Lute Book Vol.3, MS Dd.9.33 (Holmes, Mathew)

• Possible composer/arranger:

Richard Allison (c.1570-after1606)

Daniel Bacheler (1572-1619)

Robert Ballard II (c.1575-c.1650)

Charles Bocquet (c.1570-c.1615)

Baruch Bulman (17th. c.)

William Byrd (c.1540-1623)

Jeremy Chamberlain (c.1600?)

Edward Collard (fl.1599)

Francis Cutting (c.1550-1596)

John Danyel (1564-c.1626)

John Dowland (c.1563-1626)

James Harding (c.1560-1626)

Anthony Holborne (1545-1602)

John Johnson M.A. (c.1545-1594)

Robert Johnson (c.1583-c.1633)

Lushier (fl.c.1595–1600)

John Marchant (?-c.1620?)

Mathias Mason (fl.1579-1609)

Thomas Morley (c.1557-1602)

Julien Perrichon (1566-c.1600)

Peter Philips (c.1561-1628)

Francis Pilkington (c.1565-1638)

Thomas Robinson (1560-1609)

Philip Rosseter (1568-1623)

Nicholas Strogers (bl.1560-1575)

Thomas Tallis (1505-1585)

John Taverner (c.1490-1545)

Content:

• Pavan (pp.2-3) (John Dowland). f.2r J D. B of Musick
• Pavan (pp.4-5) (N.N.)
• Galliard (pp.6-6) (Daniel Bacheler). f.3v D. B.
• Galliard To plead my faith (pp.7-7) (Daniel Bacheler). f.4r D. B.
• Lullaby (pp.8-9) (William Byrd); arr.: (Francis Cutting). f.5r Mr Birdes Lullaby set by fr. Cutting.
• Only joy (pp.9-9) (N.N.). f.5r Only ioye
• Lady Russell's pavan (pp.10-11) (John Dowland). f.6r My Lady Russells paven
• A fancy (pp.12-14) (John Dowland). f.7v A fancy Jo Dow
• Galliard (pp.15-15) (Francis Pilkington). f.8r A Galliarde fr: pilkington
• Almain (pp.16-16) (Francis Cutting). f.8v An Allmaine
• Almain (pp.17-17) (Francis Cutting). f.9r An Allmaine fr. Cutting
• Pavan (pp.18-19) (Francis Cutting). f.10r Paven fr. Cutting
• Courant (pp.19-19) (N.N.). f.10r Currante
• Galliard (pp.20-20) (Francis Cutting). f.10v Galliarde fr. Cutting
• Galliard (pp.21-21) (N.N.). f.11r Galliard
• Pavan (pp.22-23) (William Byrd) or (Thomas Morley); arr.: (Francis Cutting)). f.12r A Pauen Mr Birde set to lute by fr. Cutting
• Pavana Bray (pp.24-25) (William Byrd); arr.: (Francis Cutting). f.13r Pauan fr. Cutting.
• Pavan (pp.26-27) (Lushier). f.14r A Pauen Lushier
• Chromatic pavan (pp.28-29) (Peter Philips). Note: See also the following piece. f.15r Cromatica pauana
• Chromatic galliard (pp.29-29) (Peter Philips). Note: See also the preceding piece. f.15r The Galliarde
• Galliard (pp.30-30) (Daniel Bacheler). f.15v Daniell Bachele
• Pavan (pp.31-31) (Lushier). f.16r Lushier
• Forlorn hope fancy (pp.32-33) (John Dowland). f.17r forlorne Hope fancye Mr Dowland Bach of Musicke
• Hasellwood's galliard (pp.33-33) (John Dowland). f.17r Hasellwoods Galliard Jo Dowland
• Mr Langton's galliard (pp.34-35) (John Dowland). f.18r Mr Langtons galliard Mr Dowl. Bach. of Mus
• Scottish jig (pp.35-35) (N.N.). f.18r Scottish Jigge
• Sir Fulk Greville's pavan (pp.36-37) (Francis Cutting). f.19r Sr fooke Greviles pauen. fr. Cuttinge.
