Original composer |
Title |
Publication date |
Remarks
|
Joseph Achron |
Hebrew Lullaby |
Universal-Edition, 1919 |
original for violin and piano: Op. 35, No. 2
|
Hebrew Melody |
Carl Fischer, 1921 |
original for violin and piano: Op. 33
|
Johann Sebastian Bach |
Siciliano |
Jul. Heinr. Zimmermann, 1904 |
original for flute and basso continuo BWV1031
|
Ludwig van Beethoven |
Chor der Derwische aus den ‘Ruinen von Athen’ |
Carl Fischer, 1916 |
original for voices, chorus and orchestra
|
Türkischer Marsch aus den ‘Ruinen von Athen’ |
Carl Fischer, 1916 |
original for orchestra
|
Violin Concerto in D major |
Carl Fischer, 1917 |
original for violin and orchestra: Op. 61
|
Johannes Brahms |
Violin Concerto in D major |
1912 |
original for violin and orchestra, Op.77
|
Frédéric Chopin |
Nocturne in e minor |
1912 |
original for piano: Op. 72, No. 1
|
Polish Song |
Jul. Heinr. Zimmermann, 1913 |
original for voice and piano: Op. 74, No. 16
|
Arcangelo Corelli |
La Folia |
|
original for violin and cembalo: Op. 5, No. 12
|
Charles Davidoff |
Romance sans paroles |
|
original for cello and piano: Op. 23
|
Jakob Dont |
Agité |
1921 |
original for solo violin: Op. 35, No. 5
|
Etincelles |
1921 |
original for solo violin: Op. 35, No. 15
|
Riccardo Drigo |
Serenade from 'Arlekinada’ |
Chester, 1901 |
original for orchestra
|
Valse bluette from '4 Airs de ballet’ |
Jul. Heinr. Zimmermann, 1906 |
original for orchestra
|
Gabriel Fauré |
Pelléas et Mélisande |
|
original for voice and orchestra: Op.80
|
Mikhail Glinka/Mily Balakirev |
The Lark |
|
original for voice and piano: No. 10 from 'Farewell to Saint Petersburg'
|
Joseph Haydn |
Scherzo |
Zimmermann, 1911 |
|
Serenade |
Zimmermann, 1911 |
|
Vivace |
Zimmermann, 1911 |
original from string quartet, Hob. III:67
|
Edward MacDowell |
Idyll |
Schott, 1913 |
original for piano: Op. 62, No.?
|
Wolfgang Amadeus Mozart |
Gavotte from ‘Idomeneo’ |
|
original for orchestra
|
Concerto No.3 |
Carl Fischer, 1921 |
original from violin concerto No.3 in G major, K.216
|
Niccolò Paganini |
Caprice |
|
original for solo violin: Op. 1, No. 24
|
David Popper |
Gavotte No.2 |
|
original for cello and piano: Op. 23
|
Spinnlied |
Carl Fischer, 1921 |
original for cello and piano: Op. 55, No. 1
|
Nikolai Rimsky-Korsakov |
Fantasy on Two Russian Themes |
|
original for violin and orchestra: Op. 33
|
Anton Rubinstein |
Barcarole |
Kahnt, 1904 |
original for piano: Op.50, No. 3
|
Melodie |
|
original for piano: Op.3, No. 1
|
Robert Schumann |
Abendlied |
|
original for piano 4 hands: Op. 85, No. 12
|
Der Nussbaum |
Universal-Edition, 1922 |
original for voice and piano: Op. 25, No. 3 from 'Myrthen’
|
Vogel als Prophet |
Jul. Heinr. Zimmermann, 1913 |
original for piano: Op. 82, No. 7 from 'Waldszenen’
|
Widmung |
1920 |
original for voice and piano: Op. 25, No. 1 from 'Myrthen’
|
John Stevenson |
The last Rose of Summer |
Wilhelm Hansen, 1918 |
original for voice and piano. "Ballade irlandaise"
|
Pyotr Ilyich Tchaikovsky |
Andante cantabile |
Carl Fischer, 1918 |
from String Quartet No. 1 in D major, Op. 11
|
Melodie |
Carl Fischer, 1921 |
original for violin and orchestra: Op. 42, No. 3
|
Violin Concerto |
|
original for violin and orchestra: Op. 35, some changes to the violin part
|
Walzer |
ca. 1901 |
original for orchestra: Op. 48 from 'Serenade’
|
Wohin seid ihr entschwunden from 'Eugen Onegin’ |
Universal-Edition, 1921 |
original for voice and orchestra (Arie des Lensky, Act II, No. 17)
|
Richard Wagner |
Träume |
Universal-Edition, 1921 |
original for voice and piano, WWV 91, No. 5, arranged by Wagner for voice and orchestra
|
Leo Zeitlin/Joseph Achron |
Eli Zion |
|
original for cello and piano
|