This page is marked for cleanup because a contents list with instrumentations needs to be compiled.
Performances
Sheet Music
Scores
Publisher. Info.
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Manuscript, n.d.(ca.1578).
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Copyright
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Misc. Notes
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The British Library, London (GB-Lbl): Add.31390
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Purchase
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General Information
Work Title
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Manuscript, GB-Lbl Add. MS 31390
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Alternative. Title
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Composer
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Various
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I-Catalogue NumberI-Cat. No.
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None [force assignment]
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Year/Date of CompositionY/D of Comp.
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1578 (circa)
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Piece Style
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Renaissance
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External Links
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DIAMM British Library
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Navigation etc.
The description of this manuscript given in the links above describe the vocal pieces as generally 3 or 4 voices, but there may be other combinations, and the instrumental pieces are not described in genre or in instrumentation. Therefore, the "und" (undetermined) tag is added until such time as someone can go through the manuscript and compile a contents list with exact instrumentations.
Color scan at GB-Lbl
Contents
- William Mundy: In aeternum, 2v–3r, p. 7 of 69
- Nicolas Gombert or Philip Van Wilder(?): Vidi civitatem sanctam Jerusalem novam 3v–4r, p. 8 of 69
- William Mundy: Domine non est exaltatum 4v–5r, p. 9 of 69
- John Sheppard: Dum transisset sabbatum [II], 5v–6r, p. 10 of 69
- John Sheppard: Filiae Jerusalem, 6v–7r, p. 11 of 69
- John Sheppard: Spiritus sanctus procedens I, 7v–8r, p. 12 of 69
- Anonymous: In Nomine 8v–9e, p. 13 of 69
- Nicholas Strogers: In nomine a6, 9v–10r, p. 14 of 69
- Robert Parsons: The song called trumpets = Lusty Gallant, 10v–11r, p. 15 of 69
- John Taverner: Quemadmodum, 11v–12r, p. 16 of 69
- Philip Van Wilder(?): Arousez vo violette, 12v–13r, p. 17 of 69
- Anonymous, Si grand'e la pieta, 13v–14r, p. 18 of 69
- Anonymous: Vrai dieu d'amour, 14v–15r, p. 19 of 69
- Alfonso Ferrabosco Sr.(?): untitled, 15v, p. 20 of 69
- Mallory: Sol re Sol mi sole, 16v–17r, p. 21 of 69
- William Byrd: O salutaris hostia I, 17v–18r, p. 22 of 69
- John Taverner: Gaude plurimum [2p. Gaude Maria virgo, 3p. Gaude Maria, Jesu mater], 18v–19r, p. 23 of 69
- Nicolas Gombert: untitled a6, 18v–19r, p. 23 of 69
- Edward Blankes: Credo quod redemptor, 19v–20r, p. 24 of 69
- William Mundy: Let the sea make a noise, 20v–21r, p. 25 of 69
- Christopher Tye: In nomine XXI, 20v–21r, p. 26 of 69
- Mallory: If man in care, 21v–22r, p. 27 of 69
- Robert Parsons: In nomine (IV), 23v–24r, p. 28 of 69
- Robert Parsons: In nomine (V), 24v–25r, p. 29 of 69
- Johnson (I), Robert (ca. 1500–ca. 1560) (?) or Robert Johnson(?): A knell, 25v–26r, p. 30 of 69