• Mr Knight's galliard (pp.38-38) (John Dowland). f.19v Mr Knights Galliard J. Dowla
• Galliard (pp.38-38) (?John Dowland). f.19v A Galliard W: Th.
• Mrs Vaux's galliard (pp.39-39) (John Dowland). f.20r Mrs Vaux Galliarde Jo Dowland Bacheler of Musicke.
• Mrs Vaux's jig (pp.40-40) (John Dowland). f.20v Mrs Vauxes Gigge Jo Dowland Bacheler of Musick
• Walsingham (pp.41-41) (N.N.). f.21r Walsingham
• The Shoemaker's wife. A toy (pp.42-42) (John Dowland). f.21v The Shomakers wife A Toy J Dowland
• Galliard (pp.43-42) (?John Dowland) or (Francis Cutting)). Note: The piece begins on f.22r and continues at the bottom (sign) of f.21v. f.21v Dowland
• Pavan (pp.44-44) (Mathias Mason)
• The King of Denmark's galliard (Battle galliard; The most high and mighty Christianus the fourth, King of Denmark, his galliard) (pp.45-45) (John Dowland). f.23r Mr Mildmay's galliard J D.
• Pavan (pp.46-47) (?Baruch Bulman)
• Jig (pp.47-47) (N.N.). f.24r A jig
• Pavan (pp.48-49) (N.N.)
• Sacred end pavan (pp.50-51) (Thomas Morley)
• Walsingham (pp.52-55) (John Marchant). f.28r Walsingham Marchannt
• Gathering peascods (pp.55-55) (John Johnson). Note: Probably dedicated to the actor Edward Alleyn (1566-1626). f.28r Allins Jigg
• Mrs Clifton's almain (pp.56-56) (John Dowland). f.28v Mrs Cliftons Allmaine Jo Dowlande
• Mignarda (galliard) (pp.57-57) (John Dowland). f.29r Mignarda Jo Dowlande
• Robin (pp.58-59) (John Dowland). f.30r Robin. Jo Dowland
• Variations on a ground (pp.60-61) (N.N.)
• Go from my window (pp.62-63) (Edward Collard). f.32r Collarde
• Mrs Anne Markham's pavan (pp.64-65) (Francis Cutting). f.33r Mrs Anne Markhms Paven fr Cuttinge
• Mrs Brigide Fleetwood's pavan, alias Solus sine sola (pp.66-67) (John Dowland). f.34r Mrs Brigide fleetwoods pauen als Solus sine sola Jo Dowland
• Groaning pavan (pp.68-69) (Francis Cutting). f.35r Groninag Paven f C
• Pavan (pp.70-71) (William Byrd). f.36r Mr Birds
• Galliard (pp.72-72) (Francis Cutting). f.36v fr Cutting
• Susanna jig (pp.73-73) (N.N.). f.37r Susanna Jigge
• Whip of Dunbain (pp.73-73) (N.N.). f.37r Whip of Dunbain
• The clink (pp.73-73) (N.N.). f.37r The Clinke
• Galliard (pp.74-74) (John Dowland). f.37v Galliard J Dowlande
• Lady Hunsdon's puff (pp.75-75) (John Dowland). f.38r J Dowland
• De jerr a mort (pp.75-75) (N.N.). f.38r de jerr a mort
• Mounsieur's almain (pp.76-79) (Daniel Bacheler)
• Pavan (pp.80-81) (Daniel Bacheler). f.41r D Bac
• Farewell (pp.82-83) (John Dowland). f.42r farwell Jo Dowlande
• Brett's courant (pp.84-84) (N.N.). f.42v Curranta
• Lady Strange's almain (pp.84-84) (Robert Johnson). f.42v My la strangs Ro Johnson
• Courant (pp.85-85) (Robert Ballard)
• A fancy (pp.86-87) (John Dowland)
• A fancy (pp.88-90) (?John Dowland)
• Galliard (pp.90-91) (Robert Johnson) or (Richard Allison). f.46r Ro Johnson
