Manuscript, GB-Lbl Add. MS 31390 (Various)

This page is marked for cleanup because a contents list with instrumentations needs to be compiled.


Sheet Music

Scores

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Feduol (2016/3/6)

Publisher. Info. Manuscript, n.d.(ca.1578).
Copyright
Misc. Notes The British Library, London (GB-Lbl): Add.31390
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General Information

Work Title Manuscript, GB-Lbl Add. MS 31390
Alternative. Title
Composer Various
I-Catalogue NumberI-Cat. No. None [force assignment]
Year/Date of CompositionY/D of Comp. 1578 (circa)
Piece Style Renaissance
External Links DIAMM
British Library

Navigation etc.

The description of this manuscript given in the links above describe the vocal pieces as generally 3 or 4 voices, but there may be other combinations, and the instrumental pieces are not described in genre or in instrumentation. Therefore, the "und" (undetermined) tag is added until such time as someone can go through the manuscript and compile a contents list with exact instrumentations. Color scan at GB-Lbl


Contents

  1. William Mundy: In aeternum, 2v–3r, p. 7 of 69
  2. Nicolas Gombert or Philip Van Wilder(?): Vidi civitatem sanctam Jerusalem novam 3v–4r, p. 8 of 69
  3. William Mundy: Domine non est exaltatum 4v–5r, p. 9 of 69
  4. John Sheppard: Dum transisset sabbatum [II], 5v–6r, p. 10 of 69
  5. John Sheppard: Filiae Jerusalem, 6v–7r, p. 11 of 69
  6. John Sheppard: Spiritus sanctus procedens I, 7v–8r, p. 12 of 69
  7. Anonymous: In Nomine 8v–9e, p. 13 of 69
  8. Nicholas Strogers: In nomine a6, 9v–10r, p. 14 of 69
  9. Robert Parsons: The song called trumpets = Lusty Gallant, 10v–11r, p. 15 of 69
  10. John Taverner: Quemadmodum, 11v–12r, p. 16 of 69
  11. Philip Van Wilder(?): Arousez vo violette, 12v–13r, p. 17 of 69
  12. Anonymous, Si grand'e la pieta, 13v–14r, p. 18 of 69
  13. Anonymous: Vrai dieu d'amour, 14v–15r, p. 19 of 69
  14. Alfonso Ferrabosco Sr.(?): untitled, 15v, p. 20 of 69
  15. Mallory: Sol re Sol mi sole, 16v–17r, p. 21 of 69
  16. William Byrd: O salutaris hostia I, 17v–18r, p. 22 of 69
  17. John Taverner: Gaude plurimum [2p. Gaude Maria virgo, 3p. Gaude Maria, Jesu mater], 18v–19r, p. 23 of 69
  18. Nicolas Gombert: untitled a6, 18v–19r, p. 23 of 69
  19. Edward Blankes: Credo quod redemptor, 19v–20r, p. 24 of 69
  20. William Mundy: Let the sea make a noise, 20v–21r, p. 25 of 69
  21. Christopher Tye: In nomine XXI, 20v–21r, p. 26 of 69
  22. Mallory: If man in care, 21v–22r, p. 27 of 69
  23. Robert Parsons: In nomine (IV), 23v–24r, p. 28 of 69
  24. Robert Parsons: In nomine (V), 24v–25r, p. 29 of 69
  25. Johnson (I), Robert (ca. 1500–ca. 1560) (?) or Robert Johnson(?): A knell, 25v–26r, p. 30 of 69
  26. Anonymous, untitled, 26v–27r, p. 31 of 69
  27. Christopher Tye: In nomine 'Free from all',26v–27r, p. 31 of 69
  28. Anonymous, untitled, 26v–27r, p. 31 of 69
  29. Christopher Tye: In nomine 'Crye', 27v–28r, p. 32 of 69
  30. Christopher Tye: In nomine 'I come' 28v–29r, p. 33 of 69
