Authorship Note
Martini's authorship of this work is uncertain. In some sources, it is attributed to Johannes Ockeghem (ca.1410-1497) or Malcourt. See comments below. |
Performances
Sheet Music
Scores and Parts
| Editor
|
Helen Hewitt (1900-1977)
|
| Publisher. Info.
|
Harmonice Musices Odhecaton, Canti A (pp.353-54)
Cambridge, MA: The Mediaeval Academy of America, No.42, 1942. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
|
| Reprinted
|
New York: Da Capo Press, 1978.
|
| Copyright
|
|
| Purchase
|
Javascript is required for this feature.
|
| |
| Editor
|
Edward G. Evans (1916-?)
|
| Publisher. Info.
|
Recent Researches in the Music of the Middle Ages and Early Renaissance
Vol.1: Martini. Secular Pieces (pp.53-55)
Madison: A-R Editions, 1975. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
|
| Copyright
|
|
| Purchase
|
Javascript is required for this feature.
|
| |
| Editor
|
Allen Garvin
|
| Publisher. Info.
|
Dallas: Hawthorne Early Music, 2016.
|
| Copyright
|
|
| Misc. Notes
|
This setting is from Bologna MS Q.16 (c.1487).
|
| Purchase
|
Javascript is required for this feature.
|
| |
| Editor
|
Clemens Goldberg
|
| Publisher. Info.
|
Florenz 229, No.11
Goldberg Stiftung, 2018.
|
| Copyright
|
|
| Purchase
|
Javascript is required for this feature.
|
| |
General Information
| Work Title
|
Malheur me bat
|
| Alternative. Title
|
Dieu d'amors / Mais que ce fut secrètement [contrafacta versions]
|
| Composer
|
Martini, Johannes
|
| I-Catalogue NumberI-Cat. No.
|
IJM 26
|
| Language
|
French
|
| Composer Time PeriodComp. Period
|
Renaissance
|
| Piece Style
|
Renaissance
|
| Instrumentation
|
3 voices
|
Navigation etc.
This piece has a number of concordances with varying ascriptions:
- Florence Banco Rari 229 (Johannes Martini)
- Bologna MS Q.16 (under title "Dieu damors") (anonymous)
- Bologna MS Q.18 (anonymous)
- Lieder RISM 1535\sup{14} (anonymous)
- Odhecaton A (Johannes Ockeghem)
- Casanatense MS 2856 (Malcourt, which may be either Abertijne Malcourt or Henrick Malecourt)
- Vatican Capp. Giul. XIII.27 (Johannes Martini)
- St. Gall 461 (Johannes Ockeghem)
This melody was also used in parody masses by Agricola, Josquin, and Obrecht.
David Fallows believes the Ockeghem attribution is very unlikely, noting the earliest attribution is Malcourt, while it is very much in the style of Martini.
