El santuario del valle (Marqués, Miguel)

Movements/SectionsMov'ts/Sec's 2 acts (8 musical numbers)
Composition Year 1879
Genre Categories Zarzuelas; Theatrical Works; Revues; For voices, orchestra; Scores featuring the voice; Scores featuring the orchestra; For voices with orchestra; Spanish language

Sheet Music

Vocal Scores

 Nos.1-3, 7-8
#554070 - 6.12MB, 32 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 11×⇩ - Іоахимъ

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Іоахимъ (2018/12/25)

⇒ 5 more: 1. Prelude • 2. Romanza • 3. Dúo cómico • 7. Preludio • 8. Romanza

 1. Prelude
#554071 - 1.21MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 5×⇩ - Іоахимъ

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 2. Romanza
#554072 - 1.62MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 6×⇩ - Іоахимъ

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 3. Dúo cómico
#554073 - 1.89MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 5×⇩ - Іоахимъ

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Іоахимъ (2018/12/25)

 7. Preludio
#554074 - 1.00MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 5×⇩ - Іоахимъ

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Іоахимъ (2018/12/25)

 8. Romanza
#554075 - 1.43MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 5×⇩ - Іоахимъ

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Іоахимъ (2018/12/25)

Arranger Manuel Nieto (1844-1915)
Publisher. Info. Madrid: Romero y Marzo, n.d.(ca.1879). Plate 5430-34.
Copyright
Public Domain [tag/del/mrg]
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General Information

Work Title El santuario del valle
Alternative. Title Balada en dos actos
Composer Marqués, Miguel
I-Catalogue NumberI-Cat. No. IMM 15
Movements/SectionsMov'ts/Sec's 2 acts (8 musical numbers):
  • Act I:
1. Preludio
2. Romanza. Un sacrificio pide el deber (María)
3. Dúo cómico. Es una cosa maravillosa (Rosa, Lino)
4.
5.
6.
  • Act II:
7. Preludio
8. Romanza. Sin defensa y maniatado (Ramón)
Year/Date of CompositionY/D of Comp. 1879
First Performance. 1879/02/24, Teatro de la Zarzuela
Librettist Marcos Zapata Mañas (1842–1913)
Language Spanish
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voices, orchestra

Navigation etc.

First performed on the same night as Camoëns. Nos.4-6 not filled on the cover page of the R&M vocal score, whatever this means. Also, no chorus for a 2-act zarzuela is strange. Nos. 2, 3 and 7 are mentioned in the El Imparcial review (1879/02/25). Before the performance the author was not indicated, and he was later announced to be Eduardo Perez (see the same review). However, in the published score the name of Marcos Zapata Mañas is printed.

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