Novi thesauri musici, Libro 5 (Gardano, Antonio)

Ambox notice.png This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in the General Information section below.
Movements/SectionsMov'ts/Sec's 32 motets
First Publication 1568
Genre Categories Motets; For voices; Scores featuring the voice; For unaccompanied voices; For 4 voices; For 5 voices; For 6 voices; For 7 voices; For 8 voices; For 12 voices; Latin language

Sheet Music

Parts

 Cantus
#512744 - 13.98MB, 68 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 88×⇩ - Vangi

PDF scanned by A-Wn
Vangi (2018/2/15)

⇒ 5 more: Altus • Tenor • Bassus • Quintus • Sextus

 Altus
#512745 - 14.34MB, 68 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 79×⇩ - Vangi

PDF scanned by A-Wn
Vangi (2018/2/15)

 Tenor
#512746 - 14.07MB, 68 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 76×⇩ - Vangi

PDF scanned by A-Wn
Vangi (2018/2/15)

 Bassus
#512747 - 13.72MB, 68 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 79×⇩ - Vangi

PDF scanned by A-Wn
Vangi (2018/2/15)

 Quintus
#512748 - 16.57MB, 82 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 22×⇩ - Vangi

PDF scanned by A-Wn
Vangi (2018/2/15)

 Sextus
#512749 - 15.34MB, 78 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 18×⇩ - Vangi

PDF scanned by A-Wn
Vangi (2018/2/15)

Publisher. Info. Venezia: Antonio Gardano, 1568.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Österreichische Nationalbibliothek A-Wn SA.79.C.7(5) - RISM 1568(6)
ChoralWiki (includes contents listing)
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General Information

Work Title Novi thesauri musici, Libro 5
Alternative. Title
Composer Gardano, Antonio
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 32 motets:
  1. Deiss: Quis dabit oculis nostris
  2. Jean de Chaynée: Quis dabit oculis nostris
  3. Cleve: Austria Danubii rapido prosperrima
  4. Vaet: Qui gerit Augusti Diademata
  5. Vaet: Ascendetis post filium meum
  6. Vaet: Aurea nunc tandem rutilanti
  7. Brouck: Ut vigilum densa silvam
  8. Regnart: Ut vigilum densa silvam
  9. Hollander: Nobile virtutum culmen
  10. Regnart: Quicquid greca loquax memorat
  11. Vaet: Ferdnande Imperio princeps dignissime
  12. Antoine de La Court: Carole Caesaro princeps de sanguine splendens
  13. Brouck: Carole qui lato similem tibi
  14. Des Buissons: Quid sibi vult haec clara dies
  15. Guyot: Carole ter fœlix
  16. Vaet: Currite fœlices divorum cura
  17. Brouck: Qui rebus clarus mensuram
  18. Prenner: Austriaci colles nemora
  19. Hollander: Austria virtutes aquilas
  20. Henri de La Court: Cesaris ad bustum qui dux Alfonse
  21. Regnart: Dic modo phebe novo curridet
  22. Vaet: Antevenis virides raris
  23. Formellis: Arma manusque dei
  24. Regnart: Quod mitis sapiens nulli virtute secundus
  25. Hollander: Vos mea magnanimi
  26. Hollander: Casta novenarum iacet
  27. Gabrieli: Lucida ceu fulvo resplendet
  28. Regnart: Defunctum Charites Vaetem
  29. Wert: Egressus Jesus
  30. Gabrieli: Deus misereatur nostri
  31. Henri de La Court: Aurea dum rutilis surgens
  32. Vaet: Te Deum laudamus
First Publication. 1568
Dedication Maximillian II, Holy Roman Emperor
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 4, 5, 6, 7, 8, 12 voices

Navigation etc.

A collection of motets in honor of:

  • Ferdinand I, Holy Roman Emperor (died 1564)
  • Maximillian II, Holy Roman Emperor
  • Ferdinand II, Archduke of Austria
  • Charles II, Archduke of Austria
  • Prince Rudolf (future Holy Roman Emperor Rudolf II)
  • Archduke Ernest of Austria
  • Alfonso II d'Este, Duke of Ferrara
  • Albert V, Duke of Bavaria
  • Johann III. von Trautson (member of an Austrian noble family)
  • Jacobus Vaet (died 1567, ironically one year before the Novi Thesauri was published)
  • Pietro Giovanelli (member of a Bergamasque noble family)

In many references, "Pietro Giovanelli" is credited as the main contributor, but he was not a composer. He was the patron of the collection, which, according to Erin Lambert, "was unprecedented in size; it included more than 250 motets [. . . it] provides insight into activities of the Habsburg court chapels in Vienna, Graz, Innsbruck, and Prague." (Singing the Resurrection: Body, Community, and Belief in Reformation Europe, pp.168-169)

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