Psaume CXXIX (Boulanger, Lili)

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Publisher. Info. Paris: Durand, 1924. Plate D.& F. 10,382.
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Parts

23 more: Flute 1/2 • Oboe 1/2 • English Horn • Clarinet 1/2 (A) • Bass Clarinet (B♭) • Bassoon 1/2 • Sarrusophone • Horn 1/2 (F) • Horn 3/4 (F) • Trumpet 1/2 • Trumpet 3 • Trombone 1/2 • Trombone 3/Tuba • Timpani • Percussion • Celesta • Harp 1 • Harp 2 • Violins I • Violins II • Violas • Cellos • Basses

Publisher. Info. Paris: Durand, 1924. Plate D. & F. 10383.
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Publisher. Info. Paris: Durand, 1926. Plate D-F-10382bis.
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Vocal Scores

Publisher. Info. Durand: Paris, 1921. Plate D. & F. 10,084.
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Language French/English
Publisher. Info. Paris: Durand, 1924. Plate D. & F. 10,084.
Copyright
Misc. Notes Copyright notice cut off in scan. Later edition (copyright 1924) with English text added.
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General Information

Work Title Psaume CXXIX. "Ils m’ont assez opprimé dès ma jeunesse"
Alternative. Title
Name Translations Psaume 129 : Ils m'ont assez opprimé dès ma jeunesse
Name Aliases Psaume 129
Authorities WorldCat; VIAF: 180422265; GND: 30047377X; BNF: 139087647
Composer Boulanger, Lili
Internal Reference NumberInternal Ref. No. ILB 13
Key D minor
Movements/SectionsMov'ts/Sec's 1
Year/Date of CompositionY/D of Comp. 1916
First Performance. 1921
Paris, Salle Pleyel, conducted by Henri Büsser
First Publication. 1921
Librettist Psalm CXXIX
Language French
Average DurationAvg. Duration 8 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation baritone (or male or mixed chorus), orchestra
InstrDetail Piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, sarrusophone, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion (bass drum, tamtam, cymbals), celesta, 2 harps, strings
External Links Preface at Musikproduktion Höflich (Helen Julia Minors, 2011)
All Music Guide
Wikipedia article (in French)
Extra Information The score notes that a solo voice may have 8 or 12 women's voices assisting. Whether in this case or in chorus-orchestra versions the women's voices only come in during the final section (Smith-Gonzalez, thesis, p.109.)