scores
Complete
| Editor
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Karl Gustav Fellerer (1902-1984)
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| Publisher. Info.
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Antiqua Series
Mainz: Schott, 1933. Plate B.S.S. 33633.
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| Copyright
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| Misc. Notes
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Note : From the uploader's library. Editor's trilingual preface removed.
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| Editor
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Marc Lanoiselée (b. 1944)
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| Publisher. Info.
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Marc Lanoiselée
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| Copyright
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| Misc. Notes
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d'après Haberl in "Opera omnia Ioannis Petraloysii Praenestini, Tomus XXXII"
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PDF typeset by editor
JCH (2020/9/23)
PDF typeset by editor
JCH (2020/9/24)
| Editor
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Jamie Holdham (b. 1996)
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| Publisher. Info.
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Jamie Holdham, 2020.
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| Copyright
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| Misc. Notes
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Ricercar 1 in G Minor, transcribed with Musescore.
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Arrangements and Transcriptions
Complete
For 4 Recorders (Sprenger)
⇒ 6 more: Descant recorder • Treble recorder • Tenor recorder • Bass recorder, G clef • Bass recorder, F clef • Engraving files (M-Tx,PMX,MusiXTeX)
For 2 Trumpets and 2 Trombones (Rondeau)
For 2 Lutes (Höger)
⇒ 7 more: Ricercare 2 (tablature) • Ricercare 3 (tablature) • Ricercare 4 (tablature) • Ricercare 5 (tablature) • Ricercare 6 (tablature) • Ricercare 7 (tablature) • Ricercare 8 (tablature)
| Arranger
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Anton Höger
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| Publisher. Info.
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Anton Höger
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| Copyright
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| Misc. Notes
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Intavolation in french Lute-tabulatur for 2 lutes (Unisono). If performed I would look forward about a small reference to my efforts.
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For Organ (Aboyan)
⇒ 8 more: Ricercar del secondo tuono • Ricercar del terzo tuono • Ricercar del quarto tuono • Ricercar del quinto tuono • Ricercar del sesto tuono • Ricercar del settimo tuono • Ricercar del ottavo tuono • Engraving files (Sibelius)
For Piano (Sarić)
| Arranger
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Valentin Sarić
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| Publisher. Info.
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Valentin Sarić
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| Copyright
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Ricercar del primo tuono
For 4 Flutes (Kamioka)
| Arranger
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Hideo Kamioka
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| Publisher. Info.
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Hideo Kamioka
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| Copyright
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| Misc. Notes
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For 2 flutes, alto flute and bass flute
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For Organ (Bonnet)
For Organ (Jacob)
PDF scanned by Ralph Theo Misch
RTM (2011/11/28)
| Arranger
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Georges Jacob (1877-1950)
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| Publisher. Info.
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Le grand orgue
Paris: H. Hérelle & Cie, n.d.[1926]. Plate H. & Cie 1504 (6).
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| Copyright
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| Misc. Notes
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Scanned at 600dpi grayscale, converted to monochrome.
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For Organ (Ritter)
General Information
Navigation etc.
Authorship doubtful : in his Preface to his edition, K.G. Fellerer draws our attention to the fact these Ricercari belong to the works of Palestrina without known original print or autograph. They were included in Vol.32 (pp.80 sq.) of Palestrina's Complete Works with an Introduction by F.X.Haberl (available on IMSLP), who took them from a copy made by Girolamo Chiti (1679-1759), found in the legacy of Giuseppe Baini (1775-1844). They are composed in strict motet form and follow the 8 modes.
Performance is possible with keyboard, string or wind-instruments, with viols or beak flutes being preferable, as being closest to the original sound. Tempo corresponds to an Andante. In order to bring out the separate voices, it is advisable to combine string and wind instruments. In the XVI century it was customary to add coloraturas especially if the part was executed by several instruments and one instrument held on the written melody (res facta).
