O beatum et sacrosanctum diem (Philips, Peter)

Contents

Performances

Recordings

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Synthesized/MIDI

For 5 Recorders (Harmer)

MID file (audio/video)
Daniel Harmer (2011/11/24)

Publisher Info. Daniel Harmer
Performers Daniel Harmer
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
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Sheet Music

Scores

PDF typeset by editor
Vangi (2016/10/7)

Editor Daniel Van Gilst
Publisher. Info. Daniel Van Gilst - EN 341-7 (2016)
Copyright
Misc. Notes Layout optimized for digital tablets - Source : Cantiones sacræ quinis vocibus, Antwerp, Pierre Phalèse, 1612.
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Arrangements and Transcriptions

For 5 Recorders (Harmer)

PDF typeset by Daniel Harmer
Daniel Harmer (2011/9/8)

7 more: Complete Score (alto notation, SSATB Recorders) • Soprano 1 Recorder • Soprano 2 Recorder • Alto Recorder • Tenor Recorder • Bass Recorder • Engraving File (Finale)

PDF typeset by Daniel Harmer
Daniel Harmer (2011/9/8)

PDF typeset by Daniel Harmer
Daniel Harmer (2011/9/8)

PDF typeset by Daniel Harmer
Daniel Harmer (2011/9/8)

PDF typeset by Daniel Harmer
Daniel Harmer (2011/9/8)

PDF typeset by Daniel Harmer
Daniel Harmer (2011/9/8)

PDF typeset by Daniel Harmer
Daniel Harmer (2011/9/8)

ZIP typeset by Daniel Harmer
Daniel Harmer (2012/2/15)

Arranger Daniel Harmer
Publisher. Info. Daniel Harmer
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
Purchase
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General Information

Work Title O beatum et sacrosanctum diem
Alternative. Title
Composer Philips, Peter
I-Catalogue NumberI-Cat. No. IPP 10
Key B-flat major
Movements/SectionsMov'ts/Sec's 1
First Publication. 1612 – Antwerp
Librettist Anonymous?
Language Latin
Average DurationAvg. Duration 2 minutes
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 5 voices (SSATB)
External Links RISM 455026032

Navigation etc.

Incomplete parts at Staatsbibliothek zu Berlin. Considered a motet (described in some places as "Motet for five voices (SSATB) for the feast of the Nativity of Our Lord") (but may not have been called so by composer?)