Epithalames (Besset, Julian Raoul)

Movements/SectionsMov'ts/Sec's 5
Composition Year 2015 (June)
Genre Categories Epithalamia; Wedding music; For violin, double bass, piano; Scores featuring the violin; Scores featuring the double bass; Scores featuring the piano; For 3 players

Contents

Performances

Recordings

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Synthesized/MIDI

 Complete Performance
#382438 - 8.85MB - 9:40 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 137×⇩ - MP3 - Jurabe

MP3 file (audio)
Jurabe (2015/6/18)

Publisher Info. Julian Raoul Besset
Performers Composer
Copyright
Creative Commons Attribution-NonCommercial-NoDerivs 4.0 [tag/del]
Misc. Notes Processed with Aria Player (multi)
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Sheet Music

Scores and Parts

 Complete Score
#382320 - 0.19MB, 21 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 555×⇩ - Jurabe

PDF typeset by composer
Jurabe (2015/6/17)

 Violin
#382321 - 0.08MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 131×⇩ - Jurabe

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Jurabe (2015/6/17)

 Double Bass
#382322 - 0.06MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 134×⇩ - Jurabe

PDF typeset by composer
Jurabe (2015/6/17)

 Covers
#382323 - 0.06MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 80×⇩ - Jurabe

PDF typeset by composer
Jurabe (2015/6/17)

Publisher. Info. Julian Raoul Besset
Copyright
Creative Commons Attribution-NonCommercial-NoDerivs 4.0 [tag/del/mrg]
Purchase
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General Information

Work Title Epithalames
Alternative. Title
Composer Besset, Julian Raoul
I-Catalogue NumberI-Cat. No. IJB 16
Movements/SectionsMov'ts/Sec's 5 sections
  1. Un dans Deux et Trois / One in Two and Three
  2. Mouvement d'Eux / Movement To
  3. Avant Cent / For Warding
  4. Deux Cueillent / Two Gather
  5. Jusqu'en Fin / To the End
Year/Date of CompositionY/D of Comp. 2015 (June)
First Publication. 2015
Dedication Emilie & Stéphane Chagnon
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation violin, double bass, piano

Navigation etc.

A companion piece of 12 Folk-Dances from Denmark arranged for violin and double bass. The first movement is more akin to a duo with a sporadic piano accompaniment. It was improvised then tested as a duo with the dedicatee who suggested it could be expanded with a piano part. The other movements were added as regular trios with bizarre (i.e. punning) circumstantial titles.

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