• La Bergere (consort lute part) (pp.91-92) (Philip Rosseter). f.46v Roseter
• Mounsieur's almain (pp.93-93) (N.N.)
• Galliard (pp.94-95) (Philip Rosseter)
• Rosamund (pp.96-97) (John Danyel). f.49r Rosamund
• Pavan (pp.98-99) (John Danyel). f.50r Jo Da
• Farewell (pp.100-101) (John Dowland). f.51r fortune
• Galliard (pp.102-103) (Anthony Holborne). f.52r Responce. A Holburne
• Butts (pp.103-103) (N.N.). f.52r Butts
• Il nodo gordia (pp.104-105) (Anthony Holborne)
• Courant (pp.105-105) (N.N.). f.53r Curranta
• Courant (pp.105-105) (N.N.). f.53r Curranta
• Mounsieur's almain (pp.106-107) (N.N.). Note: duet treble, fits Morley; The piece is written on f.53v-f.54r and the ending (sign) is on f.53v.
• Courant (pp.108-108) (N.N.). f.54v Curranta
• Courant (pp.109-109) (N.N.). f.55r Curranta
• A toy (pp.109-109) (N.N.). f.55r A Toy
• Volta (pp.110-110) (N.N.). f.55v Volte
• Courant (pp.111-111) (N.N.)
• Courant (pp.112-112) (Julien Perrichon). f.56v Currant
• Courant (pp.112-113) (N.N.). f.57r Currant
• Courant (pp.113-113) (Charles Bocquet). f.57r Curranta
• Vous me iures Bergere (courant) (pp.114-114) (N.N.)
• Untitled (pp.114-114) (N.N.)
• La ballet des folles (pp.114-115) (N.N.). f.57v La ballet des folles
• Courant (pp.115-115) (N.N.). f.58r Currant
• Brett's Courant (pp.115-115) (N.N.). f.58r Volta
• Volta (pp.116-116) (N.N.). f.58v Volte
• Courant (pp.117-117) (N.N.). f.59r Currant
• Galliard (pp.118-119) (William Byrd); arr.: (Francis Cutting)
• Galliard (pp.119-119) (N.N.)
• In nomine galliard (pp.120-120) (Nicholas Strogers)
• In nomine (pp.121-121) (John Taverner). f.61r Tauerns In nmoie
• Galliard (pp.122-123) (N.N.)
• The fairy round (galliard) (pp.123-123) (Anthony Holborne). f.62r The farry rownde
• What if a day (pp.124-124) (?John Dowland)
• Mall Sims (pp.124-125) (N.N.). f.63r Mall Sims
• Leaves be green (pp.126-127) (?Johnson, John, M.A.) Note: duet treble
• Courant (pp.128-128) (N.N.). f.64v Currant
• Courant (pp.128-128) (N.N.)
• Courant (pp.129-129) (N.N.)
• Courant (pp.129-129) (N.N.)
• Pavan (pp.130-131) (Edward Collard). f.66r Edw: Collarde
• Galliard (pp.132-133) (Anthony Holborne). f.67r Galliarde A Holburne
• Wanton (pp.133-133) (Anthony Holborne). f.67r Wanton A H
• J'aimerai toujours, ma Phyllis (pp.133-133) (N.N.). f.67r J
• Walsingham (pp.134-135) (John Dowland). f.68r Wallsingham Jo Dowland
• Loth to depart (pp.136-138) (John Dowland). f.69v Lth to wland
• Paradizo pavan (pp.139-139) (Anthony Holborne). f.70r Countesse of Penbrookes Paradice
• Pavan (pp.140-142) (Daniel Bacheler). f.71v Dan Bach
• The image of melancholy (pavan) (pp.142-143) (Anthony Holborne). f.72r Image of Melancholly
• Whip of Dunbain (pp.144-144) (N.N.)
• Sick tune (pp.145-144) (N.N.). Note: The piece begins on f.73r and continues (sign) on f.72v.
• Piper's Galliard (pp.146-146) (John Dowland). Note: The final three bars are missing
