Nouvelles parodies bacchiques (Ballard, Christophe)

Movements/SectionsMov'ts/Sec's 3 tomes
First Publication 1702
Genre Categories Vaudevilles; Theatrical Works; Operas; Operettas; Songs; For voice, continuo; For voices with continuo; Scores featuring the voice; Scores with basso continuo; French language

Sheet Music

Scores

 Tome 1
#129156 - 9.96MB, 293 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 255×⇩ - Bassani

PDF scanned by CDN-Ou
Bassani (2011/9/25)

 Tome 2
#129157 - 9.33MB, 282 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 128×⇩ - Bassani

PDF scanned by CDN-Ou
Bassani (2011/9/25)

 Tome 3
#129158 - 10.75MB, 262 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 113×⇩ - Bassani

PDF scanned by CDN-Ou
Bassani (2011/9/25)

Editor Christophe Ballard (1641-1715)
Publisher. Info. Paris: Christophe Ballard, 1702
Copyright
Public Domain [tag/del/mrg]
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General Information

Work Title Nouvelles parodies bacchiques, mélées de vaudevilles ou rondes de table
Alternative. Title
Composer Ballard, Christophe
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 3 tomes:
  • Tome 1:
  1. Festes de L'Amour et de Bachus
  2. Cadmus
  3. Alceste
  4. Le Carnaval (Mascarade)
  5. Thésée
  6. La Grotte de Versailles
  7. Atys
  8. Isis
  9. Psyché
  10. Bellerophon
  11. Various vaudevilles and rondes de table (drinking songs)
  • Tome 2:
  1. Proserpine
  2. Le Triomphe de L'Amour
  3. Persée
  4. Phaëton
  5. Amadis
  6. Roland
  7. Ballet du Temple de la Paix
  8. Armide
  9. Acis et Galatée
  10. Various vaudevilles and rondes de table (drinking songs)
  • Tome 3:
  1. Achille
  2. Zéphire et Flore
  3. Thétis et Pélée
  4. Énée et Lavinie
  5. Coronis
  6. La Mort d'Alcide
  7. Didon
  8. Circé
  9. Théagène et Chariclée
  10. Ballet des Saisons
  11. La Naissance de Venus
  12. Various vaudevilles and rondes de table (drinking songs)
First Publication. 1702
Language French
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation voice, continuo

Navigation etc.

Consists of revelry-themed parodies of operas/stage works by leading composers of the day (Lully, Collasse, Desmarets, etc). Fascinating to see that the genre of song parodying has existed for centuries. For more information on the topic, check out this article.

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