Piano Concerto No.3, Op.31 (Brandes, Felipe)

Movements/SectionsMov'ts/Sec's 3 movements
Composition Year 2017
Genre Categories Concertos; For piano, orchestra; Scores featuring the piano; Scores featuring the orchestra; For orchestra with soloists

Contents

Performances

Recordings

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Synthesized/MIDI

 I. Allegro
#625761 - 13.71MB - 9:59 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 16×⇩ - MP3 - SirBrandes

MP3 file (audio)
SirBrandes (2020/5/15)

 II. Adagio
#625762 - 8.77MB - 6:23 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 8×⇩ - MP3 - SirBrandes

MP3 file (audio)
SirBrandes (2020/5/15)

 III. Presto
#625763 - 4.80MB - 3:29 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 8×⇩ - MP3 - SirBrandes

MP3 file (audio)
SirBrandes (2020/5/15)

Publisher Info. Felipe B. Brandes, 2017.
Performers MIDI (MP3 version)
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
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Sheet Music

Scores

 I. Allegro
#625758 - 1.84MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 32×⇩ - SirBrandes

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SirBrandes (2020/5/15)

 II. Adagio
#625759 - 1.03MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 20×⇩ - SirBrandes

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SirBrandes (2020/5/15)

 III. Presto
#625760 - 0.74MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 21×⇩ - SirBrandes

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SirBrandes (2020/5/15)

Publisher. Info. Felipe Brandes, 2017.
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del/mrg]
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Parts

 Piano Solo
#625784 - 0.35MB, 14 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 23×⇩ - SirBrandes

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SirBrandes (2020/5/15)

⇒ 12 more: Piccolo, Flute 1, 2 • Oboe, English Horn • Clarinet (E♭), Clarinet 1, 2, Bass Clarinet (B♭) • Alto Saxophone (E♭) / Tenor Saxophone (B♭) • Bassoon 1, 2, Contrabassoon • Horn 1, 2 • Trumpet 1, 2 • Trombone 1, 2, Tuba • Timpani, Snare Drum, Glockenspiel, Xylophone • Harp • Violins I, II / Violas • Cellos, Basses

 Piccolo, Flute 1, 2
#625785 - 0.68MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 12×⇩ - SirBrandes

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SirBrandes (2020/5/15)

 Oboe, English Horn
#625771 - 0.45MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 12×⇩ - SirBrandes

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SirBrandes (2020/5/15)

 Clarinet (E♭), Clarinet 1, 2, Bass Clarinet (B♭)
#625772 - 0.87MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 12×⇩ - SirBrandes

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SirBrandes (2020/5/15)

 Alto Saxophone (E♭)
Tenor Saxophone (B♭)
#625773 - 0.65MB, 11 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 12×⇩ - SirBrandes

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SirBrandes (2020/5/15)

 Bassoon 1, 2, Contrabassoon
#625770 - 0.45MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 12×⇩ - SirBrandes

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SirBrandes (2020/5/15)

 Horn 1, 2
#625774 - 0.43MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 13×⇩ - SirBrandes

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 Trumpet 1, 2
#625775 - 0.43MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 12×⇩ - SirBrandes

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SirBrandes (2020/5/15)

 Trombone 1, 2, Tuba
#625776 - 0.65MB, 11 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 12×⇩ - SirBrandes

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SirBrandes (2020/5/15)

 Timpani, Snare Drum, Glockenspiel, Xylophone
#625777 - 1.05MB, 20 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 15×⇩ - SirBrandes

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SirBrandes (2020/5/15)

 Harp
#625779 - 0.26MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 14×⇩ - SirBrandes

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SirBrandes (2020/5/15)

 Violins I, II
Violas
#625782 - 0.72MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 12×⇩ - SirBrandes

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SirBrandes (2020/5/15)

 Cellos, Basses
#625783 - 0.48MB, 11 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 12×⇩ - SirBrandes

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SirBrandes (2020/5/15)

Publisher. Info. Felipe Brandes, 2017.
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del/mrg]
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General Information

Work Title Piano Concerto No.3
Alternative. Title
Composer Brandes, Felipe
Opus/Catalogue NumberOp./Cat. No. Op.31
I-Catalogue NumberI-Cat. No. IFB 26
Key F major
Movements/SectionsMov'ts/Sec's 3 movements:
I. Allegro
II. Adagio
III. Presto
Year/Date of CompositionY/D of Comp. 2017
Dedication Ana Beatriz Lima
Average DurationAvg. Duration 20 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation piano, orchestra (extra instruments: alto sax, tenor sax, snare drum, glockenspiel, xylophone)

Navigation etc.

This is the second of four "Concertos in F". This one has more of an impressionistic influence (as well as early "classical jazz"), which means he started to apply deep personality in his concertos at this point, as well as the maturity of his compositional resources

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