Oscar and Malvina (Reeve, William)

Collaborative Work
This work was co-authored by William Reeve and William Shield

First Publication	1791
Genre Categories	Pantomimes; Theatrical Works; Ballets; For voices, mixed chorus, orchestra; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; English language; For voice, piano (arr); For voices with keyboard (arr); Scores featuring the voice (arr); Scores featuring the piano (arr); For keyboard (arr); Scores featuring keyboard soloists (arr)

First Publication

1791

Genre Categories

Sheet Music

Complete Score
*#883649 - 41.45MB, 33 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 11×⇩ - Fynnjamin

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Fynnjamin (2023/11/11)

Publisher. Info.	London: Longman & Broderip, n.d.[1791].
Copyright	Public Domain [tag/del]
Misc. Notes	The Overture, Favorite Songs, Duetts & Chorusses in the Grand Pantomime Ballet of Oscar and Malvina as performed with universal applause at the Theatre Royal Covent Garden, Together with a Selection of the most favorite Scots Airs & the Battle Piece, The whole adapted and the new Music Composed by W. Reeve. Overture includes orchestral cues. Andante in D major is scored for [uilleann] pipes and harp.
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Complete Score
*#883654 - 8.11MB, 7 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 5×⇩ - Fynnjamin

PDF scanned by GB-Lbl
Fynnjamin (2023/11/11)

Arranger	Unidentified
Publisher. Info.	London: Longman & Broderip, n.d.
Copyright	Public Domain [tag/del]
Misc. Notes	Overture to Oscar and Malvina with the Highland March and Battle Pieces Overture includes orchestral cues. Rondo Allegro is scored for Union [uilleann] pipes and harp.
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Work Title	Oscar and Malvina
Alternative. Title	Grand Pantomime Ballet
Composer	Reeve, William
I-Catalogue NumberI-Cat. No.	None [force assignment]
First Publication.	1791
Librettist	after James Macpherson (1736–1796)
Language	English
Composer Time PeriodComp. Period	Classical
Piece Style	Classical
Instrumentation	voices, mixed chorus (SATB), orchestra
Extra Information	When William Shield abruptly left his position as composer for the Covent Garden Theatre, Reeve took over and completed Shield's music for this pantomime. Several folk tunes are used in the score.