Motets, Livre 1 (Clérambault, Louis-Nicolas)

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Movements/SectionsMov'ts/Sec's	19
Genre Categories	Sacred hymns; Hymns; Religious works; Antiphons; Motets; Psalms; For voice, continuo; For voices with continuo; Scores featuring the voice; Scores with basso continuo; For 2 voices; For unaccompanied voices; For voice, treble instrument, continuo; For voices with solo instruments; Scores with open instrumentation; For 2 voices, continuo; For 3 voices, violin, continuo; Scores featuring the violin; For 3 voices, strings, continuo; For voices with strings; Scores featuring string ensemble; For 3 voices, orchestra; For voices with orchestra; Scores featuring the orchestra; For 4 voices, orchestra; For 3 voices, mixed chorus, continuo; For voices and chorus with continuo; Scores featuring mixed chorus; Latin language

Movements/SectionsMov'ts/Sec's

Genre Categories

Sacred hymns; Hymns; Religious works; Antiphons; Motets; Psalms; For voice, continuo; For voices with continuo; Scores featuring the voice; Scores with basso continuo; For 2 voices; For unaccompanied voices; For voice, treble instrument, continuo; For voices with solo instruments; Scores with open instrumentation; For 2 voices, continuo; For 3 voices, violin, continuo; Scores featuring the violin; For 3 voices, strings, continuo; For voices with strings; Scores featuring string ensemble; For 3 voices, orchestra; For voices with orchestra; Scores featuring the orchestra; For 4 voices, orchestra; For 3 voices, mixed chorus, continuo; For voices and chorus with continuo; Scores featuring mixed chorus; Latin language

1 Performances
- 1.1 Naxos
2 Sheet Music
- 2.1 Scores
3 General Information
4 Navigation etc.

Performances

Naxos

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Sheet Music

Scores

Complete Score
*#448686 - 37.56MB, 134 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 127×⇩ - Vangi

PDF scanned by F-Pn
Vangi (2016/11/23)

Publisher. Info.	Manuscript, n.d.(ca.1742-60).
Copyright	Public Domain [tag/del]
Misc. Notes	Bibliothèque nationale de France, Musique (F-Pn): X-35
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General Information

Work Title	Motets, Livre 1
Alternative. Title
Composer	Clérambault, Louis-Nicolas
Opus/Catalogue NumberOp./Cat. No.	C.99-117
I-Catalogue NumberI-Cat. No.	None [force assignment]
Movements/SectionsMov'ts/Sec's	17 motets, 2 psalms: Gloria in excelsis Deo, C.99 Regina caeli, C.100 Antienne a la Sainte Vierge (voice (G2 clef), continuo) Gloriosus confessor Domini, C.101 Motet de Saint Benoist (2 voices (C1/G2 clefs) Charitate vulneratus, C.102 Motet de St. Bernard (voice (G2 clef), continuo) Factum est silentium, C.103 Motet de Saint Michel (voice (C1 clef), continuo) Sub tuum praesidium, C.104 Antienne a la Sainte Vierge (voice (F4 clef), unspecified treble instrument (G1 clef), continuo) Gaude felix parens, C.105 Motet de St. Dominique (voice (C1 clef), continuo) O salutaris hostia, C.106 Motet du St. Sacrement (2 voices (C1/G2 clefs), continuo) Hic est discipulus, C.107 Motet de St. Jean L'Evangéliste (2 voices (C1/G2 clefs) Sacerdos Dei Augustine, C.108 Motet de St. Augustin (voice (C1 clef), continuo) O deliciis affluens, C.109 Motet de la St. Vierge (2 voices (C3/C4 clefs), continuo) Cantemus Domino, C.110 Motet du St. Sacrement (voice (F3 clef), unspecified treble instrument (G1 clef), continuo) Hodie Maria virgo, C.111 Pour la Feste de l'Assomption (2 voices (C1/G2 clefs), continuo) Exultet omnium, C.112 Altisoni celebrate chori, C.113 Motet de St. Pie (4 voices (C3/C4/F4/F4 clefs), orchestra ("Violons", "Violon doux", "Pte flutes et haubois", "2e haubois", continuo) Salve Regina, C.114 Laudate mulierem fortem, C.115 Miserere mei Deus secundum, C.116 Psalm 50 (3 voices (C1/G2/G2 clefs), chorus, continuo) De profundis, C.117 Psalm 129 (2 voices (C1/G2 clefs), continuo)
Language	Latin
Composer Time PeriodComp. Period	Baroque
Piece Style	Baroque
Instrumentation	voices, instruments

Navigation etc.

In no.14, although the top line is the "Simph.", at one point "Violon" is specified, so presumably whatever unison instruments are playing, at that point, only a solo violin plays.
No.15 mentions "choeur" but only for 16 bars (out of many), so this may mean all the solo voices together. On the other hand, it is over the top instrumental line, and later it indicates "choeur de toutes les basses tailles" in a completely instrumental section, so it may be the equivalent of "tutti".