Number |
Title |
Subtitle |
Composer |
Publication Date |
Piano Volume |
Notes
|
01 |
Grand March |
Processions, pageants etc. |
Finck |
1922 |
01 |
|
02 |
Graceful Dance |
Various light scenes |
Finck |
1922 |
01 |
|
03 |
Humoresque |
Miscellaneous light episodes |
Finck |
1922 |
01 |
|
04 |
Hurry |
General use, comic scenes etc. |
Finck |
1922 |
01 |
|
05 |
Dramatic Love Scene |
|
Finck |
1922 |
01 |
|
06 |
Children's March |
Playful scenes |
Finck |
1922 |
01 |
date for score/parts, piano arrangement is entitled Miniature March
|
07 |
Conversational |
Drawing room or quiet neutral scenes |
Howgill |
1922 |
02 |
date for score/parts/piano arr., published under the pseudonym Frederic Noyes
|
08 |
Light Agitato |
For scenes of excitement, anxiety, unrest, fear and impending danger |
Howgill |
1922 |
02 |
date for score/parts/piano arr., published under the pseudonym Frederic Noyes
|
09 |
Jollifications |
For inn, bar, and all scenes of gaiety |
Howgill |
1922 |
02 |
date for score/parts/piano arr., published under the pseudonym Frederic Noyes
|
10 |
Agitato |
For riots, fights and escapes |
Howgill |
1922 |
02 |
date for score/parts/piano arr., published under the pseudonym Frederic Noyes
|
11 |
Dramatic Finale |
For denouncements and passionate scenes |
Howgill |
1922 |
02 |
published under the pseudonym Frederic Noyes
|
12 |
Heavy Agitato |
For fights and struggles |
Howgill |
1922 |
02 |
date for score/parts/piano arr., published under the pseudonym Frederic Noyes
|
13 |
A Simple Love Episode |
|
Haines |
1922 |
03 |
|
14 |
Orientale |
For Eastern scenes with a gay interlude |
Haines |
1922 |
03 |
date for score/parts/piano arr. Piano arr. published under the title Oriental
|
15 |
Comedy Allegro |
One-Step (with effects) Especially suitable for final ballroom dance |
Haines |
1922 |
03 |
piano arr. published under the title Don't Miss the Train
|
16 |
Storm or Fire Music |
|
Haines |
1922 |
03 |
|
17 |
Sad Thoughts |
Slightly agitato |
Haines |
1922 |
03 |
piano arr. published under the title Plaintive-Romantic
|
18 |
Mysterioso |
Death, Funeral Processions, etc. |
Haines |
1922 |
03 |
piano arr. published under the title Burglary Scenes
|
19 |
Pathetic Melody |
|
Borch |
1922 |
04 |
date for score/parts
|
20 |
Agitato |
|
Borch |
1922 |
04 |
date for score/parts
|
21 |
Passionato |
|
Borch |
1922 |
04 |
date for score/parts
|
22 |
A Pathetic Story |
|
Borch |
1922 |
04 |
date for score/parts
|
23 |
Enigma |
Stealthy, mysterious |
Borch |
1922 |
04 |
date for score/parts
|
24 |
Mysterious March |
|
Borch |
1922 |
04 |
date for score/parts
|
25 |
Passion |
|
Borch |
1923 |
05 |
date for score/parts/piano arr.
|
26 |
Triste convoi |
|
Borch |
1923 |
05 |
date for score/parts/piano arr.
|
27 |
Enchantress |
|
Borch |
1923 |
05 |
date for score/parts/piano arr.
|
28 |
Agitation |
|
Borch |
1923 |
05 |
date for score/parts/piano arr.
|
29 |
Amour déçu |
|
Borch |
1923 |
05 |
date for score/parts/piano arr.
|
30 |
Dans les bois |
|
Borch |
1923 |
05 |
date for score/parts/piano arr.