  31. Derrick Gerarde (?) or Gerard, Jacques (?): Sera la fontaine, 29v–30r, p. 34 of 69
  32. Edward Blankes: Fancy [a5], 30v–31r, p. 35 of 69
  33. Philip Van Wilder: Si de beaucoup, 31v–32r, p. 36 of 69
  34. Christopher Tye: Dum transisset sabbatum IV,32v–33r, p. 37 of 69
  35. Nicolas Gombert: Triste depart m'avoit mis en douleur, 33v–34r, p. 38 of 69
  36. Philip Van Wilder: Qual iniqua mia sorte,34v–35r, p. 39 of 69
  37. Philip Van Wilder: Amours me va tout au rebours?,35v–36r, p. 40 of 69
  38. Philip Van Wilder: O douce regard, 36v–37r, p. 41 of 69
  39. Philip Van Wilder: D'un nouveau dart je suis frappe, 37v–38r, p. 42 of 69
  40. Philip Van Wilder: Vois comment, 38v–39r, p. 43 of 69
  41. Philip Van Wilder: Si vous voulez, 39v–40r, p. 44 of 69
  42. Philip Van Wilder: Las que ferai, 40v–41r, p. 45 of 69
  43. Philip Van Wilder: Ce vostre beaute, 41v–42r, p. 46 of 69
  44. Philip Van Wilder: Pour vous aimer, 42v–43r, p. 47 of 69
  45. William Byrd: In nomine (I) a5, 43v–44r, p. 48 of 69
  46. Johnson (I), Robert (ca. 1500–ca. 1560), Gaude Maria virgo, 44v–45r, p. 49 of 69
  47. Christopher Tye: In nomine XVII, 45v–46r, p. 50 of 69
  48. Christopher Tye: In nomine XVI 'Blameless', 46v–47r, p. 51 of 69
  49. Poynts: In nomine (II), 47v–48r, p. 52 of 69
  50. Thomas Crecquillon: Et perfice, 48v–49r, p. 53 of 69
  51. Thomas Crecquillon: Deus virtutum convertere respice de caelo II. Et perfice eam, 49v–50r, p. 54 of 69
  52. Philippe Verdelot: Madonna se’l morire, 50v, p. 55 of 69 [left]
  53. Robert Parsons(?) or Philip Van Wilder(?): Je file quand Dieu me donne de quoi, 51r, p. 55 of 69 [right]
  54. Christopher Tye: Laudes Deo, 51v, p. 56 of 69 [left]
  55. Philippe Verdelot(?): Madonna somm' acorto, 52r, p. 56 of 69 [right]
  56. Johnson (I), Robert (ca. 1500–ca. 1560) In nomine, 52v–53r, p. 57 of 69
  57. Philip Van Wilder: Une nonnain refraite et en bon point, 53v–54r, p. 58 of 69
  58. Nicholas Strogers:In nomine (III), 54v–55r, p. 59 of 69
  59. Nicholas Strogers: In nomine (I), 55v–56r, p. 60 of 69
  60. Henry Stonings: In nomine, 56v–57r, p. 61 of 69
  61. Henry Stonings: Miserere, 57v–58r, p. 62 of 69
  62. William Byrd: In nomine (II) a5, 58v–59r, p. 63 of 69
  63. Robert Parsons: Song [E 62], 59v, p. 64 of 69 [left]
  64. Henry Stonings: Browning my dear, 60r, p. 64 of 69 [right]
  65. Christopher Tye: In nomine 'My death bed', 60v–61r, p. 65 of 69
  66. Christopher Tye: In nomine XIV: 'Follow me',60v–61r, p. 65 of 69
  67. Thomas Tallis: O salutaris hostia, 61v, p. 66 of 69 [left]
  68. John Sheppard: Magnificat a6: (exc) Esurientes, 62r, p. 66 of 69 [right]
  69. Christopher Tye: In nomine XIII 'Trust', 62v–63r, p. 67 of 69
  70. Christopher Tye: In nomine 'Believe me', 63v–64r, p. 68 of 69
  71. Christopher Tye: In nomine 'Say so', 64v–65r, p. 69 of 69
  72. Christopher Tye: In nomine 'Farewell my good one, for ever', 65r, p. 69 of 69 [right]

Later content not in pdf above but in DIAMM (pages 138 of 275 through 275 of 275)

(https://www.diamm.ac.uk/sources/1888/#/images)

