Flute Quartet No.2 (Torre, Salvador)

Contents

Performances

Recordings

MP3 file (audio)
SalvaTorré (2015/5/23)

Publisher Info. Salvador Torre
Performers Salvador Torré and Clara Novakova, Paris, 1988
Copyright
Misc. Notes In the recording there is two versions for Crossnotes (3th. mvt.): Diagonal reading and 'Normal' reading
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Sheet Music

Scores and Parts

Constellatio

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SalvaTorré (2015/2/17)

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SalvaTorré (2015/2/17)

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SalvaTorré (2015/2/17)

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SalvaTorré (2015/2/17)

Publisher. Info. Salvador Torré
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Misc. Notes Is very important to read carefully the 'Directions for performance' before beginning assembly this work, downloadable here
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Puzzle

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SalvaTorré (2015/2/17)

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SalvaTorré (2015/2/17)

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SalvaTorré (2015/2/17)

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SalvaTorré (2015/2/17)

Publisher. Info. Salvador Torré
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Misc. Notes Is very important to read carefully the 'Directions for performance' before beginning assembly this work, downloadable here
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Crossnotes

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SalvaTorré (2015/2/17)

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SalvaTorré (2015/2/17)

Publisher. Info. Salvador Torré
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Misc. Notes Is very important to read carefully the 'Directions for performance' before beginning assembly this work, downloadable here
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Sandclock

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SalvaTorré (2015/2/17)

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SalvaTorré (2015/2/17)

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SalvaTorré (2015/2/17)

Publisher. Info. Salvador Torré
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Misc. Notes Is very important to read carefully the 'Directions for performance' before beginning assembly this work, downloadable here
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Other

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SalvaTorre (2015/2/17)

PDF typeset by composer
SalvaTorre (2015/2/17)

Publisher. Info. Salvador Torre
Copyright
Misc. Notes Is very important to read carefully the 'Directions for performance' before beginning assembly this work, downloadable here.
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General Information

Work Title Cuarteto de flautas No. 2
Alternative. Title Quatuor de flûtes No.2
Composer Torre, Salvador
I-Catalogue NumberI-Cat. No. IST 21
Movements/SectionsMov'ts/Sec's 4 sections
  1. Constellatio
  2. Puzzle
  3. Crossnotes
  4. Sandclock
Year/Date of CompositionY/D of Comp. 1988
Dedication To Cage, Schoenberg, Varèse, Boulez, Messiaen, Berio, Beethoven, Webern, Berg, Bartók, Bach, Reich, Africa
Average DurationAvg. Duration Variable
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation Piccolo, Flute in C, Alto Flute in G, Bass Flute
Related Works Adaptation of Homm-Ages

Navigation etc.

Flute Quartet No.2 'Homm-ages' - the flutists have to be spatialized in the concert hall. Homm-ages are several tributes to the twentieth century composers who were pioneers of various musical revolutions, they are little musical pieces each one devoted to one or more composers applying the technique that each composer utilized, for example: Cage utilized star maps to compose, hence a constellation is formed, Messiaen was inspired by the birds singing and their intricate rhythms, Berio used a novel space-time writing but that space-time was already inherent in musical notation invented by Guido D'Arezzo in the year one thousand. Reich uses a melodic cell repeated ad infinitum but it changes imperceptibly. With all this we find that these procedures existed in other eras of history of music but under a different light. Each musician plays each of these pieces of (almost) -independent, so that each piece or movement is a kind of "collage" in which the piece overlaps itself, this overlap must be set to the sound space thanks to which musicians are placed in different parts of the concert-hall spreading sounds among the public, providing distance and location of sound sources in a three dimensional space.