| Movements/SectionsMov'ts/Sec's | max.11 movements |
|---|---|
| Composition Year | 1750-1865 ca. |
| Genre Categories | Dances |
Complete Score belongs to Kusumura shrine
*#611464 - 3.27MB, 28 pp. - (-) - !N/!N/!N - 430×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2020/3/1)
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Complete score belongs to Tatsusaka shrine
*#611484 - 1.11MB, 43 pp. - (-) - !N/!N/!N - 838×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2020/3/1)
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Zatsuki edited analysed with ornamentations
*#563072 - 0.25MB, 2 pp. - (-) - !N/!N/!N - 342×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/2/28)
⇒ 6 more: Dancho edited analysed with ornamentations • Kock-kock-kock edited analysed with ornamentations • Mai-dashi edited analysed with ornamentations • Hana-no-mai edited analysed with ornamentations • Mai-age editted analysed with ornamentations • Okagura edited analysed with ornamentations
Dancho edited analysed with ornamentations
*#563073 - 0.22MB, 2 pp. - (-) - !N/!N/!N - 31×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/2/28)
Kock-kock-kock edited analysed with ornamentations
*#563074 - 0.39MB, 3 pp. - (-) - !N/!N/!N - 30×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/2/28)
Mai-dashi edited analysed with ornamentations
*#563075 - 1.89MB, 18 pp. - (-) - !N/!N/!N - 29×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/2/28)
Hana-no-mai edited analysed with ornamentations
*#563076 - 0.56MB, 6 pp. - (-) - !N/!N/!N - 30×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/2/28)
Mai-age editted analysed with ornamentations
*#563077 - 0.17MB, 2 pp. - (-) - !N/!N/!N - 32×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/2/28)
Okagura edited analysed with ornamentations
*#563078 - 0.14MB, 1 pp. - (-) - !N/!N/!N - 30×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/2/28)
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Zatsuki no edit no analyse no ornamentation no edit no analyse no ornamentation
*#556489 - 0.04MB, 2 pp. - (-) - !N/!N/!N - 310×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Dancho no edit no analyse no ornamentation
*#556568 - 0.05MB, 4 pp. - (-) - !N/!N/!N - 66×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Intermezzo no edit no analyse no ornamentation
*#556491 - 0.01MB, 1 pp. - (-) - !N/!N/!N - 53×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
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Kock-kock-kock no edit no analyse no ornamentation
*#556574 - 0.07MB, 6 pp. - (-) - !N/!N/!N - 341×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
⇒ 5 more: Mai-dashi 1 no edit no analyse no ornamentation • Mai-dashi 2 no edit no analyse no ornamentation • Mai-dashi 3 no edit no analyse no ornamentation • Mai-dashi 4 no edit no analyse no ornamentation • Mai-dashi 5 no edit no analyse no ornamentation
Mai-dashi 1 no edit no analyse no ornamentation
*#556494 - 0.05MB, 4 pp. - (-) - !N/!N/!N - 28×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Mai-dashi 2 no edit no analyse no ornamentation
*#556495 - 0.06MB, 5 pp. - (-) - !N/!N/!N - 26×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Mai-dashi 3 no edit no analyse no ornamentation
*#556496 - 0.05MB, 4 pp. - (-) - !N/!N/!N - 26×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Mai-dashi 4 no edit no analyse no ornamentation
*#556497 - 0.06MB, 5 pp. - (-) - !N/!N/!N - 26×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Mai-dashi 5 no edit no analyse no ornamentation
*#556498 - 0.09MB, 7 pp. - (-) - !N/!N/!N - 23×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
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Hana-no-mai 1 no edit no analyse no ornamentation
*#556499 - 0.03MB, 2 pp. - (-) - !N/!N/!N - 535×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
⇒ 14 more: Hana-no-mai 2 no edit no analyse no ornamentation • Hana-no-mai 3 no edit no analyse no ornamentation • Hana-no-mai 4 no edit no analyse no ornamentation • Hana-no-mai 5 no edit no analyse no ornamentation • Hana-no-mai 6 no edit no analyse no ornamentation • Hana-no-mai 7 no edit no analyse no ornamentation • Hana-no-mai 8 no edit no analyse no ornamentation • Hana-no-mai 9 no edit no analyse no ornamentation • Hana-no-mai 10 no edit no analyse no ornamentation • Hana-no-mai 11 no edit no analyse no ornamentation • Hana-no-mai 12 no edit no analyse no ornamentation • Hana-no-mai 13 no edit no analyse no ornamentation • Hana-no-mai 14 no edit no analyse no ornamentation • Hana-no-mai 15 no edit no analyse no ornamentation
Hana-no-mai 2 no edit no analyse no ornamentation
*#556500 - 0.02MB, 2 pp. - (-) - !N/!N/!N - 28×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Hana-no-mai 3 no edit no analyse no ornamentation
*#556501 - 0.02MB, 2 pp. - (-) - !N/!N/!N - 26×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Hana-no-mai 4 no edit no analyse no ornamentation
