Piano Trio (Fine, Vivian)

Sheet Music

• Scores and Parts (3)
• Arrangements and Transcriptions (0)
• Libretti (0)
• Other (0)
• Source Files (0)

Scores and Parts

 Complete Score
*#107989 - 2.84MB, 29 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 524×⇩ - Rhymesandchymes

PDF scanned by Unknown
Rhymesandchymes (2011/7/4)

 Violin Part
*#107990 - 0.51MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 247×⇩ - Rhymesandchymes

PDF scanned by Unknown
Rhymesandchymes (2011/7/4)

 Cello Part
*#107991 - 0.50MB, 9 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 203×⇩ - Rhymesandchymes

PDF scanned by Unknown
Rhymesandchymes (2011/7/4)

Publisher. Info. Vivian Fine Estate Copyright Performance Restricted Attribution Non-commercial No Derivatives 1.0 [tag/del/mrg] © COPYRIGHT NOTICE. THIS FILE IS PROTECTED UNDER COPYRIGHT LAW. However, the lawful copyright owner has generously released the file for distribution at IMSLP under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances. Misc. Notes Request Licenses from ASCAP Report performances to Vivian Fine Estate Purchase Javascript is required for this feature.

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During the fall of 1980 Fine completed another commission, Trio for Violin, Cello, and Piano (1980) for the Mirecourt Trio. She wrote a large, complex, and demanding piece of two movements that are divided into sections. The movements are about equal in length, making the design symmetrical, and having a formal plan of ABC AB’D. Movement one’s A section begins with a sixteenth-note canon between the violin and cello lasting nine measures. When composing the original line, Fine was careful not to repeat patterns, and a few places where she did are disguised with changes in phrasing. Similar to the opening of Teisho, the pitches from this original background texture are reused throughout the Trio. The B section presents “pesante e mercato” lines set in textures that repeat and recombine, while C is a passacaglia in memory of Gregor Piatigorsky, who died in 1976. The eight-measure passacaglia theme is repeated eight times in a series of growing complexities….The second movement’s A section begins with a piano texture derived from the Trio’s opening canon and uses similar material as the initial A, enhanced with rescoring, added counterpoints, and canons….[the final section] is an elegy on a theme by Ravel paralleling the earlier passacaglia.

—Heidi Von Gunden, The Music of Vivian Fine, Scarecrow Press, 1999