If Women Could Be Fair, T 227 (Byrd, William)

Movements/SectionsMov'ts/Sec's 1
First Publication 1588 in Psalmes, Sonets and Songs
Genre Categories Songs; For 5 voices; For unaccompanied voices; [12 more...]Scores featuring the voice; For voice, unspecified instruments; Scores with open instrumentation; For voices with solo instruments; English language; For voice, 2 lutes (arr); For voices with solo instruments (arr); Scores featuring the voice (arr); Scores featuring the soprano voice (arr); Scores featuring the lute (arr); For voice, 2 guitars (arr); Scores featuring the guitar (arr)

Contents

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Performances [show]

Sheet Music

Scores and Parts

Editor Allen Garvin
Publisher. Info. Dallas: Hawthorne Early Music, 2013.
Copyright
Creative Commons Attribution-NonCommercial 3.0
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Arrangements and Transcriptions

For Soprano and 2 Lutes (Höger)
Arranger Anton Höger
Publisher. Info. Anton Höger
Copyright
Creative Commons Attribution Non-commercial 3.0
Misc. Notes Intabulation in French lute-tablature (g-Lutes). If performed I would look forward about a small reference to my efforts.
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For Soprano and 2 Guitars (Höger)

 Complete Score
#425060 - 0.10MB, 5 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 109×⇩ - Hoeger

PDF typeset by arranger
Hoeger (2016/6/2)

Arranger Anton Höger
Publisher. Info. Anton Höger
Copyright
Creative Commons Attribution 4.0
Misc. Notes If performed I would look forward about a small reference to my efforts.
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General Information

Work Title If women could be fair
Alternative. Title
Composer Byrd, William
Internal Reference NumberInternal Ref. No. IWB 56
Key C Mixolydian mode
Movements/SectionsMov'ts/Sec's 1
First Publication. 1588 in Psalmes, Sonets and Songs
Librettist Edward, Earl of Oxford
Language English
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 5 voices

Navigation etc.

  • According to Grove Music, the preface to the Psalmes, Sonets and Songs collection includes "a clear explanation that most of the songs had originally been for one voice and instrumental consort but had been adapted to words in all the five parts." However, this particular song does not have the symbol next to it in the work list that would indicate it was "known in earlier consort song version", so it presumably was only known in the 5-voice version.
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