- Anonymous, untitled, 26v–27r, p. 31 of 69
- Christopher Tye: In nomine 'Free from all',26v–27r, p. 31 of 69
- Anonymous, untitled, 26v–27r, p. 31 of 69
- Christopher Tye: In nomine 'Crye', 27v–28r, p. 32 of 69
- Christopher Tye: In nomine 'I come' 28v–29r, p. 33 of 69
- Derrick Gerarde (?) or Gerard, Jacques (?): Sera la fontaine, 29v–30r, p. 34 of 69
- Edward Blankes: Fancy [a5], 30v–31r, p. 35 of 69
- Philip Van Wilder: Si de beaucoup, 31v–32r, p. 36 of 69
- Christopher Tye: Dum transisset sabbatum IV,32v–33r, p. 37 of 69
- Nicolas Gombert: Triste depart m'avoit mis en douleur, 33v–34r, p. 38 of 69
- Philip Van Wilder: Qual iniqua mia sorte,34v–35r, p. 39 of 69
- Philip Van Wilder: Amours me va tout au rebours?,35v–36r, p. 40 of 69
- Philip Van Wilder: O douce regard, 36v–37r, p. 41 of 69
- Philip Van Wilder: D'un nouveau dart je suis frappe, 37v–38r, p. 42 of 69
- Philip Van Wilder: Vois comment, 38v–39r, p. 43 of 69
- Philip Van Wilder: Si vous voulez, 39v–40r, p. 44 of 69
- Philip Van Wilder: Las que ferai, 40v–41r, p. 45 of 69
- Philip Van Wilder: Ce vostre beaute, 41v–42r, p. 46 of 69
- Philip Van Wilder: Pour vous aimer, 42v–43r, p. 47 of 69
- William Byrd: In nomine (I) a5, 43v–44r, p. 48 of 69
- Johnson (I), Robert (ca. 1500–ca. 1560), Gaude Maria virgo, 44v–45r, p. 49 of 69
- Christopher Tye: In nomine XVII, 45v–46r, p. 50 of 69
- Christopher Tye: In nomine XVI 'Blameless', 46v–47r, p. 51 of 69
- Poynts: In nomine (II), 47v–48r, p. 52 of 69
- Thomas Crecquillon: Et perfice, 48v–49r, p. 53 of 69
- Thomas Crecquillon: Deus virtutum convertere respice de caelo II. Et perfice eam, 49v–50r, p. 54 of 69
- Philippe Verdelot: Madonna se’l morire, 50v, p. 55 of 69 [left]
- Robert Parsons(?) or Philip Van Wilder(?): Je file quand Dieu me donne de quoi, 51r, p. 55 of 69 [right]
- Christopher Tye: Laudes Deo, 51v, p. 56 of 69 [left]
- Philippe Verdelot(?): Madonna somm' acorto, 52r, p. 56 of 69 [right]
- Johnson (I), Robert (ca. 1500–ca. 1560) In nomine, 52v–53r, p. 57 of 69
- Philip Van Wilder: Une nonnain refraite et en bon point, 53v–54r, p. 58 of 69
- Nicholas Strogers:In nomine (III), 54v–55r, p. 59 of 69
- Nicholas Strogers: In nomine (I), 55v–56r, p. 60 of 69
- Henry Stonings: In nomine, 56v–57r, p. 61 of 69
- Henry Stonings: Miserere, 57v–58r, p. 62 of 69
- William Byrd: In nomine (II) a5, 58v–59r, p. 63 of 69
- Robert Parsons: Song [E 62], 59v, p. 64 of 69 [left]
- Henry Stonings: Browning my dear, 60r, p. 64 of 69 [right]
- Christopher Tye: In nomine 'My death bed', 60v–61r, p. 65 of 69
- Christopher Tye: In nomine XIV: 'Follow me',60v–61r, p. 65 of 69
- Thomas Tallis: O salutaris hostia, 61v, p. 66 of 69 [left]
- John Sheppard: Magnificat a6: (exc) Esurientes, 62r, p. 66 of 69 [right]
- Christopher Tye: In nomine XIII 'Trust', 62v–63r, p. 67 of 69
- Christopher Tye: In nomine 'Believe me', 63v–64r, p. 68 of 69
- Christopher Tye: In nomine 'Say so', 64v–65r, p. 69 of 69
- Christopher Tye: In nomine 'Farewell my good one, for ever', 65r, p. 69 of 69 [right]
Later content not in pdf above but in DIAMM (pages 138 of 275 through 275 of 275)
(https://www.diamm.ac.uk/sources/1888/#/images)
- Christopher Tye: In nomine IX: 'Re la re', 65v–66r
- Christopher Tye: In nomine 'Round', 66v–67r
- Christopher Tye: Dum transisset sabbatum III, 67v–68r
- Christopher Tye: Dum transisset sabbatum II, 68v–69r
- Christopher Tye: In nomine 'Surrexit non est hic', 69v–70r