*#556502 - 0.02MB, 2 pp. - (-) - !N/!N/!N - 29×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Hana-no-mai 5 no edit no analyse no ornamentation
*#556503 - 0.01MB, 1 pp. - (-) - !N/!N/!N - 26×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Hana-no-mai 6 no edit no analyse no ornamentation
*#556504 - 0.01MB, 1 pp. - (-) - !N/!N/!N - 26×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Hana-no-mai 7 no edit no analyse no ornamentation
*#556505 - 0.01MB, 1 pp. - (-) - !N/!N/!N - 30×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Hana-no-mai 8 no edit no analyse no ornamentation
*#556506 - 0.01MB, 1 pp. - (-) - !N/!N/!N - 27×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Hana-no-mai 9 no edit no analyse no ornamentation
*#556507 - 0.01MB, 1 pp. - (-) - !N/!N/!N - 24×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Hana-no-mai 10 no edit no analyse no ornamentation
*#556508 - 0.01MB, 1 pp. - (-) - !N/!N/!N - 23×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Hana-no-mai 11 no edit no analyse no ornamentation
*#556509 - 0.01MB, 1 pp. - (-) - !N/!N/!N - 24×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Hana-no-mai 12 no edit no analyse no ornamentation
*#556510 - 0.01MB, 1 pp. - (-) - !N/!N/!N - 26×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Hana-no-mai 13 no edit no analyse no ornamentation
*#556511 - 0.01MB, 1 pp. - (-) - !N/!N/!N - 25×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Hana-no-mai 14 no edit no analyse no ornamentation
*#556512 - 0.02MB, 1 pp. - (-) - !N/!N/!N - 26×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
Hana-no-mai 15 no edit no analyse no ornamentation
*#556513 - 0.02MB, 1 pp. - (-) - !N/!N/!N - 25×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
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YANAGITAtokinori (2019/1/11)
Okagura for flute, drum, small symbal.
*#556598 - 0.02MB, 1 pp. - (-) - !N/!N/!N - 70×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2019/1/11)
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Complete score belongs to Hinaga hachiman shrine
*#611485 - 1.24MB, 35 pp. - (-) - !N/!N/!N - 1159×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2020/3/1)
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Complete score in C belongs to Higashihino shinmei shrine
*#611486 - 0.88MB, 29 pp. - (-) - !N/!N/!N - 690×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2020/3/1)
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Complete score in B belongs to Higashihino shinmei shrine
*#611487 - 1.79MB, 39 pp. - (-) - !N/!N/!N - 237×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2020/3/1)
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Complete Score belongs to Kusumura shrine v.1.1
*#611816 - 1.68MB, 34 pp. - (-) - !N/!N/!N - 293×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2020/3/3)
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Complete score in C belongs to Higashihino shinmei shrine v.1.1
*#611486 - 0.88MB, 29 pp. - (-) - !N/!N/!N - 690×⇩ - YANAGITAtokinori
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YANAGITAtokinori (2020/3/4)
| |
| Work Title | Lion dance Mida branch |
|---|---|
| Alternative. Title | |
| Composer | Yanagita, Tokinori |
| I-Catalogue NumberI-Cat. No. | ITY 1 |
| Key | Lydian, aeolian, dorian, etc. |
| Movements/SectionsMov'ts/Sec's | 9 movements
|
| Year/Date of CompositionY/D of Comp. | 1750-1865 ca. |
| Average DurationAvg. Duration | 35-45 minutes |
| Composer Time PeriodComp. Period | Modern |
| Piece Style | Non-western classical |
| Instrumentation | traditional japanese flute for Shinto ritual, traditional drum |
There are many styles of lion dance belonged to Shinto which is japanese reliegion. This one is one of them called Mida branch. This branch's music has more complex construction than the others.
Lion dance was imported with Buddhism from China through Korea to Japan in 612. It was used for magic ritual to the plague in early period.
Between 1750-1865, late Edo period, the economical situation became better and farmers were rich. They managed their local shrine to get more money. Then, there became the center of the local culture. This music would be arranged or composed in the period.
After that, in Meiji period(1868-1912), Japan set Shinto as state religion, then the lion dance was given to near villages around the bigger shrine. The music would be arranged at that time.
The original score doesn't exist. People has learned it with seeing, listening and teaching directly from older ones without any music sheet.
In Edo period (1603-1868), playing music as professional player was allowed for blind man only.
The flute used in this music has 7 tone holes for fingers like european baroque flute. But the lowest note is C and 7th hole is used for D. The pitch for shrine's ritual here is around 392hz. Lower pitch is used for japanese native music in Japanese Gagaku. Middle one for Chinese, higher one for Korean.
