List of works by José María Usandizaga

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Category:Usandizaga, José María.
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Based on this site. The dates are those found in the autograph manuscripts, if not stated otherwise.

1 Works with Opus number
2 Works without Opus number

Works with Opus number

Op.1 - Capricho, for piano (1901/12/17)
Op.2 - Danza española, for piano (1902/05/12)
Op.3 - Scherzo [No.1] in F minor, for piano (1902)
Op.4 -
Op.5 - Valse [No.1] in C major, for piano - Op. number originally 5, then changed to 6 and 7
Op.6 -
Op.7 -
Op.8 - Romanza No.2, for soprano and piano (1902/05/23) - no text;
Op.9 -
Op.10 -
Op.11 -
Op.12 - Valse No.2 in A♭ major (1904/03/15)
Op.13 - Romanza in C♯ minor, for piano (1904/02/20)
Op.14 - Suite in A major, for orchestra (first perf. 1904/09/17) and piano reduction, without Finale (1904/03)

I. Prèlude

II. Menuet

III. Sarabande

IV. Final (en forme de gigue)

Op.15 - 5 Pieces, for organ (1904/04/16)

Entrée
Offertoire
Elévation
Communion
Sortie

Op.16 - Lied, for violin and piano (1904/04/22)
Op.17 - Harmonisation d'un thème populaire Grec, for piano (1904/04/27)
Op.18 - 2 Pieces, for piano (1904/05/10)

Moderato (C major)
Andante (F major)

Op.19 - Sérénade, for violin and piano (1904/05/15)
Op.20 - Dans la mer, symphonic poem for orchestra (1904/06/01)
Op.21

- Ouverture symphonique sur un thème de plain chant, for orchestra (1904/10 – 1905/01)

- Offertoire and Elévation, for organ (1904/06)

Op.22 - Cantos populares vascos, for voice and piano

Itsasoa [The sea] (1904/06/15) - Incipit: Itsasoa laino dago

Op.23 - Ave María, for tenor and organ, dedicated to Manuel Vidarte (1904/07/27)
Op.24 -
Op.25 - Pieza sinfónica (Introducción – Cantabile – Final), for organ (1904/08/19)
Op.26 -
Op.27 - Novena de Sta Teresa, for soli, chorus and organ
Op.28 - 3 Pieces, for piano

Prélude (C♯ minor)
Intermezzo (A♭ major)
Final (B minor)

Op.29 -
Op.30 -
Op.31 - String Quartet (with double bass ad lib.) in G major sobre témas populares vascos = sur des thèmes populaires basques (1905; first perf. 1906/12/09)

I. Muy lento – Vivo – Muy lento = Très lent – Vif – Très lent

II. Muy vivo (Scherzo) = Très vif (Scherzo)

III. Moderato = Modéré

IV. Introducción, Zortziko y Final = Introduction, Zortziko, Finale

Op.32 - Toccata, for organ (1906/04)
Op.33 -
Op.34 - Gure erri maite ari, for voice and piano - originally Op.33; text incipit: Orra non dagon Donostiya

1906/03

Op.35 - Irurak bat, Rhapsody on 3 Basque folk themes, for orchestra (1906/05)
- Arranged for piano 4-hands (1906/05)
Op.36 -
Op.37 -
Op.38 -
Op.39 -
Op.40 -
Op.41 - Souvenir, Lied, for violin solo with strings (4-2-2-1), dedicated to "Maestro Larrocha" (1907/12)

Works without Opus number

Operas

Mendi-Mendiyan (1909)
Las golondrinas (1913)
La llama (1914-15, finished by Ramón Usandizaga)

Orchestral

Bidasoa, overture for wind orchestra (1907; first perf. 1907/07/27)

Arranged for piano 4-hands - Ms marked "No.49"

Euskal Festara, Marcha vascongada, for wind orchestra (first perf. 1908/09/03)

Arranged for piano 4-hands: Euskal Festara, Paso-doble (1908/07) - Ms marked "No.17"

Hassan y Melihah, Fantasía-danza (1912) - also a piano solo version

Vocal with orchestra

Los Reyes Magos (1912/09/01, first perf. 1912/08/24) - also a voice & piano and piano solo version
Umezurtza, escena popular vascongada, for soli (ST), chorus (SATB) and orchestra (1913/06)
Bitz [Romance], La canción de Laurita, with strings (text by W.K. Hamilton) - there is also a version with piano
Horra Mari Domingui begira - also a voice and piano version