- Christopher Tye: Dum transisset sabbatum I, 70v–71r
- Christopher Tye: In nomine 'Seldom seen', 71v–72r
- Christopher Tye: In nomine 'Report', 72v–73r
- Christopher Tye: In nomine 'Hold fast', 73v–74r
- Christopher Tye: O lux beata Trinitas, 74v–75r
- Christopher Tye: Christus resurgens [2p. Dicant nunc Judaei], 75v–76r
- Christopher Tye: In nomine 'Weep no more Rachel', 76v–77r
- Christopher Tye: In nomine 'Rachel's weeping', 77v–78r
- Picforth: In nomine, 78v–79r
- Orlande de Lassus: Ubi est Abel frater tuus dixit Dominus, 79v–80r
- Robert Parsons:De la court - 1a pars, 80v–81r
- William Mundy(?): O mater mundi (instrumental), 81v–82r
- Robert Parsons: De la court - 1a pars, 82v–83r
- Thomas Tallis: Dum transisset sabbatum, Maria Magdalene / Aromata emerunt, 83v–84r
- Philip Van Wilder: Pour un plaisir = A nouber, 84v–85r
- Thomas Tallis(?): Je nilli croyss, 85v–86r
- Philip Van Wilder: Aspice Domine - 1a pars (of 2): Aspice Domine quia facta est, 86v–87r
- Philip Van Wilder: Aspice Domine - 2a pars (of 2): Plorans ploravit in nocte, 87v–88r
- Douglas, Patrick: In convertendo - 1a pars (of 2): In convertendo Dominus, 88v–89r
- Douglas, Patrick: In convertendo - 2a pars (of 2): Convertere Domine, 89v–90r
- Hollander, Sebastian (?) or Christian Hollander (?): Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena, 90v–91r
- Anonymous: In nomine, 91v–92r
- Thomas Tallis: In nomine (II), 92v–93r
- John Sheppard: Pater noster = Our Father (Lord's Prayer), 93v–94r
- Jacobus Clemens non Papa: Qui consolabatur me recessit a me, 94v–95r
- Mallory: Praise the Lord, O my soul, 95v–96r
- Robert Parsons: In nomine a5, 96v–97r
- Clement Woodcock: Hackney, 97v–98r
- Clement Woodcock: In nomine II, 98v–99r
- Clement Woodcock: In nomine III, 99v–100r
- John Taverner: In nomine, 100v–101r
- Clement Woodcock: Browning, 101v–102r
- Thomas Crecquillon: Un gay berger prioit une bergère, 102v
- Derrick Gerarde(?) or Gerarde (?): Le berger et la bergere, 102v–103r
- William Mundy: O admirabile, 103v–104r
- Thomas Tallis: Absterge Domine, 104v–105r
- Anonymous: Si je moy pleins, 105v–106r
- John Taverner: Dum transisset sabbatum [II - 4vv], 106v–107r
- Christopher Tye(?) or Jean Maillard(?): Ascendo ad patrem meum et patrem vestrum, 107v–108r
- Brewster: In nomine (II) a4, 108v–109r
- Mallory: In nomine, 109v–110r
- Anonymous: Si tu languis, 110v–111r
- Christopher Tye(?): Amavit eum Dominus, 111v–112r
- Philip Van Wilder: Espérant d'avoir quelque bien, 112v–113r
- Thomas Tallis: O sacrum convivium in quo Christus sumitur, 113v–114r
- Clément Janequin(?): Or sa bien, 114v–115r
- Jacobus Clemens non Papa: Frais et gaillard [=Frisque et gaillard] un jour entre cent mille, 115v–116r
- Harry Mudd(Mudde, Henry): In nomine a5, 116v–117r
- Anonymous Le cure de vous, 117v–118r
- Anonymous, Il beau que, 117v–118r
- Robert White: Song (fantasia), a 5, 118v–119r
- Osbert Parsley: Spes nostra, 119v–120r
- William Byrd: In nomine (III) a5, 120v–121r
- Alessandro Romano: Non pur d'almi splendori, 121v–122r
- Philip Van Wilder: Une jour un moine, 122v–123r
- Giovanni Croce: Meli Bavari, 123v–124r
- William Byrd: Browning = The leaves be green, 124v–125r
- William Byrd: Ad Dominum cum tribularer - 2a pars (of 2): Heu mihi Domine, 125v–126r
- William Byrd: Ad Dominum cum tribularer - 1a pars (of 2): Ad Dominum cum tribularer, 126v–127r
- Anonymous: [Chart explaining mensuration signatures and note values], 127v
- [blank staves], 128r
- Anonymous [crossed-out text], 128v