Fantasia No.3 (Steigleder, Johann Ulrich)

First Publication 1627
Genre Categories Fantasias; For organ; Scores featuring the organ; For 1 player; For 4 guitars (arr); Scores featuring the guitar (arr); For 4 players (arr)

Contents

Performances

Recordings

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Synthesized/MIDI

 Computer Synthesized Performance
#533959 - 2.58MB - 2:15 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 20×⇩ - MP3 - Hoeger

MP3 file (audio)
Hoeger (2018/7/30)

Publisher Info. Anton Höger
Performers Computer
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
Misc. Notes Because most of my transcriptions are never heard before, I decided to make a simple computer synthesized audio file for hearing control.
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Sheet Music

Arrangements and Transcriptions

For 4 Guitars (Höger)

 Complete Score
#533956 - 0.10MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 87×⇩ - Hoeger

PDF typeset by arranger
Hoeger (2018/7/30)

 Guitar 1&2
#533957 - 0.08MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 35×⇩ - Hoeger

PDF typeset by arranger
Hoeger (2018/7/30)

 Guitar 3&4
#533958 - 0.08MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 33×⇩ - Hoeger

PDF typeset by arranger
Hoeger (2018/7/30)

Arranger Anton Höger
Publisher. Info. Anton Höger
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del/mrg]
Misc. Notes If performed I would look forward about a small reference to my efforts.
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General Information

Work Title 3. Fantasia, oder Fugen Manier à 4 Vocum
Alternative. Title
Composer Steigleder, Johann Ulrich
I-Catalogue NumberI-Cat. No. IJS 19
First Publication. 1627
Composer Time PeriodComp. Period Baroque
Piece Style Renaissance
Instrumentation organ? (see below, Comments)
Extra Information Tabulatur Buch darinnen dass Vater unser 1627

Navigation etc.

Tagging is subject to corrections, since, according to Wikipedia, "This collection was intended for the church organist, and Steigleder specifically states that the performer may choose how many variations to play, which ones and in what sequence. Certain variations call for a supporting instrument or singer to reinforce the chorale melody. Steigleder employs a vast array of techniques from simple 2 voice settings to double counterpoint, extensive multi-sectional fantasies and toccatas, various canons, hocket, and many more." Since some of the settings did not involve only organ, we really need to look at the whole collection in its original form to get accurate tags. Tagged for organ alone for now.

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