• Galliard (pp.147-147) (Francis Cutting). f.74r fr Cutting
• Galliard (pp.148-148) (Robert Johnson) or (Richard Allison). f.74v R Johnson
• Courant (pp.149-149) (Julien Perrichon). f.75r Mr Mathias
• Courant (pp.150-150) (Mathias Mason). f.75v Mr Mathias
• Almain (pp.151-151) (Jeremy Chamberlain). f.76r Jeremy Chamberlayne
• Jig (pp.151-151) (Jeremy Chamberlain). f.76r Jer Chamberlaine
• Fantasia (pp.152-153) (N.N.). f.77r fantazia
• Jiggy joggy (pp.153-153) (N.N.). f.77r Jiggy joggy
• Offertory (pp.154-161) (Thomas Tallis). Note: For keyboard sources. f.77v Mr Tallis his Offetory
• Jig (pp.162-162) (N.N.). Note: Probably dedicated to the actor John Singer (fl. 1583-1603); for bandora. f.81v Band. / Jo Singer
• Grimstock (pp.162-162) (N.N.). f.81v Grimstock
• The shepherd (pp.162-162) (N.N.). Note: For bandora. f.81v The shepherd
• Robin Hood (pp.162-162) (N.N.). Note: For bandora. f.81v Robin houd
• Gathering peascods (pp.163-163) (John Johnson). Note: For bandora. f.82r Jo Johnsons Allmaine
• Bonny sweet boy (pp.163-163) (N.N.). f.82r Bony sweet boy
• The Spanish pavan (pp.164-165) (N.N.). f.83r The Spanish Paven
• Almain (pp.166-166) (N.N.)
• Almain? (pp.166-167) (N.N.)
• A jig (pp.167-167) (N.N.). f.84r A Jigge
• Hermoza galliard (pp.167-167) (Anthony Holborne). f.84r Mr Southcote Galliarde
• Fantasia (pp.168-169) (Anthony Holborne). f.85r Fantazia
• A jig (pp.169-169) (N.N.). f.85r Jigg
• James's Galliard (pp.170-170) (James Harding). f.85v Division to Ja Gall.
• A fancy (pp.172-173) (N.N.). f.86v fancy / a fancy
• Courant (pp.173-173) (Robert Ballard). Note: First three bars only
• Robinson's may (almain) (pp.174-174) (?Thomas Robinson)
• Almain (pp.174-174) (N.N.)
• Lord Zouche's maske (pp.175-175) (N.N.)
• Almain? (pp.175-175) (N.N.)
• Untitled (pp.176-176) (N.N.). Note: duet treble. f.88v R Askue
• Fortune (pp.177-177) (N.N.). Note: duet treble. f.89r fortune
• Untitled (pp.178-178) (N.N.). Note: duet treble
• Almain? (pp.179-179) (N.N.)
• My Lord Chamberlain's galliard (pp.179-179) (John Dowland). Note: treble part
• Flat pavan (pp.180-181) (John Johnson). Note: consort part. f.91r flatt pauen
• Lady Rich's galliard (pp.182-182) (John Dowland)
• Untitled (pp.183-183) (N.N.). Note: For lute in transitional tuning (fefhf)
• Robinson's may (almain) (pp.183-183) (?Thomas Robinson). f.92r Robinsons May
• Almain? (pp.184-184) (N.N.)
• Flat galliard (pp.184-184) (John Johnson). Note: A strain and repeat only.
• Quadran pavan (pp.186-187) (John Johnson). f.94r Jo Johnson
• The King of Denmark's galliard (Battle galliard; The most high and mighty Christianus the fourth, King of Denmark, his galliard) (pp.188-188) (John Dowland). f.94v Dowlands plus in prima p
• Prelude? (pp.190-190) (N.N.). Note: For lyra viol in Traficante tuning no. 33, luteway
• Up tails all (pp.190-190) (N.N.)