Recorder Concerto in F major, GSM 1711 (Sammartini, Giuseppe)

Contents

Performances

Recordings

MP3 file (audio)
Vangi (2019/6/24)

Performer Pages Frans Brüggen (flute)
Publisher Info. Teldec Classic, 1963.
Performers Amsterdam Chamber Orchestra, dir. André Rieu
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Naxos

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Synthesized/MIDI

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Publisher Info. Raí Biason Toffoletto
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Full Scores

PDF scanned by S-Skma
Feduol (2011/8/28)

Editor Johan Helmich Roman (1694–1758)
Unknown copyst
Publisher. Info. Manuscript, n.d.
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Misc. Notes Musik- och teaterbiblioteket, Stockholm (S-Skma): FbO-R
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Feduol (2011/5/7)

Editor Johan Helmich Roman (1694–1758)
Unknown copyst
Publisher. Info. Manuscript, n.d.
Reprinted Münster: Mieroprint, 1991.
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Feduol (2019/3/10)

Editor Johannes Brinckmann (1923–2008)
Wilhelm Mohr (1904–1989)
Publisher. Info. London: Schott Music Ltd., 1984. Plate 8337.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Reccmo (2019/6/25)

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Reccmo (2012/6/12)

Editor Raí Biason Toffoletto
Publisher. Info. Raí Biason Toffoletto, 2008.
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Giovanni Tribuzio (2016/7/9)

Editor Mario Bolognani
Publisher. Info. Rome: Baroquemusic.it, 2012.
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Imperial Music ... (2023/1/21)

Editor Santiago Andres Barrero Salinas (b. 2003)
Imperial Music House (b. 2020)
Publisher. Info. Imperial Music House, 2023.
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Parts

Recorder Solo

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Feduol (2019/6/25)

Editor Johannes Brinckmann (1923–2008)
Wilhelm Mohr (1904–1989)
Publisher. Info. London: Schott Music Ltd., 1984. Plate 6117.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Feduol (2026/9/7)

Editor Jürgen Janotta
Publisher. Info. Winterthur: Amadeus Verlag, 1985. Plate BP 420.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Reccmo (2019/3/10)

Editor Raí Biason Toffoletto
Publisher. Info. Raí Biason Toffoletto, 2008.
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Giovanni Tribuzio (2016/7/2)

Editor Mario Bolognani
Publisher. Info. Rome: Baroquemusic.it, 2012.
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Imperial Music ... (2023/1/21)

Editor Santiago Andres Barrero Salinas (b. 2003)
Imperial Music House (b. 2020)
Publisher. Info. Imperial Music House, 2023.
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Orchestra

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Reccmo (2019/3/10)

Editor Raí Biason Toffoletto
Publisher. Info. Raí Biason Toffoletto, 2008.
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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PDF typeset by editor
Giovanni Tribuzio (2016/7/2)

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Giovanni Tribuzio (2016/7/2)

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Giovanni Tribuzio (2016/7/2)

PDF typeset by editor
Giovanni Tribuzio (2016/7/2)

Editor Mario Bolognani
Publisher. Info. Rome: Baroquemusic.it, 2012.
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Imperial Music ... (2023/1/21)

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Imperial Music ... (2023/1/21)

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Imperial Music ... (2023/1/21)

PDF typeset by editor
Imperial Music ... (2023/1/21)

Editor Santiago Andres Barrero Salinas (b. 2003)
Imperial Music House (b. 2020)
Publisher. Info. Imperial Music House, 2023.
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Arrangements and Transcriptions

For Recorder and Piano

PDF scanned by Unknown
Feduol (2019/7/11)

PDF scanned by Unknown
Feduol (2019/6/25)

Arranger Unknown
Editor Johannes Brinckmann (1923–2008)
Wilhelm Mohr (1904–1989)
Publisher. Info. London: Schott Music Ltd., 1984. Plate 6117.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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General Information

Work Title Recorder Concerto in F major
Alternative. Title
Composer Sammartini, Giuseppe
Opus/Catalogue NumberOp./Cat. No. GSM 1711 ; GroF 298 ; VeiI SamG8
Internal Reference NumberInternal Ref. No. IGS 25
Key F major
Movements/SectionsMov'ts/Sec's 3 movements:
  1. Allegro
  2. Siciliano
  3. Allegro assai
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation recorder, 2 violins, viola, continuo
Extra Information The recorder part in the S-Skma (FbO-R) source is transposing, notated in B-flat, while the performer plays a soprano recorder using alto recorder fingerings (in F).