Pathodia sacra et profana (Huygens, Constantijn)

First Publication 1647
Genre Categories Psalms; Religious works; Airs; Serenades; Aubades; For voice, continuo; For voices with continuo; Scores featuring the voice; Scores with basso continuo; Latin language; Italian language; French language
Related Works Correspondence (Huygens, Constantijn)

Contents

Performances

Sheet Music

Scores

Complete

 Complete Score
#515215 - 2.07MB, 87 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 169×⇩ - Fynnjamin

PDF scanned by archive.org
Fynnjamin (2018/3/12)

Editor First edition
Publisher. Info. Paris: Robert Ballard, 1647.
Copyright
Public Domain [tag/del]
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 Complete Score
#335272 - 3.14MB, 80 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 691×⇩ - Fynnjamin

PDF scanned by archive.org
Fynnjamin (2014/7/20)

Editor W. J. A. Jonckbloet
J. P. N. Land
Publisher. Info. Musique et Musiciens au XVIIe siècle
Leyden: E. J. Brill, 1882.
Copyright
Public Domain [tag/del]
Misc. Notes See Correspondence (Huygens, Constantijn) for historical notes and correspondence.
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Selections

 I. Multi dicunt (Psalm III, v.3-4)
#239782 - 0.02MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1216×⇩ - Thomas Maerkl

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Thomas Maerkl (2012/7/2)

 II. Domine, ne in furore (Psalm VI, v.2-4)
#239783 - 0.02MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 730×⇩ - Thomas Maerkl

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Thomas Maerkl (2012/7/2)

 III. Usquequo, Domine (Psalm XII/XIII, v.1-4)
#239784 - 0.02MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 677×⇩ - Thomas Maerkl

PDF typeset by editor
Thomas Maerkl (2012/7/2)

Editor Thomas Maerkl
Publisher. Info. Thomas Maerkl
Copyright
Creative Commons Attribution 3.0 [tag/del/mrg]
Misc. Notes Continuo realized.
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General Information

Work Title Pathodia sacra et profana
Alternative. Title Pathodia sacra, et profana occupati
Composer Huygens, Constantijn
I-Catalogue NumberI-Cat. No. ICH 1
First Publication. 1647
Language Latin, Italian, French
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation voice, continuo
Related Works Correspondence (Huygens, Constantijn)

Navigation etc.

  • According to Grove Music, "The pieces are in an expressive, personal style, which combines elements of the Italian solo madrigal and the French air de cour, in fact the format of the publication conforms to that of Ballard's books of airs de cour."
  • The profane part of the contents are mostly unlabelled, except for no.29, a Serenata, no.38, and Aubade, and 39, a Serenade.
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