Elegie in Form einer Sinfonie, Op.58 (Lachner, Franz Paul)

Movements/SectionsMov'ts/Sec's 3 movements
Composition Year 1837 ca.
Genre Categories Elegies; Funeral music; For orchestra; [5 more...]Scores featuring the orchestra; For piano 4 hands (arr); Scores featuring the piano (arr); Scores featuring the piano 4 hands (arr); For 2 players (arr)
Related Works The opening movement, the scherzo, and the fugal finale were incorporated into Lachner's Suite No.7, Op.190.

Sheet Music

Scores

⇒ 4 more: I. Andante — Allegro assai (segment 2) • I. Andante — Allegro assai (segment 3) • II. Scherzo. Allegro assai • III. Fantasie und Fuge (incomplete)

Publisher. Info. Manuscript, n.d.(ca.1840). — copyist's manuscript
Copyright
Public Domain
Misc. Notes ca.300dpi color images. D-Mbs Mus.ms. 5925.
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Publisher. Info. Holograph manuscript, 1837.
Copyright
Public Domain
Misc. Notes ca.300dpi color images. D-Mbs Mus.ms. 5879
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Arrangements and Transcriptions

For Piano 4 Hands (Esser)

 Complete Score
#703557 - 88.27MB, 46 pp. -  0/10 2 4 6 8 10 (0) - V/V/V - 18×⇩ - Cypressdome

PDF scanned by D-Mbs
Cypressdome (2021/5/27)

Arranger Heinrich Esser
Publisher. Info. Manuscript, n.d.(ca.1840).
Copyright
Public Domain
Misc. Notes ca.300dpi color images. D-Mbs Mus.ms. 5876. At end of score: "München d. 8. Februar, H. Esser."
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General Information

Work Title Elegie in Form einer Sinfonie
Alternative. Title Symphony No.7
Composer Lachner, Franz Paul
Opus/Catalogue NumberOp./Cat. No. Op.58
Internal Reference NumberInternal Ref. No. IFL 136
Key D minor
Movements/SectionsMov'ts/Sec's 3 movements:
I. Andante — Allegro assai
II. Scherzo. Allegro assai
III. Fantasie. Allegro non troppo — Andante; Fugue. Allegro moderato
Year/Date of CompositionY/D of Comp. 1837 ca.
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Orchestra: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons
4 horns, 2 trumpets, 3 trombones, timpani, strings
Related Works The opening movement, the scherzo, and the fugal finale were incorporated into Lachner's Suite No.7, Op.190.
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