  1. Christopher Tye: In nomine IX: 'Re la re', 65v–66r
  2. Christopher Tye: In nomine 'Round', 66v–67r
  3. Christopher Tye: Dum transisset sabbatum III, 67v–68r
  4. Christopher Tye: Dum transisset sabbatum II, 68v–69r
  5. Christopher Tye: In nomine 'Surrexit non est hic', 69v–70r
  6. Christopher Tye: Dum transisset sabbatum I, 70v–71r
  7. Christopher Tye: In nomine 'Seldom seen', 71v–72r
  8. Christopher Tye: In nomine 'Report', 72v–73r
  9. Christopher Tye: In nomine 'Hold fast', 73v–74r
  10. Christopher Tye: O lux beata Trinitas, 74v–75r
  11. Christopher Tye: Christus resurgens [2p. Dicant nunc Judaei], 75v–76r
  12. Christopher Tye: In nomine 'Weep no more Rachel', 76v–77r
  13. Christopher Tye: In nomine 'Rachel's weeping', 77v–78r
  14. Picforth: In nomine, 78v–79r
  15. Orlande de Lassus: Ubi est Abel frater tuus dixit Dominus, 79v–80r
  16. Robert Parsons:De la court - 1a pars, 80v–81r
  17. William Mundy(?): O mater mundi (instrumental), 81v–82r
  18. Robert Parsons: De la court - 1a pars, 82v–83r
  19. Thomas Tallis: Dum transisset sabbatum, Maria Magdalene / Aromata emerunt, 83v–84r
  20. Philip Van Wilder: Pour un plaisir = A nouber, 84v–85r
  21. Thomas Tallis(?): Je nilli croyss, 85v–86r
  22. Philip Van Wilder: Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est, 86v–87r
  23. Philip Van Wilder: Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte, 87v–88r
  24. Douglas, Patrick: In convertendo - 1a pars (of 2): In convertendo Dominus, 88v–89r
  25. Douglas, Patrick: In convertendo - 2a pars (of 2): Convertere Domine, 89v–90r
  26. Hollander, Sebastian (?) or Christian Hollander (?): Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena, 90v–91r
  27. Anonymous: In nomine, 91v–92r
  28. Thomas Tallis: In nomine (II), 92v–93r
  29. John Sheppard: Pater noster = Our Father (Lord's Prayer), 93v–94r
  30. Jacobus Clemens non Papa: Qui consolabatur me recessit a me, 94v–95r
  31. Mallory: Praise the Lord, O my soul, 95v–96r
  32. Robert Parsons: In nomine a5, 96v–97r
  33. Clement Woodcock: Hackney, 97v–98r
  34. Clement Woodcock: In nomine II, 98v–99r
  35. Clement Woodcock: In nomine III, 99v–100r
  36. John Taverner: In nomine, 100v–101r
  37. Clement Woodcock: Browning, 101v–102r
  38. Thomas Crecquillon: Un gay berger prioit une bergère, 102v
  39. Derrick Gerarde(?) or Gerarde (?): Le berger et la bergere, 102v–103r
  40. William Mundy: O admirabile, 103v–104r
  41. Thomas Tallis: Absterge Domine, 104v–105r
  42. Anonymous: Si je moy pleins, 105v–106r
  43. John Taverner: Dum transisset sabbatum [II - 4vv], 106v–107r
  44. Christopher Tye(?) or Jean Maillard(?): Ascendo ad patrem meum et patrem vestrum, 107v–108r
  45. Brewster: In nomine (II) a4, 108v–109r
  46. Mallory: In nomine, 109v–110r
  47. Anonymous: Si tu languis, 110v–111r
  48. Christopher Tye(?): Amavit eum Dominus, 111v–112r
  49. Philip Van Wilder: Espérant d'avoir quelque bien, 112v–113r
  50. Thomas Tallis: O sacrum convivium in quo Christus sumitur, 113v–114r
  51. Clément Janequin(?): Or sa bien, 114v–115r
  52. Jacobus Clemens non Papa: Frais et gaillard [=Frisque et gaillard] un jour entre cent mille, 115v–116r
  53. Harry Mudd(Mudde, Henry): In nomine a5, 116v–117r
  54. Anonymous Le cure de vous, 117v–118r
  55. Anonymous, Il beau que, 117v–118r
  56. Robert White: Song (fantasia), a 5, 118v–119r
  57. Osbert Parsley: Spes nostra, 119v–120r
  58. William Byrd: In nomine (III) a5, 120v–121r
  59. Alessandro Romano: Non pur d'almi splendori, 121v–122r
  60. Philip Van Wilder: Une jour un moine, 122v–123r
  61. Giovanni Croce: Meli Bavari, 123v–124r
  62. William Byrd: Browning = The leaves be green, 124v–125r
  63. William Byrd: Ad Dominum cum tribularer - 2a pars (of 2): Heu mihi Domine, 125v–126r
  64. William Byrd: Ad Dominum cum tribularer - 1a pars (of 2): Ad Dominum cum tribularer, 126v–127r
  65. Anonymous: [Chart explaining mensuration signatures and note values], 127v
  66. [blank staves], 128r
  67. Anonymous [crossed-out text], 128v