Madrigals, Book 5, SV 94–106 (Monteverdi, Claudio)

Ambox notice.png This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in the General Information section below.
Movements/SectionsMov'ts/Sec's 13 madrigals
First Publication 1605 - Venezia: Ricciardo Amadino
Genre Categories Madrigals; For 5 voices, continuo; For voices with continuo; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores with basso continuo; For 6 voices, continuo; Italian language

Contents

Performances

Sheet Music

Scores and Parts

 Complete Parts
#37019 - 21.87MB, 91 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 5491×⇩ - Boccaccio

PDF scanned by I-Bc
Boccaccio (2009/8/14)

 Complete Parts
#409298 - 20.61MB, 77 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 289×⇩ - Feduol

PDF scanned by Unknown
Feduol (2016/1/31)

Editor First edition
Publisher. Info. Venice: Ricciardo Amadino, 1608. (CTABQ); 1615 (Basso Continuo).
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Museo internazionale e Bibl. della musica, Bologna (I-Bc): RISM A/I: M 3477
Facing pages. Original print order is given above; the order of pages in the Bologna facsimile has been changed to Canto, Alto, Tenore, Basso, Quinto, Basso Continuo. The Basso Continuo derives from a later Amadino reprint of 1615, with slightly different wording on the title page. The first double page of music in the Alto partbook (containing a blank verso, and Cruda Amarilli on the recto) is missing from this scan.
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 Canto
#87008 - 6.57MB, 36 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1253×⇩ - Boccaccio

PDF scanned by F-Pn
Boccaccio (2010/12/11)

⇒ 4 more: Alto • Tenore • Basso • Quinto

 Alto
#87009 - 6.29MB, 36 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 469×⇩ - Boccaccio

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Boccaccio (2010/12/11)

 Tenore
#87010 - 6.47MB, 36 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 514×⇩ - Boccaccio

PDF scanned by F-Pn
Boccaccio (2010/12/11)

 Basso
#87011 - 6.13MB, 36 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 562×⇩ - Boccaccio

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Boccaccio (2010/12/11)

 Quinto
#87012 - 6.94MB, 40 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 494×⇩ - Boccaccio

PDF scanned by F-Pn
Boccaccio (2010/12/11)

Publisher. Info. Anvers: Pierre Phalèse (the Younger), 1615.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Bibliothèque nationale de France, Musique (F-Pn): RISM A/I: M 3482
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 Complete Score
#901308 - 13.02MB, 135 pp. -  0.0/10 2 4 6 8 10 (-) - 24/V/44 - 63×⇩ - Erotem

PDF scanned by Unknown
Erotem (2012/9/5)

Arranger Gian Francesco Malipiero (1882-1973), continuo realizations
Publisher. Info. Tutte le opere di Claudio Monteverdi, Vol.5
Asolo: Gian Francesco Mailipiero, n.d.(ca.1927).
Reissue — Vienna: Universal Edition, (1927).
Copyright
Public Domain - Non-PD Canada, Non-PD EU [tag/del]
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General Information

Work Title Il quinto libro de madrigali
Alternative. Title Madrigals, Book 5
Name Translations Cinquième livre de madrigaux
Composer Monteverdi, Claudio
Opus/Catalogue NumberOp./Cat. No. SV 94–106 ; RISM A/I: M 3475
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 13 madrigals:
1. Cruda Amarilli, SV 94
2. O Mirtillo, Mirtill’anima mia, SV 95
3. Era l’anima mia, SV 96
4. Ecco Silvio, SV 97
b. Ma se con la pietà non è in te spenta
c. Dorinda, ah! dirò mia, se mia non sei
d. Ecco, piegando le ginocchie a terra
e. Ferir quel petto, Silvio'
5. Ch’io t’ami, SV 98
b. Deh bella e cara e sì soave un tempo
c. Ma tu, più che mai dura favilla de pietà
6. Che dar più vi poss’io, caro mio ben prendete, SV 99
7. M’è più dolce il penar per Amarilli, SV 100
8. Ahi come a un vago sol cortese giro, SV 101
9. Troppo ben può questo tiranno Amore, SV 102
10. Amor, se giusto sei fa che la donna mia, SV 103
11. T'amo mia vita, SV 104
12. E così a poc’a poco torno farfalla, SV 105
13a. Sinfonia – Questi vaghi concenti che gli augelletti intorno, SV 106a
13b. Sinfonia – Deh se potess’ anch’io, SV 106b
First Publication. 1605 - Venezia: Ricciardo Amadino
Librettist Various
Language Italian
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation SSATB, continuo (Quinto [Q] occasionally Tenor)
SV 94. SSTTB, bc [clefs: S=G2,A=C1,Q=C3,T=C3,B=F3]
SV 95. SSATB, bc [C1,Q=C1,C3,C4,F4]
SV 96. SSATB, bc [C1,C1,Q=C3,C4,F4]
SV 97. SSATB, bc [G2,Q=G2,C2,C3,F3]
SV 97b. SSATB, bc [G2,Q=G2,C2,C3,F3]
SV 97c. SSATB, bc [G2,Q=G2,C2,C3,F3]
SV 97d. SSATB, bc [G2,Q=G2,C2,C3,F3]
SV 97e. SSATB, bc [G2,Q=G2,C2,C3,F3]
SV 98. SSATB, bc [C1,Q=C1,C3,C4,F4]
SV 98b. SSATB, bc [C1,Q=C1,C3,C4,F4]
SV 98c. SSATB, bc [C1,Q=C1,C3,C4,F4]
SV 99. SSATB, bc [C1,Q=C1,C3,C4,F4]
SV 100. SSATB, bc [C1,Q=C1,C3,C4,F4]
SV 101. SSTTB, bc [C1,C1,Q=C4,C4,F4]
SV 102. SSATB, bc [C1,Q=C2,C3,C4,F4]
SV 103. SSATB, bc [C1,Q=C1,C3,C4,F4]
SV 104. SSATB, bc [C1,Q=C1,C3,C4,F4]
SV 105. SSATTB, bc [C1,C3,C4,F4,Q=C1+C4]
SV 106a. SATB–SATB, 9 instr, bc
SV 106b. SSATB–SATB, 9 instr, bc
[Primo choro: Canto=C1+C3, Tenore=C4+F4, Quinto=C1; Secondo choro: Alto=C1+C3, Basso=C4+F4)

Navigation etc.

  • Studiosi lettori: Monteverdi’s own written description of the “Seconda Prattica” manner of composition that distinguishes it from the "Prima Prattica". This was the subject of a critical attack on Monteverdi by the renaissance theorist Artusi.
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