Motetti a voce sola con istromenti, Op.20 (Leonarda, Isabella)

Movements/SectionsMov'ts/Sec's 14
First Publication 1700 - Bologna: Marino Silvani
Genre Categories Motets; For voice, 2 violins, continuo; For voices with solo instruments; [7 more...]Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the violin; Scores with basso continuo; Scores featuring the alto voice; Scores featuring the bass voice; Latin language

Contents

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Performances

Naxos

Sheet Music

Scores and Parts

⇒ 5 more: Vocal Part • Violin I • Violin II • Bassetto • Organ

Editor First edition
Publisher. Info. Bologna: Marino Silvani, 1700.
Copyright
Public Domain
Misc. Notes Museo internazionale e Bibl. della musica, Bologna (I-Bc): RISM A/I: I 107
The vocal part is variously for soprano, alto, and bass. The violin parts contain extra vocal parts for the Litany.
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 Complete Score
#451448 - 2.06MB, 240 pp. -  9/10 2 4 6 8 10 (4) - !N/!N/!N - 2268×⇩ - Girodo

PDF typeset by editor
Girodo (2016/12/16)

Editor Lorenzo Girodo
Publisher. Info. Lorenzo Girodo, 2014
Copyright
Creative Commons Attribution 4.0
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General Information

Work Title Motetti a voce sola, con istromenti
Alternative. Title
Composer Leonarda, Isabella
Opus/Catalogue NumberOp./Cat. No. Op.20
Internal Reference NumberInternal Ref. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 14 pieces
  • Canto solo, con violini
1. Iam Diu dilecte
2. Cara Regina
3. Purpurei flores
4. Ad cæli nuptias
5. Abite fugaces
  • Alto solo, con violini
6. Pupille caræ
7. Eia senti
8. O Maria
9. Qui Mariam amatis
10. Attende filia
11. Audita est vox
12. Venite lætantes
  • Basso solo, con violini
13. Caræ plage
14. Litaniæ
First Publication. 1700 - Bologna: Marino Silvani
Language Latin
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation soprano or alto or bass, 2 violins, continuo

Navigation etc.

Grove Music defines a "bassetto" as: "The lowest part of a passage or composition lacking a bass part and which executes the musical bass in higher register. It was defined by Praetorius in the Syntagma musicum, iii (1618), 121–2". Since this leaves the instrumentation open, the most likely options would be viola, viola da gamba, or cello (in the higher registers). Accordingly, this has been tagged for the generic strings.

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