Kleine Sonate, Op.25 No.2 (Hindemith, Paul)

This work has been identified as being in the public domain in Canada, as well as countries where the copyright term is life+50 years. However, this work is probably still protected by copyright in the United States, as well as in countries where the copyright term is life+70 years (including all EU countries), unless an exception applies. See public domain for details.
This work may not be in the public domain in all countries. Please check the copyright laws of your country.

Contents

Performances

Sheet Music

Scores and Parts

PDF scanned by Unknown
Madcapellan (2014/1/7)

PDF scanned by Unknown
Madcapellan (2014/1/11)

Editor First edition
Publisher. Info. Mainz: B. Schott's Söhne, No.2079, 1929. Plate 32241.
Copyright
Purchase
Javascript is required for this feature.

PDF scanned by Sallen112
Sallen112 (2016/11/1)

PDF scanned by Sallen112
Sallen112 (2016/11/1)

Editor Kurt von Fischer (1913-2003)
Ludwig Finscher (1930-)
Peter Cahn (1927-2016)
Publisher. Info. Paul Hindemith: Sämtliche Werke, Band V,6 (PHA 506):
Streicherkammermusik III (und Solostimmen)
 (pp.101-118 (35-38))
Mainz: B. Schott’s Söhne, 1976. Plate B.S.S. 43589.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes Includes original 1929 copyright claim. 600 dpi. Page size is 10.67 x 14.763 inches.
Purchase
Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title Viola d'amore Sonata
Alternative. Title Kleine Sonate für Viola d'amour und Klavier
Composer Hindemith, Paul
Opus/Catalogue NumberOp./Cat. No. Op.25 No.2
I-Catalogue NumberI-Cat. No. IPH 72
Movements/SectionsMov'ts/Sec's 3 movements
  1. Mäßig schnell. Lustig
  2. Sehr langsam
  3. Sehr lebhaft
Year/Date of CompositionY/D of Comp. 1922 May
First Performance. 1922 June at the University of Heidelburg
Paul Hindemith (viola d'amore), Emma Lübbecke-Job (piano)
First Publication. 1929
Average DurationAvg. Duration 13 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation viola d'amore, piano
External Links Hindemith Foundation

Navigation etc.

  • The 3 movements dated, in autograph, May 21, 26 and 28 1922.
  • Pianist Emma Lübbecke-Job (Zob?) (1888–1982) was Hindemith's colleague and patron, and also premiered the viola sonata Op.25 no.4 with Hindemith the next year (1923-1-10).
  • Originally without opus number; referred to as Op.25b in manuscript solo part and the composer's work lists.
-Hindemith: A Research and Information Guide