Passio Secundum Matthaeum (Obrecht, Jacob)

Movements/SectionsMov'ts/Sec's 3 parts
First Publication 1538
Genre Categories Passions; Religious works; For mixed chorus; [3 more...]Scores featuring mixed chorus; For unaccompanied chorus; Latin language

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Performances

Recordings

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Synthesized/MIDI

 MIDI Performance
#205463 - 0.03MB - 18:38 -  0/10 2 4 6 8 10 (0) - 165×⇩ - MID - Jeko89

MID file (audio/video)
Jeko89 (2012/4/16)

Publisher Info. Fritz Brodersen
Performers Synthesized MIDI
Copyright
Creative Commons Attribution Non-commercial 3.0 
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Scores and Parts

⇒ 7 more: Complete score (transposed up a major second) • Soprano part • Alto part • Tenor part [G2 clef] • Tenor part [C3 clef] • Bass part • Engraving files (Capella)

 Alto part
#150525 - 0.07MB, 8 pp. -  6/10 2 4 6 8 10 (1) - !N/!N/!N - 166×⇩ - Jeko89

PDF typeset by editor
Jeko89 (2011/11/13)

 Bass part
#150528 - 0.06MB, 8 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 169×⇩ - Jeko89

PDF typeset by editor
Jeko89 (2011/11/13)

 Engraving files (Capella)
#205465 - 0.09MB, 1 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 193×⇩ - Jeko89

ZIP typeset by editor
Jeko89 (2011/11/13)

Editor Fritz Brodersen
Publisher. Info. Fritz Brodersen
Copyright
Creative Commons Attribution Non-commercial 3.0
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
Purchase
Javascript is required for this feature.

General Information

Work Title Passio Domini nostri Jesu Christi Secundam Matthaeum a quattro voci
Alternative. Title Saint Matthew Passion
Composer Obrecht, Jacob
Internal Reference NumberInternal Ref. No. IJO 13
Movements/SectionsMov'ts/Sec's 3 parts
First Publication. 1538
Language Latin
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation mixed chorus (SATB)
Manuscript Sources Mss. parts, 1580-1620. (GB-Lbl Add. 34700)

Navigation etc.

Published ca.1894 by Amsterdam : Den Algemeenen Muziekhandel (co-pub. with Breitkopf und Härtel) in an edition by Daniël de Lange. There seem to be 3 or so sections or even individual movements audible in the above recording.

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