Though at first primarily a composer, Réti later became more of a music theorist.
Opus# | Year | Genre | Title | Notes |
---|---|---|---|---|
Op.1 | ||||
Op.2 | 1922 | Chamber | Terrassen | for piano |
Op.3 | ||||
Op.4 | ||||
Op.5 | 1923 | Vocal | 6 Liebesgesänge on texts of Ricarda Huch | for soprano and piano |
194-? | Orchestra | Invocation and dance | for cello and orchestra | |
1947? | Choral | The greatest of all for soli, woman's chorus, and string orchestra | text from 1 Corinthians | |
1947? | ? | Primeval melody | ||
1948? | Chamber | March of the bewitched | for piano | |
1956 | Orchestra | 3 Allegories for orchestra | ||
1957? | Chamber | The magic gate | for piano | |
1961 | Book | The thematic process in music | ||
? | Vocal | Herr Löffel und Frau Gabel (Christian Morgenstern) | for voice and piano |