Processio funebris, Op.43 (Elsner, Józef)

Movements/SectionsMov'ts/Sec's	1 funeral march
First Publication	1827-28 ca.
Genre Categories	Funeral marches; Funeral music; Marches; For wind band; Scores featuring wind band; For orchestra without strings

Sheet Music

Complete Score
*#622261 - 0.38MB, 7 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 24×⇩ - Іоахимъ

PDF scanned by PL-Wn
Іоахимъ (2020/4/27)

Publisher. Info.	[Warsaw]: Unidentified publisher, n.d.(ca.1872-1828).
Copyright	Public Domain [tag/del]
Misc. Notes	Cover page engraved by F. Putulewicz. The score was published probably by Brzezina. His name is found on the cover lithography of Elsner's De profundis, Op.43 (together with that of F. Putulewicz), and he also published Requiem, Op.42.
Purchase	Javascript is required for this feature.

Javascript is required to submit files.

Work Title	Processio funebris
Alternative. Title	Marcia funebre
Composer	Elsner, Józef
Opus/Catalogue NumberOp./Cat. No.	Op.43
I-Catalogue NumberI-Cat. No.	IJE 16
Key	C minor
Movements/SectionsMov'ts/Sec's	1 funeral march
First Performance.	1827 ca.
First Publication.	1827-28 ca.
Composer Time PeriodComp. Period	Romantic
Piece Style	Classical
Instrumentation	Wind Band: flute, 2 clarinets in B♭, 2 bassoons, 2 horns in E♭, trumpet in C, trombone, tympani, bass

No opus number in the published score. Opus number from culture.pl: "Salve Regina B-dur, Processio funebris c-moll, Psalmus: De profundis c-moll op. 43 na 3-głosy męskie, 4-głosowy chór i orkiestrę (1827)". This list of works is probably based on Elsner's own list. There are 3 compositions marked Op.43, all for the same occasion, apparently translation of the remains of brothers Ignacy (1750—1809) and Stanisław (1755—1821) Potocki to a new church built by Stanisław's wife Aleksandra (CBN: "Frontispis 'Psalmus De profundis' przedstawia kaplicę w Wilanowie postawioną dla pamięci Stanisława Potockiego przez Aleksandrę Potocką". With this make sense both the church engraving on the cover page of De profundis, and its Latin dedication ("Here is my rest. I will dwell here, because I chose it" etc.). However, the three compositions were published separately, probably for commercial reasons.
Recorded: [1]