Hodie nata est beata Maria (Aleotti, Vittoria)

Movements/SectionsMov'ts/Sec's	1 movement
Composition Year	1593 or before

Performances

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Synthesized Performance
*#901196 - 2.73MB - 1:59 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 14×⇩ - MP3 - Bbrolsma

MP3 file (audio)
Bbrolsma (2024/2/23)

Publisher Info.	Bruce Brolsma, 2024.
Performers	Synthesized/MIDI
Copyright	Creative Commons Attribution-ShareAlike 4.0 [tag/del]
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Complete Score
*#901194 - 0.75MB, 13 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 155×⇩ - Bbrolsma

PDF typeset by editor
Bbrolsma (2024/2/23)

Engraving file (Finale)
*#901195 - 0.02MB, ? pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 14×⇩ - Bbrolsma

ZIP typeset by editor
Bbrolsma (2024/2/23)

Editor	Bruce Edward Brolsma (b. 1948)
Publisher. Info.	Bruce Edward Brolsma, 2024.
Copyright	Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes	Video: YouTube
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Work Title	Hodie nata est beata Maria
Alternative. Title
Composer	Aleotti, Vittoria
I-Catalogue NumberI-Cat. No.	IVA 8
Movements/SectionsMov'ts/Sec's	1 movement
Year/Date of CompositionY/D of Comp.	1593 or before
First Publication.	1593
Librettist	Catholic Liturgy, observance of the Nativity of the Blessed Virgin Mary
Language	Latin
Average DurationAvg. Duration	2 minutes
Composer Time PeriodComp. Period	Renaissance
Piece Style	Renaissance
Instrumentation	7 voices (SSATTTB)
Extra Information	The 7 parts are in two antiphonal choirs (SAT + STTB). The first woman to have her sacred music published, in Sacrae cantiones quinque, septem, octo, & decem vocibus decantanda (“Sacred songs to be sung in five, seven, eight, and ten voices”), published in Venice by Ricciardo Amadino in 1593.