Jerusalem the Golden (Ewing, Alexander)

Composition Year	1861 in Hymns Ancient and Modern (Monk, William Henry) (London: Novello and Co.), no.228
Genre Categories	Sacred hymns; Hymns; Religious works; For 1 voice; For unaccompanied voices; Scores featuring the voice; For voices; For mixed chorus; Scores featuring mixed chorus; For unaccompanied chorus; English language; For orchestra (arr); Scores featuring the orchestra (arr); For piano (arr); For 1 player (arr); Scores featuring the piano (arr)

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MP3 file (audio)
Dsamky (2020/7/15)

Publisher Info.	David M. Sampson
Performers	Sibelius
Copyright	Creative Commons Attribution-NonCommercial-NoDerivs 4.0 [tag/del]
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Synthesized Performance
*#636279 - 4.77MB - 4:10 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 15×⇩ - MP3 - Dsamky

MP3 file (audio)
Dsamky (2020/7/13)

Publisher Info.	David M. Sampson
Performers	Sibelius
Copyright	Creative Commons Attribution-NonCommercial-NoDerivs 4.0 [tag/del]
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Complete Score and Parts
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Dsamky (2020/7/15)

Arranger	David M. Sampson
Publisher. Info.	David M. Sampson
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Complete Score
*#636278 - 0.09MB, 5 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 178×⇩ - Dsamky

PDF typeset by arranger
Dsamky (2020/7/13)

Arranger	David M. Sampson
Publisher. Info.	David M. Sampson
Copyright	Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
Misc. Notes	This work also contains a short reference to "Glorious Things of Thee Are Spoken", music by Haydn.
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Work Title	Jerusalem the Golden
Alternative. Title
Composer	Ewing, Alexander
I-Catalogue NumberI-Cat. No.	IAE 1
Year/Date of CompositionY/D of Comp.	1861 in Hymns Ancient and Modern (Monk, William Henry) (London: Novello and Co.), no.228
Librettist	John Mason Neale
Language	English
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	voice

This was also published as No.412 in The English Hymnal (Various), also at hymnary.org.
Ewing apparently only wrote the tune to this, and in the 1861 hymnal, the hymn does not credit the person who did the harmonization. However, the title page says the collection was "compiled and arranged under the musical editorship of William Henry Monk". He was himself an organist, so the strong possibility is that the harmonization is his.