Performances
Sheet Music
Scores
Complete
Publisher. Info.
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Manuscript, n.d.
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Copyright
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Misc. Notes
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"Messa di Gloria e Credo / A tre e quattro Voci / Con Grande Orchestra / Musica / Del M.o G.no Donizetti / Eseguita a S.ta Maria nova,per S.Giacomo la Marca l'anno 1838".
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Parts
Kyrie
Publisher. Info.
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Holograph manuscript, n.d.
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Copyright
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Misc. Notes
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Bergamo, Archivio del Museo donizettiano, BG0385. Includes: soprano, soprano di ripieno, contralto solo, alto di concerto, Kriste a solo, tenore, basso, flauto, oboe I, oboe II, clarino I, clarino II, fagotti, corno I, corno II, tromba, trombone, viola, violoncello, basso, contrabasso, organo.
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Qui tollis
Publisher. Info.
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Holograph manuscript, n.d.
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Copyright
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Misc. Notes
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Bergamo, Archivio del Museo donizettiano, BG0385. Includes: flauto, clarino I, clarino II, corno obbligato, corno II, tromba, trombone, timpani, violino I, violino II, viola, violoncello,violiocello II.
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General Information
Work Title
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Messa di Gloria e Credo
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Alternative. Title
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Composer
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Donizetti, Gaetano
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Opus/Catalogue NumberOp./Cat. No.
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A 606
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I-Catalogue NumberI-Cat. No.
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IGD 149
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Key
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C minor
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Movements/SectionsMov'ts/Sec's
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12 sections:
- Gloria, A 606a
- Laudamus et Gratias
- Domine Deus
- Qui tollis
- Qui sedes et Quoniam
- Cum Sancto Spiritu
- Credo in unum Deum
- Et incarnatus
- Crucifixus
- Et resurrexit
- Et vitam venturi
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Year/Date of CompositionY/D of Comp.
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1837
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First Performance.
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1837 November, or earlier
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Language
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Latin
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Average DurationAvg. Duration
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1 hour
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Composer Time PeriodComp. Period
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Romantic
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Piece Style
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Romantic
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Instrumentation
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voices (SATB), mixed chorus, orchestra
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Related Works
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Gloria in excelsis, A 606a; Cum Sancto Spiritu in C minor; Credo, A 602
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Discography
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All Music Guide (AMG seems to be assuming these are all of the same piece, though this may not be so)
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Navigation etc.
"Performed in S. Maria Nova, Naples, 27 Nov 1837, for the feast of San Giacomo la Marca. Donizetti drew on previous religious compositions for this work." - Allitt.
This may be the Messa di Gloria e Credo in C minor that was recorded by Accord (and perhaps in two other recordings, if they're all of the same piece) in the early 1990s (and not the other two works by Donizetti that exist under, or were reconstructed under, that name from 1818 and 1820.)