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Wildröslein: „Kühl in dem Schatten, geküsst von dem Thau“
Am Meeresgestade: „Die Sonne sank, die Möve zieht nicht mehr“
Op.42 No.3 - Tarantelle for piano (Presser)
Op.43 - Dedication March for Orchestra (for dedication of Carnegie Hall, Pittsburgh 1895) (Leipzig: Breitkopf und Härtel, 1899 - full score and parts. Band arrangement published 1899.)
Op.44 - Hero and Leander, ballad for soprano and orchestra (autograph is at the Library of Congress; composed in 1897)
Op.46 - Suite in F major for piano (Pittsburgh: H. Kleber & Bro., 1898)
Op.47 - Suite No.2 for orchestra (New York: Carl Fischer, 1915)
Op.48 - Prelude to Goethe's 'Faust' for orchestra (won Pittsburgh Art Society prize in 1898) (New York: Carl Fischer, 1915)
Op.49 - 6 Songs (Pittsburgh: Kleber, 1900)
Night in the Desert
The Ocean
Fair Rosalind
A Hunting Song
Unfathomable Sea
A Sleeping Child
Op.50 - Sigrid, symphonic poem for orchestra
Op.51 - Verzweiflung (Call to Charon). Ballad for soprano and orchestra (composed 1898; Leipzig: F. Schuberth, 1924)
Library of Congress entry has "Call to Sharon".
Op.52 - Violin Concerto in D minor (composed 1898, 1904). The second movement Romanza was originally composed as a standalone work for violin and piano in 1898.
Op.53 - Album of Lyrics. Songs for medium voice and piano (Pittsburgh: Kleber, 1908)
Nature and Song (Und was die Sonne glüht)
The Water-lily
Dreaming (Träumerei)
An Old Melody (Es tönt in meinen Ohren)
Love Seemeth Terrible
Sleeping Love
Stars Everywhere (Sterne überall)
A Suggestion (Vorschlag)
Nights of Music
Farewell
Op.54 - Book of Love (song cycle)
Op.55 - 6 Songs (Pittsburgh: Kleber, 1900)
An Evening in Greece
Sleep, Little Darling, Proposal
Love's Philosophy
Oh Fairest of the Rural Maids
Serenade
Op.56 No.1 - Te Deum in D major for solo voices (SAT), mixed chorus (SATB), and organ (Pittsburgh: Kleber, 1901)
Op.56 No.2 - All Praise to Thee. Evening Hymn for mixed chorus and organ ad lib. (Pittsburgh: Kleber, 1901)
Op.57 - 6 Songs for high or medium voice and piano (Pittsburgh: Kleber, 1902)
Endlose Liebe (Unceasing Love)
Ein Fichtenbaum (The Fir-Tree)
Es muß was Wunderbares sein (A Wondrous Thing 't Must Be)
Frühzeitiger Frühling (Early Spring)
Forester's Song
Das Lenz ist da! (Spring is Here)
Op.58 - 2 Anthems for solo voice (S or A), mixed chorus (SATB), and piano (Pittsburgh: Kleber, 1903)
Lead Us, Heavenly Father (James Edmeston)
The Sping Tide Hour (John S.B. Monsell)
Op.59 - At Twilight for orchestra (performed, 1903)
Op.60 - Tristram and Iseult for high voice and piano (Boston: Ditson, 1904)
Op.61 - Trio-Serenade for violin, cello, and piano (New York: Carl Fischer, 1915)
Op.62 - Works for Organ
In Memoriam (Prelude in F minor) (Boston: Ditson, 1905)
Prelude in A♭ major (Boston: Ditson, 1905)
Postlude in D minor (Boston: Ditson, 1906)
Pastorale in A minor (Boston: Ditson, 1916)
Op.63 - Greek Love Songs for high voice and piano (Pittsburgh: H. Kleber & Bro., 1906)
Time's Revenges
Love in the Wine
The Light of Love
Bittersweet
Rekindling the Flame
Purity of Love
Kiss within the Cup
After the Revel
Love Aflame
Op.64 - Garland of Songs (Pittsburgh: Kleber, 1906)
Book 1 (for medium voice)
Song of the Soul
The Starless Night
The Starlit Night
The Robin's Lullaby
'Tis the Last Rose of Summer
The silent sea
Book 2 (for high voice)
To the Beloved
Love Me if I Live
Heart Song
Love Alone
Enraptured
Sun of the Sleepless
Op.65 - 4 Love Songs (Pittsburgh: H. Kleber & Bro., 1908)
I Love Thee (Thomas Hood)
Love Thee, Dearest? (Thomas Moore)
Love's Litany (Wallace Bruce)
To See Thee, to Love Thee (Thomas Moore)
Op.66 - 2 Psalms for high voice and piano (or organ?) (Pittsburgh: H. Kleber, 1908)
How Long Wilt Thou: Psalm 13
The Lord is My Shepherd: Psalm 23
Op.67 - Child Lyrics (Pittsburgh: H. Kleber, 1909). From Robert Louis Stevenson's Child's Garden of Verses. Some autograph material @ Library of Congress.
Where Go the Boats?
Fairy Bread
Song of Bed-time
The Friendly Cow
The Swing
Op.68 - Songs for 4-part male chorus. A version edited by Theodore M. Finney was published as part of the Pitt Glee Club Series (Pittsburgh: Volkwein Bros., 1937).
Jesus, Lover of My Soul. Sacred song for medium voice and piano (Boston: O. Ditson Co., 1904)
Joy to the World (Isaac Watts). Song for high voice and piano (New York: J.H. Remick, 1909)
Lead, Kindly Light for solo voice, mixed chorus (SATB), and organ (Pittsburgh: H. Kleber, 1907)
Lieder und Gesänge. Manuscript songs (45 pages) ca.1870-ca.1879. Collection of the Allegheny County Library Association. Collection appears to include the manuscripts of some items published with opus numbers.
Weihnachtslieder
Du bist wie eine Blume (Oh thou art like a flower)
Winterlied
Wenn die ersten Veilchen blühn
So wand'l ich wieder den alten Weg
Wenn die Reb' im Safte schwillt
Im Vorübergehen
Ständchen
Wenn ich auf dem Lager liege
Wie kannst du ruhig schlafen
Frühlingslied
Wehmuth
Am Rhein im heiligen Strome
Verrathene Liebe
Märchenkunde
Im Walde wandl' ich und weine (With tears through the forest I wander)
Perlenfischer
Frühlingswonne
Ich stand in dunkeln Träumen
In der Fremde
Nebel
Du bist wie eine Blume (Oh thou art like a flower)
Hör ich das Liedchen klingen (On hearing the strains enthralling)
Meeresstille (The ocean at rest)
Vom Gebirge
The Lord is King. Sacred song for medium voice and piano (Boston: O. Ditson Co., 1904)
The Lord's Prayer. Song for mixed chorus (Pittsburgh: H. Kleber, 1903)
The Messiah. Song for high voice and piano (Cincinnati: Church, 1900)
On the Sea for piano (Boston: J.B. Millet Co., 1894)
Out of the Deep (De profundis; Psalm 130). Song for solo voices (SB), chorus (SATB), and organ (Pittsburgh: Kleber, 1905)
Prelude for organ in D♭ major (Chicago: C.F. Summy Co., 1908)
Praise the Lord. Song for medium voice and piano (Cincinnati: Church, 1903)
The Resurrection. Song for soprano solo, mixed chorus (ATB - ad lib., and piano (Cincinnati: Church, 1901)