Choral

Misa (Kirie, Gloria, Sanctus, Benedictus, Agnus), for S, A, Bar, B (1901/01/01)
Üskal Herri Maitiari, Rapsodia vasco-francesa, for baryton solo and 4-part male chorus (1907; first perf. 1907/7/27) - Üskal Herri Maitiari [To the Beloved Basque Country] may be the dedication or the title

I. Ene izar maitia

II. Egünttobatez nindaguelarik

III. Iruten ari nuzu

Fantasía vascongada, for 4-part male chorus (1909; first perf. 1909/04/04)
Cantos vascos, for mixed chorus (SATB) - same music and texts as in Fantasía vascongada; photocopied parts

Beñat Mardo - text incipit: Ni deitzenak Beñat Mardo
Ormatxulo - text incipit: Ormatxulo batetik gau batean
Uzariyo ederrak - text incipit: Uzariyo ederrak ziranan txiñetan
Chorichoa / Txoriñoa nora ua - text incipit: Txoriñoa nora ua

31 de Agosto 1813, Himno para la Conmemoración del Centenario del incendio de San Sebastian, for chorus and wind orchestra (1913/07; first perf. 1913/08/31)

Chamber

Duos

Romance, for violin and piano (1902/01/27) - Ms marked "No.5" and "No.6"; the original title was pour chant et piano, not violon
Danza, for violin and piano (1902) - the violin part (if it is violin) has a text incipit: Cuan bello

Arranged for piano solo: [Danza] (1902/04)

Fantasía, for cello and piano (1908/12; first perf. 1909/01/26)

I. Grave – Andante; II. Allegro
Trios

Cortejo, para dos trompas de caza y piano (1913/03)

Quartets

1er. tiempo del Cuarteto en la [First movement of a Quartet in A major], for string quartet (1912/08)

Organ

Choral varié (1905/03)
[5 Pieces]

Entrée (1904/11)
Offertoire (1904/12-1905/03)
Elévation (1904/09)
Communion (1904/12)
Sortie

5 Pieces [1907]

Entrada
Ofertorio - from Op.21
Elevación - same as in the previous collection
Comunio
Final - same as in the previous collection

Postludio (1908/01)
Variaciones Sinfónicas, dedicated to B. de Gabiola (1909)

Piano

Valse in G major (1895, at the age of 9) - Catalogued as 2 Valses, but the first is repeated after the second
Scherzo No.2 in B minor (1902/01/24)
Andante (composición verificada en París el 25 de Abril de 1903; composed 1902; first perf. 1903/07/10)
Gigue in A major (1904/09/28)
Valse in E♭ major (1906/08/20)
Impromptu, dedicated to Leo de Silka (1908; first perf. 1910/01/30)
Scherzo No.3 in G major (1909/11) - Ms marked "No.11"
Rapsodia vascongada (1909)
Jota (1910)
Schottisch (1910)
Chopin, Valse in B♭ minor (1912/01, first perf. 1912/08/24)
Hasshan y Melihah, Fantasía-danza (1912/03/15) - also an orchestral version
Unos titiriteros en la feria de Tetuán, Fantasía-danza (1912/03/15)
Los Reyes Magos, sobre un canto popular vasco (1912) - also a voice & piano and a voice & orchestra versions
En la aldea están de fiesta..., para "Nuevo mundo", Danza (1914/11/00)
Canto popular vasco (posth. pub. Barcelona: Revista Artes y Letras, 1916)
Valse in A♭ major (pub. posth. 1920)
Allegro in A major
Souvenir de Mont de Marsan, dedicated to Mr. Francis Flante

Voice with piano

Allegretto in F major (1904/11/24) - no text
Published in Ecos de Vasconia collection [1905]:

No.82. Nere onguille maiteri - harmonization of an original zortziko by J.M. Iparraguirre, text incipit: Eztaquit nola esquerrac

No.84. Errukarriya - harmonization of an original zortziko by J.M. Iparraguirre, text incipit: Aspaldien ezta gure echean

No.86. Sugana Manuela = Zugana Manuela - harmonization of an original zortziko by J.M. Iparraguirre, text incipit: Sugana Manuela nuanian pensatu

No.87. Mari Domingui - harmonization of a folk song, there is also an orchestrated version; text incipit: Orra Mari Domingui beguira orri

No.90. Chan changorriya - text by Manuel Arrese, text incipit: Arbol baten gañian

Iru erregue orianteco [The three Orient Kings] (Los Reyes Magos), canción popular vascongada arreglada (1911/12/14) - also an orchestrated and a piano solo version
Pastora divina = Al Niño Jesús de Praga (two different publications with different titles and texts) - text incipit: Pastora divina seguirte / Niño de Praga con fé