Geistlicher Concerten und Harmonien, Theil 1 (Profe, Ambrosius)

Movements/SectionsMov'ts/Sec's 25 pieces
First Publication 1641
Genre Categories Sacred concertos; Concertos; Religious works; Motets; Methods; For voice, continuo; For voices with continuo; Scores featuring the voice; Scores with basso continuo; For 2 voices, continuo; For 3 voices, continuo; For 4 voices, continuo; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; For 5 voices, continuo; For mixed chorus, continuo; Scores featuring mixed chorus; For chorus with continuo; For voice, 2 violins, continuo; For voices with solo instruments; Scores featuring the violin; For 5 voices, 2 violins, continuo; For 6 voices, 2 violins, continuo; For 7 voices, 2 violins, continuo; For mixed chorus, 2 violins, continuo; For chorus with solo instruments; Latin language; German language

Sheet Music

Scores

 No 23 Ehre Sey Gott (Sweelinck?)
#602747 - 0.15MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 503×⇩ - Ks

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Ks (2019/12/24)

Editor Klaas Spijker
Publisher. Info. Klaas Spijker, 2019.
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
Misc. Notes no XXIII of Profe's Geistliche Concert Theil I
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Parts

 Cantus
#383225 - 56.06MB, 32 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 269×⇩ - Tim.willis1685

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Tim.willis1685 (2015/6/24)

⇒ 5 more: Altus & Violino 2 • Tenor • Bassus • Quinta Vox & Violino I • Bassus Generalis

 Altus & Violino 2
#383226 - 46.13MB, 27 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 121×⇩ - Tim.willis1685

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Tim.willis1685 (2015/6/24)

 Tenor
#383228 - 78.16MB, 45 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 135×⇩ - Tim.willis1685

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Tim.willis1685 (2015/6/24)

 Bassus
#383229 - 47.40MB, 27 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 116×⇩ - Tim.willis1685

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Tim.willis1685 (2015/6/24)

 Quinta Vox & Violino I
#383230 - 39.02MB, 23 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 105×⇩ - Tim.willis1685

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Tim.willis1685 (2015/6/24)

 Bassus Generalis
#383231 - 68.46MB, 39 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 165×⇩ - Tim.willis1685

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Tim.willis1685 (2015/6/24)

Publisher. Info. Wrocław: Christoph Jacob Buchhandlers, 1641
Leipzig: Henning Köler, 1641
Copyright
Public Domain [tag/del/mrg]
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General Information

Work Title Erster Theil Geistlicher Concerten und Harmonien
Alternative. Title
Composer Profe, Ambrosius
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 25 pieces
  1. Anonymous: O Domine ; Wo soll ich nauß (tenor/soprano, continuo)
  2. Alessandro Grandi: Exaudi me Domine (alto, continuo)
  3. Grandi: Cantabo Domine (soprano, continuo)
  4. Petro Francesco: Cantate Domino (soprano, continuo)
  5. Giovanni Felice Sances: Conditor Coeli (tenor/soprano, continuo)
  6. Grandi: Salvum me fac (bass, continuo)
  7. Grandi: Bone Jesu Verbum Patris ; Jesu du wort deines Vaters (2 tenors/sopranos, continuo)
  8. Tarquinio Merula: O Jesu mi dulcissimae (2 tenors/sopranos, continuo)
  9. Grandi: Confitebor (alto, 2 violins, continuo)
  10. Grandi: Decantabat (tenor, 2 violins, continuo)
  11. Grandi: Sonent Citharae (tenor, 2 violins, continuo)
  12. Claudio Monteverdi: Jesum viri (2 tenors/soprano, bass, continuo)
  13. Giovanni Rovetta: Dulcis Christe (alto, tenor, bass, continuo)
  14. Rovetta: Gaude laetare ; Nomen Jesu (2 tenors/sopranos, bass, continuo)
  15. Rovetta: Cantate (SATB, continuo)
  16. Grandi: Domini ne in furore (SATB, continuo)
  17. Orazio Tarditi: Dominus illuminatio (SATB, continuo)
  18. Tarditi: Anima Christi (SSAB, continuo)
  19. Grandi: Date Nomini con Sinfonia (ATTB, continuo)
  20. Rovetta: In te Domine (SSATB, continuo)
  21. Ignazio Donati: Dulcis Amor Jesu (SATTB, continuo)
  22. Orazio Vecchi: O Deus ; Da Jacob sahe (SATTB, continuo)
  23. Jan Pieterszoon Sweelinck: Ehre sey Gott (SSATB, continuo)
  24. Grandi: Factum est Silentium (SSATB, 2 violins, chittarone, continuo)
  25. Rovetta: Missa
Kyrie (SSATB, 2 violins, continuo)
Gloria (SSATTB, 2 violins, continuo)
Credo (SSATTBB, 2 violins, continuo)
First Publication. 1641
Language Latin, German
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 1-5 voices, continuo; voice, 2 violins, continuo; 5-7 voices, 2 violins, continuo

Navigation etc.

Erster Theil Geistlicher Concerten und Harmonien à 1. 2. 3. 4. 5. 6. 7. & c. Vocibus, cum & sine Violinis, & Basso ad Organa: Auß den berühmbsten Italianischen und andern Autoribus, so theils neben ihren eigenen mit noch mehren, theils auch mit andern Texten beleget, und zu Lobe Gottes, und Fortpflantzung der edlen Music, auff vieler Begehren und Gefallen, colligiret und zum öffentlichen Druck befördert durch Ambrosium Profium, Organisten zu St. Elisabeth in Breßlaw : Dabey auch kurtze Anleitung gesetzet, wie ein junger Mensch leichtlich, und mit geringer Mühe, ohne einige mutation, in kurtzer Zeit singen möge lernen: Neben Erklärung etlicher Terminorum, so in solchen und dergleichen Concerten vorzufallen pflegen.

[...] With it also a short introduction, how a young person may, easily, with little effort and without mutation, in a short time learn to sing: [...]

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