|
31 |
Broken Hearts |
For emotion, passion and pathos |
Somerville |
1924 |
06 |
date for score/parts
|
32 |
Smiles |
For comedy and humour |
Somerville |
1924 |
06 |
date for score/parts
|
33 |
A Dance Measure |
For gaiety and merry-making |
Somerville |
1924 |
06 |
date for score/parts
|
34 |
Moments of Tenderness |
For love and sentiment |
Somerville |
1924 |
06 |
date for score/parts
|
35 |
Caprice |
For pleasantry and cajolery |
Somerville |
1924 |
06 |
date for score/parts
|
36 |
Storm and Strife |
For storm, battle and excitement |
Somerville |
1924 |
06 |
date for score/parts
|
37 |
A Street in Algiers |
|
Ansell |
1925 |
07 |
date for score/parts/piano arr.
|
38 |
In Pekin |
|
Ansell |
1925 |
07 |
date for score/parts/piano arr.
|
39 |
Arab Dance |
|
Ansell |
1925 |
07 |
date for score/parts/piano arr.
|
40 |
In a Japanese Garden |
|
Ansell |
1925 |
07 |
date for score/parts/piano arr.
|
41 |
The Indian Juggler |
|
Ansell |
1925 |
07 |
date for score/parts/piano arr.
|
42 |
Egyptian Dance |
|
Ansell |
1925 |
07 |
date for score/parts/piano arr.
|
43 |
Skaters Galop |
|
Fahrbach Jr. |
1925 |
08 |
arranged by Aubrey Winter
|
44 |
Comedy Galop |
|
Fahrbach Jr. |
1925 |
08 |
arranged by Aubrey Winter
|
45 |
Military Galop |
|
Barthmann |
1925 |
08 |
arranged by Aubrey Winter
|
46 |
Kiddy Galop |
|
Latann |
1925 |
08 |
arranged by Aubrey Winter
|
47 |
Aeroplane Galop |
|
Lamothe |
1925 |
08 |
arranged by Aubrey Winter
|
48 |
Mounted Police Galop |
|
Thiere |
1925 |
08 |
arranged by Aubrey Winter
|
49 |
Dramatic Andante |
For scenes of grief and deep emotion |
Howgill |
1925 |
09 |
published under the pseudonym Frederic Noyes
|
50 |
Sorrow |
For partings and scenes of grief, or can be used as an Irish theme |
Howgill |
1925 |
09 |
published under the pseudonym Frederic Noyes
|
51 |
Light Agitato |
For scenes of fear, unrest and mental agitation |
Howgill |
1925 |
09 |
published under the pseudonym Frederic Noyes
|
52 |
Dramatic Tension |
For scenes of suppressed emotion and pleading |
Howgill |
1925 |
09 |
published under the pseudonym Frederic Noyes
|
53 |
Pathetique |
For scenes of deep sorrow |
Howgill |
1925 |
09 |
published under the pseudonym Frederic Noyes
|
54 |
Dramatic Finale |
For Denouements and heavy dramatic scenes |
Howgill |
1925 |
09 |
published under the pseudonym Frederic Noyes
|
55 |
The Ambush |
For fights and struggles |
Howgill |
1925 |
10 |
published under the pseudonym Edouard Patou
|
56 |
A Vain Hope |
For mysterious agitation |
Howgill |
1925 |
10 |
published under the pseudonym Edouard Patou
|
57 |
Desolation |
For scenes of extreme unhappiness, brooding and despair |
Howgill |
1925 |
10 |
published under the pseudonym Edouard Patou
|
58 |
Flick and Flock |
For crowds, bustle and excitement |
Howgill |
1925 |
10 |
published under the pseudonym Edouard Patou
|
59 |
The Sacrifice |
For tragic scenes |
Howgill |
1925 |
10 |
published under the pseudonym Edouard Patou
|
60 |
Catastrophe |
For denouements and heavy dramatic scenes |
Howgill |
1925 |
10 |
published under the pseudonym Edouard Patou
|
61 |
Joys of Innocence |
Pastorale Prelude |
Fletcher |
1926 |
11 |
Six Cameos for a Costume Comedy, date for score/parts/piano arr.
|
62 |
Powder and Patches |
Courtly Measure |
Fletcher |
1926 |
11 |
Six Cameos for a Costume Comedy, date for score/parts/piano arr.
