New Imperial Edition Tenor Songs (Northcote, Sydney)

This work has been identified as being in the public domain in Canada, as well as countries where the copyright term is life+50 years. However, this work is probably still protected by copyright in the United States, as well as in countries where the copyright term is life+70 years (including all EU countries), unless an exception applies. See public domain for details.
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Movements/SectionsMov'ts/Sec's 30 songs
First Publication 1953
Genre Categories Songs; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the tenor voice; Scores featuring the piano; English language; German language; French language; Italian language

Sheet Music

Scores

 Complete Score (CA)
#887607 - 11.84MB, 96 pp. -  0.0/10 2 4 6 8 10 (-) - V/49/39 - Dbmiller

PDF scanned by Dbmiller
Dbmiller (2023/12/10)

Publisher. Info. London: Boosey & Hawkes, 1953. Plate B. & H. 17129.
Copyright
Public Domain - Non-PD US, Non-PD EU [tag/del]
Misc. Notes No.6 and No.7 are omitted due to the copyright in the arrangers' work.
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General Information

Work Title New Imperial Edition Tenor Songs
Alternative. Title
Composer Northcote, Sydney
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 30 songs:
  1. Francis Pilkington (1565-1638) - "Rest, sweet Nymphs"
  2. Giulio Caccini (1558-1615) - "Amarylis"
  3. Henry Purcell (1659-1695) - "The Knotting Song"
  4. Henry Purcell (1659-1695) - "I'll sail upon the Dog-Star"
  5. George Frideric Handel (1689-1759) - "Where e'er you walk"
  6. George Frideric Handel (1689-1759), arr. and ed. by Walter Armitage Justice Ford (1861–1938) and Rupert Erlebach (1894–1978) - "Ye Verdant Hills"
  7. George Frideric Handel (1689-1759), arr. and ed. by Walter Armitage Justice Ford (1861–1938) and Rupert Erlebach (1894–1978) - "Would you gain the tender creature"
  8. Thomas Augustine Arne (1710-1778) - "Under the greenwood tree"
  9. Richard John Samuel Stevens (1757-1837) - "Sigh no more, ladies"
  10. Ludwig van Beethoven (1770-1827) - "Adelaide"
  11. Franz Schubert (1797-1828) - "Who is Sylvia" (An Silvia)
  12. Franz Schubert (1797-1828) - "Whither" (Wohin)
  13. Franz Schubert (1797-1828) - "The Secret" (Geheimes)
  14. Robert Schumann (1810-1856) - "Moonlight" (Mondnacht)
  15. Robert Schumann (1810-1856) - "Thou'rt like a lovely flower" (Du bist wie eine Blume)
  16. Edward James Loder (1809-1865) - "The Brooklet" (Wohin)
  17. Felix Mendelssohn (1809-1847) - "On wings of songs" (Auf Flügeln des Gesanges)
  18. Johannes Brahms (1833-1897) - "Reign here a Queen within the heart" (Wie bist du, meine Königin)
  19. Johannes Brahms (1833-1897) - "Love Song" (Minnelied)
  20. Johannes Brahms (1833-1897) - "Is it bliss, or is it sorrow" (Sind es Schmerzen, sind es Freuden?)
  21. Pyotr Tchaikovsky (1840-1893) - "'Twas April"
  22. Maude Valérie White (1855-1937) - "To Mary"
  23. Edward Elgar (1857-1934) - "Is she not passing fair?"
  24. Richard Strauss (1864-1949) - "A Winter Dedication" (Winterweihe)
  25. Ralph Vaughan Williams (1872-1958) - "From far, from eve and morning"
  26. Sergei Rachmaninoff (1873-1943) - "Night is mournful" (L'ombre est triste)
  27. Roger Quilter (1877-1953) - "Now sleep the crimson petal"
  28. Frank Bridge (1879-1941) - "E'en as a lovely flower"
  29. Ivor Gurney (1890-1937) - "Sleep"
  30. Peter Warlock (1894-1930) - "As ever I saw"
First Publication. 1953
Librettist Various
  1. Anonymous
  2. Anonymous
  3. Charles Sedley (1639–1701)
  4. Thomas D'Urfey (1653–1722)
  5. Alexander Pope (1688–1744)
  6. Anonymous
  7. William Shakespeare (1564–1616)
  8. William Shakespeare (1564–1616)
  9. William Shakespeare (1564–1616)
  10. Friedrich von Matthisson (1761–1831), tr. John Oxenford (1812–1877)
  11. William Shakespeare (1564–1616), tr. Eduard von Bauernfeld (1802–1890)
  12. Wilhelm Müller (1794–1827), tr. Arthur Henry Fox Strangways (1859–1948), Steuart Wilson (1889–1966)
  13. Johann Wolfgang von Goethe (1749–1832), tr. Arthur Henry Fox Strangways (1859–1948), Steuart Wilson (1889–1966)
  14. Joseph von Eichendorff (1788–1857), tr. Arthur Henry Fox Strangways (1859–1948), Steuart Wilson (1889–1966)
  15. Heinrich Heine (1797–1856), tr. Anonymous
  16. Wilhelm Müller (1794–1827), tr. Anonymous
  17. Felix Mendelssohn (1809–1847), tr. Anonymous
  18. Georg Friedrich Daumer (1800–1875), after Ḥāfiẓ (1325–1389/90), tr. Arthur Henry Fox Strangways (1859–1948), Steuart Wilson (1889–1966)
  19. Ludwig Christoph Heinrich Hölty (1748–1776), tr. Arthur Henry Fox Strangways (1859–1948), Steuart Wilson (1889–1966)
  20. Johann Ludwig Tieck (1773–1853), tr. Paul England (1863–1932)
  21. Frederick James Whishaw (1854–1934)
  22. Percy Bysshe Shelley (1792–1822)
  23. Charles d' Orléans (1394–1465), tr. Louisa Stuart Costello (1799–1870)
  24. Karl Henckell (1862–1929), tr. Constance Bache (1846–1903)
  25. Alfred Edward Housman (1859–1936)
  26. Ivan Bunin (1870–1953), tr. Rosa Newmarch (1857–1940), Michel Dimitri Calvocoressi (1877–1944)
  27. Alfred Tennyson (1809–1892)
  28. Kate Freiligrath-Kroeker (1845–1904), after Heinrich Heine (1797–1856)
  29. John Fletcher (1579–1625)
  30. Anonymous
Language English, German, French, Italian
Composer Time PeriodComp. Period Early 20th century
Piece Style Early 20th century
Instrumentation tenor, piano
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