Messe e motetti concertate, Op.18 (Leonarda, Isabella)

Ambox notice.png This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in the General Information section below.
Movements/SectionsMov'ts/Sec's 3 masses and 3 motets
First Publication 1696 - Bologna: Pier Maria Monti
Genre Categories Masses; Religious works; Motets; For 2 voices, mixed chorus, strings, continuo; For voices and chorus with strings; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring mixed chorus; Scores featuring string ensemble; Scores with basso continuo; For 2 voices, mixed chorus, organ; For voices and chorus with keyboard; Scores featuring the organ; For voice, 2 violins, violone, organ; Scores featuring the violin; Scores featuring the violone; For voices with solo instruments; For voice, lute, 2 violins, organ; Scores featuring the lute; For voice, strings, continuo; For voices with strings; For mixed chorus, strings, continuo; For chorus with strings; For mixed chorus, organ; For chorus with keyboard; For 4 voices, 2 violins, violone, organ; Scores featuring the tenor voice; Scores featuring the bass voice; For 4 voices, lute, 2 violins, organ; For 2 voices, 2 violins, violone, organ; For 2 voices, lute, 2 violins, organ; For 2 voices, organ; For voices with keyboard; For 3 voices, 2 violins, violone, organ; For 3 voices, lute, 2 violins, organ; Latin language

Sheet Music

Scores and Parts

 Complete Parts (8 parts)
#425032 - 92.72MB, 301 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 147×⇩ - Vangi

PDF scanned by I-Bc
Vangi (2016/6/2)

Editor First edition
Publisher. Info. Bologna: Pier Maria Monti, 1696.
Copyright
Public Domain [tag/del]
Misc. Notes Museo internazionale e Bibl. della musica, Bologna (I-Bc):
AA.195 ; RISM A/I: I 105
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 1. Messa Prima
#502479 - 0.98MB, 104 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1553×⇩ - Girodo

PDF typeset by editor
Girodo (2017/11/28)

⇒ 5 more: 2. Stelle belle • 3. Messa seconda • 4. Gloria pace • 5. Messa terza • 6. O Candida

 2. Stelle belle
#502775 - 0.39MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 496×⇩ - Girodo

PDF typeset by editor
Girodo (2017/12/1)

 3. Messa seconda
#504883 - 1.19MB, 136 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 376×⇩ - Girodo

PDF typeset by editor
Girodo (2017/12/16)

 4. Gloria pace
#504783 - 0.43MB, 28 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 376×⇩ - Girodo

PDF typeset by editor
Girodo (2017/12/15)

 5. Messa terza
#506155 - 0.86MB, 87 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 353×⇩ - Girodo

PDF typeset by editor
Girodo (2017/12/24)

 6. O Candida
#506288 - 0.46MB, 32 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 285×⇩ - Girodo

PDF typeset by editor
Girodo (2017/12/26)

Editor Lorenzo Girodo (b. 1953)
Publisher. Info. Lorenzo Girodo, 2003.
Copyright
Creative Commons Attribution 4.0 [tag/del/mrg]
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General Information

Work Title Messe a quattro voci concertate con stromenti, & motetti à vna, due, e tre voci
Alternative. Title
Composer Leonarda, Isabella
Opus/Catalogue NumberOp./Cat. No. Op.18
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 3 masses and 3 motets:
1. Messa prima. A quattro voci con violini (soprano and alto have marked solo and tutti sections)
2. Stelle belle. Canto solo con violini
3. Messa seconda. A quattro voci con violini à beneplacito
4. Gloria pace. A due canti con violini se piace
5. Messa terza. A quattro voci con violini se piace
6. O candida. A 3. canto, alto, e basso con violini
First Publication. 1696 - Bologna: Pier Maria Monti
Language Latin
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation voices, instruments (see above for contents, and below, Comments)

Navigation etc.

  • Where string instruments are used, the scoring is 2 violins, violone or theorbo, and organo. For the first mass, which must be intended for a chorus, given the "solo" and "tutti" vocal designations, this would imply string sections, and not individual instruments. The smaller motets could use individual strings.
  • For the works where the strings are labelled "à beneplacito" or "se piace", this indication is not in all of the parts and further, there are sinfonias where the voices are tacet. The implication is that, if strings are not used, the organ would play the sinfonias solo.
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