|
63 |
Love's Awakening |
Tender Melody |
Fletcher |
1926 |
11 |
Six Cameos for a Costume Comedy, date for score/parts/piano arr.
|
64 |
Treachery and Vengeance |
Malicious Episode |
Fletcher |
1926 |
11 |
Six Cameos for a Costume Comedy, date for score/parts/piano arr.
|
65 |
A Song of Supplication |
Plaintive Theme |
Fletcher |
1926 |
11 |
Six Cameos for a Costume Comedy, date for score/parts/piano arr.
|
66 |
Gay Gallantry |
Pageant Dance or Ceremonial Reception |
Fletcher |
1926 |
11 |
Six Cameos for a Costume Comedy, date for score/parts/piano arr.
|
67 |
Elegance |
|
Clutsam |
1926 |
12 |
date for score/parts
|
68 |
Love-Motive |
|
Clutsam |
1926 |
12 |
date for score/parts
|
69 |
Afterglow |
|
Clutsam |
1926 |
12 |
|
70 |
Pastime |
|
Clutsam |
1926 |
12 |
|
71 |
Appassionata |
|
Clutsam |
1926 |
12 |
|
72 |
Processional |
|
Clutsam |
1926 |
12 |
|
73 |
A Breezy Evening |
On Shore |
Howgill |
1926 |
13 |
Nautical themes
|
74 |
Farewell |
|
Howgill |
1926 |
13 |
Nautical themes
|
75 |
Fun on Deck |
|
Howgill |
1926 |
13 |
Nautical themes
|
76 |
The Naval Review |
|
Howgill |
1926 |
13 |
Nautical themes
|
77 |
In Love |
|
Howgill |
1926 |
13 |
Nautical themes
|
78 |
Leaving Port |
Homeward Bound |
Howgill |
1926 |
13 |
Nautical themes
|
79 |
The Accusation |
Dramatic finale; For denouements and passionate scenes |
Howgill |
1927 |
14 |
published under the pseudonym Edouard Patou
|
80 |
The Tragic Discovery |
Dramatic andante; For scenes of misfortune and tragedy |
Howgill |
1927 |
14 |
published under the pseudonym Edouard Patou
|
81 |
The Joy-Riders |
Hurry; For crowds, bustle and excitement |
Howgill |
1927 |
14 |
published under the pseudonym Edouard Patou
|
82 |
The Rebellion |
Agitato; For fights and struggles |
Howgill |
1927 |
14 |
published under the pseudonym Edouard Patou
|
83 |
Lost Happiness |
For sad love scenes |
Howgill |
1927 |
14 |
published under the pseudonym Edouard Patou
|
84 |
The Scandal-Mongers |
For gossip scenes |
Howgill |
1927 |
14 |
published under the pseudonym Edouard Patou
|
85 |
Witty Witch |
Misterioso |
Finck |
1927 |
15 |
Six Humorisms, date for score/parts
|
86 |
Jocoso |
Comedy galop |
Finck |
1927 |
15 |
Six Humorisms, date for score/parts
|
87 |
Giggles and Chuckles |
One Step |
Finck |
1927 |
15 |
Six Humorisms, date for score/parts
|
88 |
A Ticklish Tale |
One Step |
Finck |
1927 |
15 |
Six Humorisms, date for score/parts
|
89 |
The Toy Bandit |
Allegro vivo |
Finck |
1927 |
15 |
Six Humorisms, date for score/parts
|
90 |
A Rustic Race |
|
Finck |
1927 |
15 |
Six Humorisms, date for score/parts
|
91 |
The Shepherd |
|
Borch |
1927 |
16 |
date for score/parts/piano arr.
|
92 |
Infernal or Witch Scene |
|
Borch |
1927 |
16 |
date for score/parts/piano arr.
|
93 |
Prayer |
|
Borch |
1927 |
16 |
date for score/parts/piano arr.
|
94 |
Love Scene |
|
Borch |
1927 |
16 |
date for score/parts/piano arr.
|
95 |
Religious Scene |
|
Borch |
1927 |
16 |
date for score/parts/piano arr.
|
96 |
Frolic |
For Happiness and Fun |
Borch |
1927 |
16 |
date for score/parts/piano arr.
|