Harmony of Harmony (French, Jacob)

Movements/SectionsMov'ts/Sec's	In Five Parts. Containing, I. The Ground Work, or Principles of Music, by way of Question and Answer. II. The Gamut, or Scale of Music, in a very Plain and Concise Method, together with Observations on Music. III. A Complete Set of Psalm Tunes, Adapted to all the different Metres and Keys usually sung in Churches. IV. A Number of Pieces Set to Particular Psalms and Hymns, together with Odes, Fuging and Flying Pieces. V. A Number of Anthems, Suitable for different occasions.
First Publication	1802
Genre Categories	Sacred hymns; Hymns; Religious works; Psalms; Anthems; Odes; For 4 voices; For unaccompanied voices; Scores featuring the voice; For mixed chorus; Scores featuring mixed chorus; For unaccompanied chorus; English language

Sheet Music

Complete Score
*#271316 - 11.54MB, 164 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 271×⇩ - Fynnjamin

PDF scanned by archive.org
Fynnjamin (2013/2/26)

Publisher. Info.	Northampton, MA: Andrew Wright, for the Compiler, 1802.
Copyright	Public Domain [tag/del]
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Work Title	Harmony of Harmony
Alternative. Title	Harmony of Harmony. By Jacob French, Musico Theorico. Author of the New American Melody, and Psalmodist's companion.
Composer	French, Jacob
I-Catalogue NumberI-Cat. No.	IJF 1
Movements/SectionsMov'ts/Sec's	In Five Parts. Containing, I. The Ground Work, or Principles of Music, by way of Question and Answer. II. The Gamut, or Scale of Music, in a very Plain and Concise Method, together with Observations on Music. III. A Complete Set of Psalm Tunes, Adapted to all the different Metres and Keys usually sung in Churches. IV. A Number of Pieces Set to Particular Psalms and Hymns, together with Odes, Fuging and Flying Pieces. V. A Number of Anthems, Suitable for different occasions.
First Publication.	1802
Language	English
Composer Time PeriodComp. Period	Classical
Piece Style	Classical
Instrumentation	4 voices

Contains the first published version of a section in Billings' Easter Anthem that has not been positively identified as the composer's own work.