Mass in E-flat major, Op.5 (Beach, Amy Marcy)

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Publisher. Info. Holograph manuscript, 1890.
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Publisher. Info. Manuscript, n.d.(ca.1890).
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Misc. Notes Holograph or copyist manuscript?
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Publisher. Info. Holograph manuscript, 1890.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A8850.
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Misc. Notes Includes the Graduale in the correct place
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Parts

14 more: Oboe 1, 2, English Horn • Clarinet 1, 2 (A/B♭) • Bassoon 1, 2 • Horn 1/2, 3/4 (F) • Trumpet 1*, 2/3* • Trombone 1, 2, 3 • Timapni • Organ • Harp • Violins I • Violins II • Violas • Cellos • Basses

Publisher. Info. Manuscript, n.d.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A8850.
Copyright
Misc. Notes The Graduale appears at the end of every part except the strings, which have it, engraved, in the correct place.
*Trumpet 2 appears instead with Trumpet 1 at the end the latter part.
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Vocal Scores

Editor First edition
Publisher. Info. Boston: Arthur P. Schmidt, 1890. Plate A.P.S. 2637.
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Misc. Notes Includes color cover.
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General Information

Work Title Mass in E major
Alternative. Title Grand Mass in E for Voices and Orchestra
Composer Beach, Amy Marcy
Opus/Catalogue NumberOp./Cat. No. Op.5
Internal Reference NumberInternal Ref. No. IAB 25
Key E-flat major
Movements/SectionsMov'ts/Sec's 5 movements:
1. Kyrie
2. Gloria
3. Credo
4. Sanctus
5. Agnus Dei
Year/Date of CompositionY/D of Comp. 1889, revised 1892
First Performance. 1892 February 7
First Publication. 1890
Language Latin
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voices: soprano, alto, tenor, bass; mixed chorus (SATB)
Orchestra: 2 flutes, 2 oboes (2nd also English horn), 2 clarinets, 2 bassoons
4 horns, 3 trumpets, 3 trombones, timpani, organ, harp, strings
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Begun around 1886 according to Adrienne Fried Block, Amy Beach, Passionate Victorian: The Life and Work of an American Composer, p.64. Completed in 1889 (the vocal and choral parts in 1886 and 1887, the orchestral score in 1889) also according to Block (according to Clara Cheney). Also, in the premiere, the work contained a sixth section, a Gradual(e) by Beach setting a proper for the Feast of the Immaculate Conception (8 December), sung between the Gloria and the Credo; this was published separately somewhat later.