Experiences of a Theme (Cameron, David)

Sheet Music

• Scores and Parts (6)
• Arrangements and Transcriptions (0)
• Libretti (0)
• Other (0)
• Source Files (0)

Scores and Parts

 Complete Score
*#405211 - 0.82MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 743×⇩ - David Cameron

PDF typeset by composer
David Cameron (2016/1/1)

⇒ 5 more: Violins I • Violins II • Violas • Cellos • Basses (ad lib.)

 Violins I
*#405212 - 0.24MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 182×⇩ - David Cameron

PDF typeset by composer
David Cameron (2016/1/1)

 Violins II
*#405213 - 0.26MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 108×⇩ - David Cameron

PDF typeset by composer
David Cameron (2016/1/1)

 Violas
*#405214 - 0.24MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 110×⇩ - David Cameron

PDF typeset by composer
David Cameron (2016/1/1)

 Cellos
*#405215 - 0.17MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 119×⇩ - David Cameron

PDF typeset by composer
David Cameron (2016/1/1)

 Basses (ad lib.)
*#405216 - 0.21MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 109×⇩ - David Cameron

PDF typeset by composer
David Cameron (2016/1/1)

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General Information

Navigation etc.

• The piece explores treatments of a theme introduced in measure 5, and also of the supporting ground bass. The ground bass, altered, becomes the subject of the fugue.
• A reasonably competent cellist is required to play, with authority, the cadenza-like solo following measure 101--or alternatively to provide her/his own cadenza.