This page is under construction.
- This list is manually maintained, therefore some of the available pieces may not yet be linked from this page. For an automatically generated alphabetical list of all available pieces, please see
Category:Pollack, Lew.
A list of works in the composer category that are not included here can be found on this page.
Please consult the manual of style for creating composer work lists.
Don't count on this one being finished anytime soon!
Sources:
- Sheet Music Consortium
- Will check Catalog of Copyright Entries for conflicting years and first publication.
- Lew Pollack film scores here - https://ringostrack.com/en/artist/lew-pollack/10200
- Maybe I should group the film scores (songs) by their respective movie?
Works
For voice and piano unless otherwise identified.
- Tango Toreador for piano (New York: Joe Morris Music Co., 1914).
- That's a-Plenty: Rag or One-Step for piano (New York: Joe Morris Music Co., 1914).
- It Don't Seem Right to Take My Loving Heart Away (Harry Bunce) (New York: Howley, Haviland & Co., 1914).
- All Fussed Up: Foxtrot from Melodies 'The Whole Town's Wise' and 'They All Do the Foxtrot Now' for piano (New York: Howley, Haviland & Co., 1915). Co-authored with Dick Richards. Pollack may have composed only the melody, engaging Eugene Platzmann to create the piano part.
- Hello, Goodbye (Alex Sullivan) (New York: Shapiro, Bernstein, 1916).
- High-Stepper Rag for piano (New York: Joe Morris Music Co., 1917).
- My Modest Quaker Girl (Alfred Bryan) (New York: Jerome H. Remick, 1917).
- There's a Tear in Every Eye in Erin (Sullivan) (New York: M. Witmark & Sons, 1917).
- Sweet Babe o' Mine (Nat Vincent) (New York: Shapiro, Bernstein, 1918). Pollack may have composed only the melody, engaging Platzmann to create the piano accompaniment.
- Buddha (My Own). Foxtrot for piano (New York: Schirmer, 1918). Orchestrated by Dave Kaplan for use in The Passing Show of 1918. Also published for voice and piano with lyrics by Ed Rose.
- Cairo. Oriental Intermezzo Foxtrot for piano (New York: Richmond Music Co., 1918)
- Everybody Wants a Key to My Cellar (Ed Rose) (New York: McCarthy & Fisher, 1919). Co-authored with Billy Baskette. Recorded by Charley Straight (Imperial Song Record, No.9858) in a version for piano (solo).
- Good, Gracious Annabelle (Rose, George A. Whiting) (New York: McCarthy & Fisher, 1919).
- Take Her down to Coney Isle and Give Her the Air (Rose, Whiting) (New York: McCarthy & Fisher, 1919).
- Wishing (Rose) (New York: Art Music, 1919).
- Sudan (Rose) (New York: Waterson, Berlin & Snyder, 1920).
- Rosemarie (Sidney Clare) (New York: Waterson, Berlin & Snyder, 1920). Co-authored with Joe Rosey.
- Dance off the Blues (Harold R. Atteridge) (New York: Jerome H. Remick, 1921). Included in The Passing Show of 1921.
- My Lady of the Lamp (Atteridge) (New York: Jerome H. Remick, 1921). Included in The Passing Show of 1921.
- Idol Mine (Blanche Franklyn) (New York: Leo Feist, 1921). Later orchestrated.
- Spanish Lou (Sidney D. Mitchell) (New York: Remick, 1921.)
- Oh! Sing-a-Loo (Brown & Mitchell) (New York: Broadway Music Corp., 1922)
