Le cinq mai, H 74 (Berlioz, Hector)

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Publisher. Info. Paris: Richault, n.d. Plate 8114 R.
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Misc. Notes BNF notice bibliographique
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Daphnis (2010/5/5)

Editor Charles Malherbe (1853-1911)
Felix Weingartner (1863-1942)
Translator Percy Pinkerton (1855–1946), English Text
Publisher. Info. Hector Berlioz Werke, Serie V, Band 13
Leipzig: Breitkopf und Härtel, 1900–07. Plate H.B. 32.
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M.kowalski49 (2021/5/15)

Editor Charles Malherbe (1853-1911)
Felix Weingartner (1863-1942)
Translator Percy Pinkerton (1855–1946), English Text
Publisher. Info. Hector Berlioz Werke, Serie V, Band 13
Leipzig: Breitkopf und Härtel, 1900–07. Plate H.B. 32.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog 2473.
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M.kowalski49 (2017/8/12)

Editor Julian Rushton (1941-)
Publisher. Info. New Edition of the Complete Works, Vol.12a (pp.356-392)
Kassel: Bärenreiter-Verlag, 1991. Plate BA 5452/I.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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M.kowalski49 (2021/5/15)

11 more: Clarinet 1, 2 (C) • Bassoon 1, 2, 3, 4 • Horn 1, 2, 3, 4 (E♭, C) • Trumpet 1, 2 (F) • Trombone 1, 2, 3 • Bass Drum • Violins I • Violins II • Violas • Cellos • Basses

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M.kowalski49 (2021/5/15)

Editor Charles Malherbe (1853-1911)
Felix Weingartner (1863-1942)
Translator Percy Pinkerton (1855–1946), English Text
Publisher. Info. Hector Berlioz Werke, Serie V, Band 13
Leipzig: Breitkopf und Härtel, 1900–07. Plate H.B. 32.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog 2473.
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22 more: Flute 2 • Clarinet 1 (C) • Clarinet 2 (C) • Bassoon 1 • Bassoon 2 • Bassoon 3 • Bassoon 4 • Horn 1 (E♭) • Horn 2 (E♭) • Horn 3 (C) • Horn 4 (C) • Trumpet 1 (F) • Trumpet 2 (F) • Trombone 1 • Trombone 2 • Trombone 3 • Bass Drum • Violins I (with bowings) • Violins II (with bowings) • Violas (with bowings) • Cellos (with bowings) • Basses (with bowings)

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M.kowalski49 (2017/8/12)

Editor Julian Rushton (1941-)
Publisher. Info. New Edition of the Complete Works, Vol.12a
Kassel: Bärenreiter-Verlag, 1991. Plate BA 5977.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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General Information

Work Title Le cinq mai, chant sur la mort de l’Empereur Napoléon
Alternative. Title
Name Translations Le Cinq mai; 5月5日(ベルリオーズ)
Name Aliases Le Cinq mai (Berlioz)
Authorities WorldCat; VIAF: 178141310; BNF: 139281222
Composer Berlioz, Hector
Opus/Catalogue NumberOp./Cat. No. Œuvre 6 ; H 74
I-Catalogue NumberI-Cat. No. IHB 14
Movements/SectionsMov'ts/Sec's 1
Year/Date of CompositionY/D of Comp. before November 1835
First Performance. 1835-11-22 in Paris, Conservatoire.
First Publication. 1844
Librettist Pierre-Jean de Béranger (1780–1857)
Language French
Average DurationAvg. Duration 11 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voices: bass, mixed chorus (SSTTBB)
Orchestra: 2 flutes, 2 clarinets (C), 4 bassoons
4 horns (2 in E, 2 in C), 2 trumpets (F), 3 trombones
bass drum, strings
External Links Wikipedia article (in French)

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Publication History

  • Paris: 1844 (full score)
  • Leipzig: Breitkopf und Härtel, n.d.(1903), as part of Hector Berlioz Werke (1900–07), Serie V, Band XIII, edited by Charles Malherbe and Felix Weingartner
  • Kassel: Bärenreiter, 1991, BA 5452/I, as part of New Berlioz Edition (1967–2005), Volume 12a: Choral Works with Orchestra edited by Julian Rushton